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10 - From Spain to Lusophone Lands: Carmen in Portugal and Brazil

from Part II - Across Frontiers

Published online by Cambridge University Press:  18 September 2020

Richard Langham Smith
Affiliation:
Royal College of Music, London
Clair Rowden
Affiliation:
Cardiff University
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Summary

From the time of their premieres, Carmen was an immediate success both in Portugal (Lisbon, 1885, in Italian) and, before this, in Brazil (Rio de Janeiro, 1881, in French). By 1915, thanks to travelling companies, principally Italian and French, the opera was widely known and popular throughout both countries, reaching not only principal cities on the coast or up river, but also in the interior, accessible through the increasing railway networks, particularly striking in the hinterland of São Paulo. Performance conditions were very variable, with difficulties often experienced in relation to the orchestra and choruses. Audiences in Lisbon had very high expectations, which were rarely met, while in Brazil reception was much more spontaneous and appreciative. Parodies of Carmen, imported and locally produced, were a feature in both countries. In 1911 a travelling children’s company in Rio, São Paulo and the south of Brazil raised questions in the local press about working conditions and particularly child labour.

Type
Chapter
Information
Carmen Abroad
Bizet's Opera on the Global Stage
, pp. 158 - 170
Publisher: Cambridge University Press
Print publication year: 2020

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References

Newspapers and Periodical Literature

Arte Musical (Lisbon)

Correio Paulistano (São Paulo)

Diario de Pernambuco (Recife)

Diario Illustrado (Lisbon)

A Federação (Porto Alegre)

Gazeta de Noticias (Rio de Janeiro)

Jornal do Commercio (Manaus)

Jornal do Porto (Porto)

Il Lavoro (Piracicaba, São Paulo)

A Noticia (Rio de Janeiro)

Novidades (Rio de Janeiro)

O Occidente (Lisbon)

O Paiz (Rio de Janeiro)

O Primeiro de Janeiro (Porto)

A Republica (Belém)

O Seculo (Rio de Janeiro)

A Vida Moderna (Rio de Janeiro)

General Bibliography

Cerqueira, Paulo de Oliveira Castro. Um século de ópera em São Paulo. São Paulo, Editôra Guia Fiscal, 1954.Google Scholar
Kelly, Alfredo Fiorda. Cronología de las óperas: Dramas líricos, oratorios, himnos, etc. cantados en Buenos Aires. Buenos Aires, Rieira, 1934.Google Scholar
Loureiro, José Pinto. O teatro em Coimbra: Elementos para a sua história 1526–1910. Coimbra, Câmara Municipal, 1959.Google Scholar
Moreau, Mário. Cantores de ópera portugueses, 3 vols. Lisbon, Bertrand Editora, 1981–1995.Google Scholar
Moreau, Mário. Coliseu dos Recreios: um século de história. Lisbon, Quetzal Editores, 1994.Google Scholar
Moreau, Mário. O Teatro de S. Carlos: dois séculos de história, 2 vols. Lisbon, Hugin Editora, 1999.Google Scholar
Oliveira, Larissa de, and Levin, Orna Messer, eds. O Theatro: Crônicas de Arthur Azevedo. Campinas, Editora Unicamp, 2009.Google Scholar
Páscoa, Márcio. Opera em Manaus. Manaus, Editora Valer, 2009.Google Scholar
Páscoa, Márcio. Opera em Belém. Manaus, Editora Valer, 2009.Google Scholar

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