Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-26T06:12:31.815Z Has data issue: false hasContentIssue false

Part II - Across Frontiers

Published online by Cambridge University Press:  18 September 2020

Richard Langham Smith
Affiliation:
Royal College of Music, London
Clair Rowden
Affiliation:
Cardiff University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Carmen Abroad
Bizet's Opera on the Global Stage
, pp. 111 - 260
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Arditi, Luigi. My Reminiscences. New York, Dodd, Mead, 1896.Google Scholar
Arkin, L. C.The context of exoticism in Fanny Elssler’s “Cachucha”’. Dance Chronicle, 17(3), 1994, 303–25.Google Scholar
Bowen, Desmond. Paul Cardinal Cullen and the Shaping of Modern Irish Catholicism. Dublin, Gill and Macmillan, 1983.Google Scholar
Connell, K. H. Irish Peasant Society: Four Historical Essays. Oxford, Oxford University Press, 1968.Google Scholar
Gullickson, Gay L. Unruly Women of Paris: Images of the Commune. Ithaca, NY, Cornell University Press, 1996.Google Scholar
Joyce, James. ‘The dead’, in Dubliners. London, Grant Richards, 1914, 195248.Google Scholar
Levey, Richard Michael, and O’Rourke, J.. The Annals of the Theatre Royal Dublin from Its Opening in 1821 to Its Destruction by Fire, February, 1880: With Occasional Notes and Observations. Dublin, Joseph Dollard, 1880.Google Scholar
Mapleson, James Henry. The Mapleson Memoirs, ed. Rosenthal, Harold. London, Penguin Books, 1966 [orig.: London, Remington, 1888].Google Scholar
McCoole, Sinéad. No Ordinary Women: Irish Female Activists in the Revolutionary Years 1900–1923. Dublin, O’Brien Press, 2016.Google Scholar
Morash, Christopher. A History of Irish Theatre 1601–2000. Cambridge, Cambridge University Press, 2002.Google Scholar
Mordey, Delphine. ‘Carmen, communarde, Bizet, ‘Habanera’ (Carmen), Carmen, Act I’. Cambridge Opera Journal, 28(2), 2016, 215–19.Google Scholar
Oram, Hugh. The Newspaper Book: A History of Newspapers in Ireland, 1649–1983. Dublin, MO Books, 1983.Google Scholar
Ryan, W. P. The Pope’s Green Island. Boston, Small, Maynard, 1912.Google Scholar
Smith, Dennis. ‘Sensation’ Smith of Drury Lane. Edinburgh, Charles Skelton, 1984.Google Scholar
Destranges, Étienne. Le théâtre à Nantes depuis ses origines jusqu’à nos jours 1430–1901. Nantes, Jules Lessard, 1902.Google Scholar
Le Moigne-Mussat, Marie-Claire. Musique et société à Rennes aux XVIIIe et XIXe siècles. Geneva, Minkoff, 1988.Google Scholar
Mangin, Évariste, and Garnier, Édouard. Question théâtrale: Extrait du Phare de la Loire. Nantes, Mangin et Guiraud, 1875.Google Scholar
Mussat, Marie-Claire, ed. L’Opéra de Rennes: Naissance et vie d’une scène lyrique. Paris, Éditions du Layeur, 1998.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×