Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-05T10:40:09.318Z Has data issue: false hasContentIssue false

3 - Sources of Romano-Frankish Liturgy and Music

from Volume I

Published online by Cambridge University Press:  04 August 2018

Mark Everist
Affiliation:
University of Southampton
Thomas Forrest Kelly
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Amalarius of Metz. Amalarii episcopi opera liturgica omnia, ed. Hanssens, Joannes M., 3 vols., Studi e Testi 138–40. Vatican City, 1948–50; ed. and trans. in Eric Knibbs, On the Liturgy, 2 vols. Cambridge, MA: Harvard University Press, 2014.Google Scholar
Antiphonale Monasticum pro diurnis horis. Paris-Tournai: Desclée, 1934.Google Scholar
Antiphonale sacrosanctae Romanae ecclesiae pro diurnis horis. Paris-Tournai: Desclée, 1949.Google Scholar
Das Antiphonar von St. Peter: Vollständige Faksimile-Ausgabe im Originalformat des Codex Vindobonensis, series nova 2700 der Österreichischen Nationalbibliothek, with Kommentarband by Franz Unterkircher and Otto Demus. Graz: Akademische Druck- und Verlagsanstalt, 1967–74.Google Scholar
Antiphonarium Cisterciense, 2 vols. Westmalle: Typographia Ordinis Cisterciensis Strictioris Observantiae, 1947.Google Scholar
Antiphonarium Sacri Ordinis Praedicatorum pro diurnis horis. Rome: S. Sabina, 1933.Google Scholar
Apel, Willi. Gregorian Chant. Bloomington: University of Indiana Press, 1958; trans., rev., and updated by Sciucca, Marco Della, Il canto gregoriano: Liturgia, storia, notazione, modalità e techniche compositive, Musica Ragionata 10. Lucca: LIM, 1998.Google Scholar
Arlt, Wulf and Rankin, Susan, eds. Stiftsbibliothek Sankt Gallen: Codices 484 und 381, 3 vols. Winterthur: Amadeus, 1996.Google Scholar
Baroffio, Giacomo and Kim, Soo Jung, eds. Biblioteca Apostolica Vaticana. Archivio S. Pietro B 79. Antifonario della Basilica di S. Pietro (sec. XII), 2 vols., Monumenta Italiae Liturgica 1. Rome: Torre d’Orfeo, 1995.Google Scholar
Bernard, Philippe. Du chant romain au chant grégorien. Paris: Éditions du Cerf, 1996.Google Scholar
Beyssac, Gabriel M.Le graduel-antiphonaire de Mont-Renaud,” Revue de Musicologie 39–40 (1957), 131–50.Google Scholar
Bonniwell, William R. A History of the Dominican Liturgy, 2nd ed. New York: Joseph F. Wagner, 1945.Google Scholar
Boyce, James J. Praising God in Carmel: Studies in Carmelite Liturgy. Washington, DC: Carmelite Institute, 1999.Google Scholar
CANTUS. Database of antiphoner indices accessible through the website: http://cantus.uwaterloo.ca. Ontario, Canada: University of Waterloo.Google Scholar
Colette, Marie-Noël. “Le Graduel-antiphonaire, Albi Bibliothèque Municipale 44: une notation protoaquitaine rythmique,” in Cantus Planus: Papers Read at the Sixth Meeting – Eger, Hungary, September 1993. Budapest: Institute for Musicology, 1995, i: 117–39.Google Scholar
Colette, Marie-Noël. “Un Graduel-Antiphonaire-Responsorial noté sauvé de l’oubli (Palimpseste Paris B.N.F., Grec 2631), région de Turin, Xe siècle,” Revue de Musicologie 83 (1997), 5679.Google Scholar
Corpus Antiphonalium Officii, 6 vols., Rerum Ecclesiasticarum Documenta, Series Maior, Fontes 712. Rome: Herder, 1963–79.Google Scholar
Corpus Antiphonalium Officii Ecclesiarum Centralis Europae. Budapest: Institute of Musicology.Google Scholar
Crocker, Richard. An Introduction to Gregorian Chant. New Haven, CT; London: Yale University Press, 2000.Google Scholar
DiCenso, Daniel J. The Oldest Sources of Gregorian Chant for the Mass to ca. 900. London: Henry Bradshaw Society, forthcoming.Google Scholar
Dobszay, László. The Bugnini Liturgy and the Reform of the Reform, Publications of the Catholic Church Music Associates 5. Front Royal, VA, 2003.Google Scholar
Ernst, Dümmler, Hampe, Karl, et al. Epistolae Karolini aevi, MGH: Epistolae iii. Berlin: Weidmann, 1898–99.Google Scholar
Dyer, Joseph. “The Singing of Psalms in the Early Medieval Office,” Speculum 64, (1989), 535–77.Google Scholar
Echternacher Sakramentar und Antiphonar: Vollständige Faksimile-Ausgabe im Originalformat der Handschrift 1946 aus dem Besitz der Hessischen Landes- und Hochschulbibliothek Darmstadt, Codices selecti phototypice impressa 74–74*. Graz: Akademische Druck und Verlagsanstalt, 1982, with commentary volume, ed. Staub, Kurt Hans et al.Google Scholar
Emerson, John A. Albi, Bibliothèque Municipale Rochegude, Manuscript 44: A Complete Ninth-Century Gradual and Antiphoner from Southern France, ed. Collamore, Lila. Ottawa: The Institute for Medieval Music, 2002; indexed in CANTUS.Google Scholar
Emerson, John A.Neglected Aspects of the Oldest Full Troper (BNF, lat. 1240),” in Recherches nouvelles sur les tropes liturgiques, ed. Arlt, Wulf and Björkvall, Gunilla, Corpus Troporum 8. Stockholm: Almqvist and Wiksell, 1993, 193217.Google Scholar
Emerson, John A. and Hiley, David. “Sources, MS §II: Western Plainchant,” in NG2 (2001) (www.oxfordmusiconline.com).CrossRefGoogle Scholar
Engels, Stefan. Das Antiphonar von St. Peter in Salzburg: Codex ÖNB Ser. Nov. 2700 (12. Jahrhundert), Forschungsbeiträge zur Musikwissenschaft 30. Paderborn: F. Schöningh, 1994.Google Scholar
Folsom, Cassian. “Liturgical Books of the Roman Rite,” in Introduction to the Liturgy, Handbook for Liturgical Studies 1, ed. Chupungo, Ansgar. Collegeville, MN: Liturgical Press, 1997, 245314.Google Scholar
Frere, Walter Howard, ed. Graduale Sarisburiense. London: Quaritch, 1894; repr. Gregg, 1966.Google Scholar
Froger, Jacques. “Le fragments de Lucques (fin du VIIIe siècle),” Études grégoriennes 18 (1979), 145–53.Google Scholar
Gamber, Klaus. Codices Liturgici Latini Antiquiores, 2nd ed., 2 vols., Spicilegii Friburgensis Subsidia 1. Freiburg, Switzerland: Universitätsverlag, 1968; Ergänzungs- und Registerband, ed. Baroffio, Bonifacio et al., Spicilegii Friburgensis Subsidia 1a. Freiburg: Universitätsverlag, 1988.Google Scholar
Graduale Cisterciense. Westmalle: Typis Cisterciensibus, 1960.Google Scholar
Graduale iuxta ritum Sacri Ordinis Praedicatorum. Rome: S. Sabina, 1950.Google Scholar
Graduale Novum: Editio magis critica iuxta S[acrosanctum] C[oncilium] 117 …, vol. i: De dominicis et festis, ed. Dostal, Christian et al. Regensburg: ConBrio Verlag – Libreria Editrice Vaticana, 2011.Google Scholar
Graduale Romanum. Paris-Tournai: Desclée, 1908.Google Scholar
Graduale Triplex. Solesmes: Abbaye Saint-Pierre-de-Solesmes, 1979.Google Scholar
Graduel de l’Abbaye royale de Saint-Denis, début XIe siècle, intro. and index. Arles: Actes Sud, 2005, ed. Maître, Claire; an earlier facsimile edition was published as Le graduel de Saint-Denis: Manuscrit 384 de la Bibliothèque Mazarine de Paris (XIe siècle), ed. Hesbert, René-Jean, Monumenta Musicae Sacrae 5. Paris: Nouvelles Éditions Latines, 1981.Google Scholar
Grégoire, Réginald. Homéliaires liturgiques médiévaux: Analyse de manuscrits, Biblioteca degli “Studi Medievali” 12. Spoleto: Centro italiano di studi sull’alto medioevo, 1980.Google Scholar
Grier, James. “The Divine Office at Saint-Martial in the Early Eleventh Century: Paris, BNF lat. 1085,” in The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography, ed. Baltzer, Rebecca A. and Fassler, Margot E.. Oxford University Press, 2000, 179204.Google Scholar
Die Handschrift Bamberg Staatsbibliothek Lit. 6, Monumenta Palaeographica Gegoriana 2. Münsterschwarzach: Internationale Gesellschaft für Studien des gregorianischen Chorals, 1988.Google Scholar
Hänggi, Anton and Ladner, Pascal, eds. Missale Basiliense saec. XI: Codex Gressly, 2 vols., Spicilegium Friburgense 35A–B. Freiburg, Switzerland: Universitätsverlag, 1994.Google Scholar
Hansen, Finn Egland, transcr. and annot. H 159 Montpellier: Tonary of St. Bénigne of Dijon. Copenhagen: Dan Fog, 1974.Google Scholar
Harper, John. The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century: A Historical Introduction and Guide for Students and Musicians. Oxford University Press, 1991.Google Scholar
Hen, Yitzhak. The Royal Patronage of Liturgy in Frankish Gaul to the Death of Charles the Bald (877), Henry Bradshaw Society, Subsidia 3. London: Boydell, 2001.Google Scholar
Hesbert, René-Jean. Antiphonale Missarum Sextuplex. Brussels: Vroment, 1935.Google Scholar
Hesbert, René-Jean. Corpus Antiphonalium Offici. Rerum Ecclesiasticarum Documenta 712. Rome: Herder, 1963–79.Google Scholar
Hiley, David. Gregorian Chant. Cambridge University Press, 2009.Google Scholar
Hiley, David. Western Plainchant: A Handbook. Oxford University Press, 1993.Google Scholar
Hucke, Helmut. “Die Einführung des gregorianischen Gesangs im Frankenreich,” Römische Quartalschrift 49 (1954), 172–87.Google Scholar
Hucke, Helmut and Dyer, Joseph. “Old Roman Chant,” in NG2.Google Scholar
Hughes, Andrew. Medieval Manuscripts for Mass and Office: A Guide to Their Organization and Terminology. Toronto: University of Toronto Press, 1982.Google Scholar
Huglo, Michel. “Die Adventsgesänge nach den Fragmenten von Lucca (8. Jh.),” Kirchenmusikalisches Jahrbuch 35 (1951), 1015.Google Scholar
Huglo, Michel. “The Cantatorium: From Charlemagne to the Fourteenth Century,” in The Study of Medieval Chant: Paths and Bridges, East and West, ed. Jeffery, Peter. Woodbridge: Boydell and Brewer, 2001, 89105.Google Scholar
Huglo, Michel. Les livres de chant liturgique, Typologie des Sources du Moyen Âge Occidental 52. Turnhout: Brepols, 1988, 6475.Google Scholar
Huglo, Michel. Les tonaires: Inventaire, Analyse, Comparaison, Publications de la Société Française de Musicologie, series 3, vol. 2. Paris: Société Française de Musicologie, 1971.Google Scholar
Jacobsson, Ritva. “The Antiphoner of Compiègne: Paris, BNF lat. 17436,” in The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography, ed. Baltzer, Rebecca A. and Fassler, Margot E.. Oxford University Press, 147–78.Google Scholar
Jeffery, Peter. “The Oldest Sources of the Graduale: A Preliminary Checklist of MSS Copied before about 900,” Journal of Musicology 2 (1983), 316–21.Google Scholar
Jensen, Brian M.Codex Angelicus 123 as a Liturgical Manuscript,” Classica et Medievalia 56 (2005), 303–25.Google Scholar
Jensen, Brian M.The Piacentian Liber Magistri: Structure and Contents,” in Il libro del Maestro: Codice 65 dell’Archivio Capitolare della Cattedrale di Piacenza (sec. XII), ed. Racine, Pierre. Piacenza: Tip.Le.Co., 1999, 3954.Google Scholar
Kelly, Thomas Forrest. The Beneventan Chant. Cambridge University Press, 1989.Google Scholar
Kelly, Thomas Forrest. The Ordinal of Monte Cassino and Benevento: Breviarium sive Ordo Officiorum, 11th Century, Spicilegium Friburgense 45. Fribourg, 2008.Google Scholar
Kreuels, Matthias. Indizes der Handschriften … zu Graduale Triplex und Offertoriale Triplex, Beiträge zur Gregorianik: Sonderheft. Regensburg: Gustav Bosse, 1989.Google Scholar
Kyriale sive Ordinarium Missae iuxta Editionem Vaticanum (many editions; also in Liber Usualis)Google Scholar
Lang, Odo, ed. Codex 121 Einsiedeln: Graduale und Sequenzen Notkers. Weinheim: Acta Humaniora, 1991.Google Scholar
Levy, Kenneth. Gregorian Chant and the Carolingians. Princeton, NJ: Princeton University Press, 1998.Google Scholar
Levy, Kenneth. “A New Look at Old Roman Chant [i],” Early Music History 19 (2000), 81104.Google Scholar
Levy, Kenneth. “A New Look at Old Roman Chant – ii,” Early Music History 20 (2001), 173–97.Google Scholar
Liber Hymnarius cum invitatoriis et aliquibus responsoriis. Solesmes: Abbaye Saint-Pierre de Solesmes, 1984.Google Scholar
Liber Magistri, Piacenza, Biblioteca Capitolare C. 65. Piacenza: Tip.Le.Co., 1997; color facsimile with commentary volume by Jensen, Brian M..Google Scholar
Liber Usualis. Tournai: Desclée, 1896–; some editions have introduction and rubrics in English.Google Scholar
Lipphardt, Walther. Der karolingische Tonar von Metz, Liturgiegeschichtliche Quellen und Forschungen 43. Münster in Westfalen: Aschendorff, 1965.Google Scholar
Lütolf, Max, ed. Das Graduale von Santa Cecilia in Trastevere (1071), Cod. Bodmer 74, 2 vols. Cologny-Genève: Fondation M. Bodmer, 1987.Google Scholar
Maloy, Rebecca. Inside the Offertory: Aspects of Chronology and Transmission. Oxford University Press, 2010.CrossRefGoogle Scholar
Martimort, Aimé-Georges. Les lectures liturgiques et leurs livres, Typologie des Sources du Moyen Âge Occidental 64. Turnhout: Brepols, 1992.Google Scholar
Möller, Hartmut, ed. Das Quedlinburger Antiphonar (Berlin, Staatsbibliothek preussischer Kulturbesitz, Mus. ms. 40047), 3 vols., Studien zur Musikwissenschaft 25. Tutzing: Hans Schneider, 1990.Google Scholar
Möller, Hartmut and Stephan, Rudolf, eds. Die Musik des Mittelalters. Laaber: Laaber Verlag, 1991; articles by Steiner, Ruth, Treitler, Leo, Haug, Andreas, Möller, Hartmut.Google Scholar
Nowacki, Edward. “Chant Research at the Turn of the Century and the Analytical Programme of Helmut Hucke,” Plainsong and Medieval Music 7 (1998), 4771.Google Scholar
Nowacki, Edward. “Constantinople-Aachen-Rome: The Transmission of Veterem hominem,” in De Musica et Cantu: Studien zur Geschichte der Kirchenmusik und der Oper. Helmut Hucke zum 60. Geburtstag, Musikwissenschaftliche Publikationen, Hochschule für Musik und Darstellende Kunst 2, ed. Cahn, Peter and Heimer, Ann-Katrin. Hildesheim, Olms, 1993, 95115.Google Scholar
Offertoriale Triplex cum versibus. Solesmes: Abbaye Saint-Pierre-de-Solesmes, 1985; based on the 1935 edition of Karl Ott.Google Scholar
Palazzo, Eric. A History of Liturgical Books from the Beginning to the Thirteenth Century. Collegeville, MN: Liturgical Press, 1998.Google Scholar
Palazzo, Eric. “La liturgie carolingienne: vieux débats, nouvelles questions, publications récentes,” in Le monde carolingien: Bilan, perspectives, champs de recherche, Actes du colloque international de Poitiers, Centre d’Études supérieures de Civilisation médiévale, 18–20 novembre 2004, ed. Falkowski, Wojciech and Sassier, Yves. Turnhout: Brepols, 2009, 219–41.Google Scholar
Palazzo, Eric. “Le rôle des libelli dans la pratique liturgique du haut moyen âge: Histoire et typologie,” Revue Mabillon n.s. 1 [=62] (1990), 936.CrossRefGoogle Scholar
Paucker, Günther Michael. Das Graduale Msc. 6. Lit. des Staatsbibliothek Bamberg. Regensburg: G. Bosse, 1986.Google Scholar
Paucker, Günther Michael. “Liturgical Chant Bibliography,” Plainsong and Medieval Music 6 (1997 to present).Google Scholar
Pfisterer, Andreas. Cantilena Romana: Untersuchungen zur Überlieferung des gregorianischen Chorals, Beiträge zur Geschichte der Kirchenmusik 11. Paderborn: Schönigh, 2002.Google Scholar
Processionarium iuxta ritum Sacri Ordinis Praedicatorum. Rome: S. Sabina, 1949.Google Scholar
Rankin, Susan. “Carolingian Music,” in Carolingian Culture: Emulation and Innovation, ed. McKitterick, Rosamond. Cambridge University Press, 1994, 274316.Google Scholar
Rankin, Susan. “Ways of Telling Stories,” in Essays on Medieval Music in Honor of David G. Hughes, ed. Boone, Graeme M.. Cambridge, MA: Harvard University Press, 1995, 371–94.Google Scholar
Salmon, Pierre. L’Office divin au moyen âge: Histoire de la formation du bréviaire du IXe au XVIe siècle, Lex Orandi 43. Paris: Éditions du Cerf, 1967.Google Scholar
Sandhofe, Holger Peter, ed. Nocturnale Romanum. Cologne, 2001.Google Scholar
Solesmes, . Le Graduel romain: Édition critique par les moines de Solesmes 2: Les sources. Solesmes: Abbaye Saint Pierre de Solesmes, 1957.Google Scholar
Stäblein, Bruno. Die Gesänge des altrömischen Graduale Vat. lat. 5319, Monumenta Monodica Medii Aevi 2. Kassel: Bärenreiter, 1970; transcription by Margareta Landwehr-Melnicki.Google Scholar
Stäblein, Bruno. Schriftbild der einstimmigen Musik, Musikgeschichte in Bildern 3, Lieferung 4. Leipzig: Deutscher Verlag für Musik, 1975.Google Scholar
Staub, Kurt Hans et al., eds. Echternacher Sakramentar und Antiphonar: Vollständige Faksimile-Ausgabe …, Codices selecti phototypice impressa 74–74*. Graz: Akademische Druck und Verlagsanstalt, 1982.Google Scholar
Treitler, Leo. With Voice and Pen: Coming to Know Medieval Song and How It Was Made. Oxford University Press, 2003.Google Scholar
Van Dijk, Stephen J. P. and Walker, Joan Hazelden. The Origins of the Modern Roman Liturgy: The Liturgy of the Papal Court and the Franciscan Order in the Thirteenth Century. Westminster, MD; London: The Newman Press, 1960.Google Scholar
Vogel, Cyrille. “Les échanges liturgiques entre Rome et les pays francs jusqu’à l’époque de Charlemagne,” in Le chiese nei regni dell’Europa occidentale e i loro rapporti con Roma sino all’800, Settimane di Studio del Centro Italiano di Studi sull’Alto Medioevo 7. Spoleto: Presso la sede del centro 1960), 185295.Google Scholar
Vogel, Cyrille. Medieval Liturgy: An Introduction to the Sources, rev. and trans. Storey, William and Rasmussen, Niels. Washington: Pastoral Press, 1986.Google Scholar
Wagner, Peter. Einführung in die gregorianischen Melodien: Ein Handbuch der Choralwissenschaft, 3 vols. Leipzig: Breitkopf and Härtel, 1910–21.Google Scholar
Wagner, Peter. ed. Das Graduale der St. Thomaskirche zu Leipzig (14. Jahrhundert) als Zeuge deutscher Choralüberlieferung, 2 vols., Publikationen älterer Musik 5 and 7. Leipzig: Breitkopf and Härtel, 1930–32; repr. Olms, 1967.Google Scholar
Weyns, N. I., ed. Antiphonale missarum Praemonstratense. Averbode: Praemonstratensiana, 1973 [only text incipits and some full texts of the chants].Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×