Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
Dedication
Published online by Cambridge University Press: 11 June 2019
Edited by
Book contents
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- The Cambridge Handbook of Intellectual Property in Central and Eastern Europe
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Tables
- Contributors
- Foreword
- Acknowledgements
- 1 General Introduction – Intellectual Property in Central and Eastern Europe:
- 2 The Patent System in Pre-1989 Czechoslovakia
- 3 The Development of Hungarian Copyright Law until the Creation of the First Copyright Act (1793–1884)
- 4 Moral Rights and the Cultural Aspects of Hungarian Copyright Law:
- 5 The Polish Struggle with the Concept of Copyrightable Work:
- 6 Comparing Concepts of Originality in EU, Lithuanian, and US Law:
- 7 The Comparative Lessons of Itar-Tass Russian News Agency v. Russian Kurier
- 8 Communication to the Public under Union Law from the Perspective of Austrian and German Copyright Law: A Notion in Transition
- 9 Collective Management of Copyright in Hungary1
- 10 Exceptions and Limitations:
- 11 The Digitization of Czech Cultural Heritage and New Forms of Information Exclusivity
- 12 The Treatment of Authors’ Moral Rights in Georgia
- 13 Performers’ Rights: A Central European Export
- 14 The White Elephant in the Room:
- 15 A Central and Eastern European Perspective on EU Copyright Reform:
- 16 The Painter, the One Horn Cow, and Ole Hank Wilson’s Back Lot:
- 17 Does Paying Innovative Employees Pay Off?:
- 18 Intellectual Property Rights in Albania:
- 19 The Protection of Geographical Indications for Agricultural Products in the European Union
- 20 Legal Protection of the Traditional Knowledge and Traditional Cultural Expressions of the Indigenous Peoples of the Former Soviet Union*
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2019