Shakespeare and Popular Culture

doi:10.1017/9781316137062.P18

Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press: 17 August 2019

Douglas Lanier

Edited by

Bruce R. Smith

Edited in association with

Katherine Rowe

With

Ton Hoenselaars ,

Akiko Kusunoki ,

Andrew Murphy and

Aimara da Cunha Resende

Show author details

Bruce R. Smith: Affiliation:
University of Southern California
Katherine Rowe: Affiliation:
Smith College, Massachusetts
Ton Hoenselaars: Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki: Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy: Affiliation:
Trinity College Dublin
Aimara da Cunha Resende: Affiliation:
Universidade Federal de Minas Gerais, Brazil

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Keywords

adaptation appropriation commercialization cultural stratification festivals globalization high or elite culture low or popular culture mass culture mass media middlebrow culture public sphere Schlockspear Shakespop Armour, Richard Baring, Maurice Bazagonov, M. S.Bobrick, Sam burlesque comic misquotations The Complete Works of William Shakespeare (Abridged)Dead Letters Dowling, Maurice Duffett, Thomas Empress of Morocco Hamlet II Hamlet Travestie Mock-Tempest Myers, Robert J.“Othello Rap”parody Patent Theatres Monopoly Act Poole, John Pratchett, Terry rap Reduced Shakespeare Company satire Shakespeare in the Red travesty Twisted Tales from Shakespeare Wyrd Sisters adaptation appropriation burlesque Davenant, William feminist Fletcher, John Garrick, David political spin-off Tate, Nahum adaptation appropriation creativity language misquotation quotation popular culture reception adaptations of Shakespeare’s life for theater Bond, Edward Brecht, Bertolt Chekhov, Anton Dane, Clemence (Winifred Ashton)feminist adaptations of Shakespeare for theater García Lorca, Federico Jarry, Alfred Marowitz, Charles modern drama Otway, Thomas postcolonial adaptations of Shakespeare for theater Shaw, George Bernard Stein, Peter Stoppard, Tom The Wars of the Roses (1963)Wesker, Arnold Whelan, Peter Yiddish adaptations of Romeo and Juliet for theater Boydell, John Britishness Chandos portrait class consciousness color lithography convention cultural capital cultural value film Garrick, David genius global markets image Internet marketplace print radio Shakespeare as brand Shakespeare as cultural value Shakespeare Gallery Shakespearean iconography souvenirs Stratford Jubilee television Tonson, Jacob value Web site youth culture audio technology ballad Canadian adaptations of Shakespeare Elizabethan lute song film adaptation globalization hip-hop mass culture music making pop culture popular music rap Shakespeare Shakespearean adaptation turntabling adaptation As You Like It Belsey, Catherine Bernhardt, Sarah Blackfriars (playhouse)Bloom, Harold Bradley, A. C.Cavendish, Margaret character Clarke, Mary Cowden Coleridge, Samuel Taylor Dryden, John Eliot, T. S.Facebook Falstaff fan fiction Forster, E. M.Freud, Sigmund Goldberg, Jonathan Hamlet Hamlet (character)Hazlitt, William Holinshed, Raphael icon iconoclasts Jameson, Anna Johnson, Samuel King Lear King Lear (character)Knight, G. Wilson Knights, L. C.Lady Macbeth Leavis, F. R.Macbeth media The Merry Wives of Windsor Mortimer, John Hamilton Olivia Olivier, Laurence Ophelia Orgel, Stephen popular culture Reformation Richard III Richard III (character)Romanticism Romeo and Juliet Schlegel, August William Sinfield, Alan Slights, Jessica Twelfth Night Verdi, Giuseppe Vermeule, Blakey Viola visual culture West Side Story Withnail and I Yachnin, Paul YouTube appropriation burlesque China drowning Facebook Hamlet India Japan Ophelia visual arts water young adult fiction anti-Semitism costume cultural remembrance film adaptation Holocaust reception Shylock stage history stereotype The Merchant of Venice Grupo Galpão Romeo and Juliet Shakespeare Shakespeare in Brazil Villela, Gabriel comedy Dickens, Charles Falstaff Henry V Kenrick, William obesity in literature and drama sack sherry Quin, James Verdi, Giuseppe Welles, Orson Windsor abuse Argentina charisma clown clowning crimes of state terrorism cruelty format Lady Ann Latin America Madres de Plaza de Mayo missing prisoners military groups political moves politics tyrant Richard of Gloucester usurper War of the Roses actors complete works in Russian interpretation literary criticism mystery play poetry protagonist public interest psychological drama Russian stage Shakespearean tragedy symbolism translation true-to-life method absolutism family ties hubris initiation rites justice madness mad Tom new era old age poverty power social responsibility Arzamasova, E.Bartoshevich, Aleksey Belinsky, Vissarion Butusov, Y.Dostoevsky, Fyodor Fokin, V.Hamlet Hamletism iconic image Kara, Yuri Kozintsev, Grigori Lunacharsky, A.Mikhailovsky, N.Pasternak, Boris Pinsky, L.Polevoy, Nikolai Russian criticism Russian culture Stanislavsky, K. S.Sumarokov, Alexander “superfluous man”Tarkovsky, A.theater productions translations Turgenev, I.Vannovsky, A.Viskovatov, Stepan Vronchenko, Mikhail

Type: Chapter
Information: The Cambridge Guide to the Worlds of Shakespeare , pp. 1261 - 1338

DOI: https://doi.org/10.1017/9781316137062.P18 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2016

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Book contents

Part XVIII - Shakespeare and Popular Culture

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Book contents

Part XVIII - Shakespeare and Popular Culture

Keywords

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References

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Further reading

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Further reading

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Further reading

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