Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
56 - Sculpture
from Part VI - Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 434 - 440Publisher: Cambridge University PressPrint publication year: 2016
References
Sources Cited
Edmond, Mary. “Limners and Picturemakers: New Light on the Lives of Miniaturists and Large-Scale Portrait-Painters Working in London in the Sixteenth and Seventeenth Centuries.” The Walpole Society 47 (1978–79): 60–242.Google Scholar
Esdaile, K. A. “Shakespeare’s Verses in Tong Church.” Shropshire Archaeological Society Transactions 49 (1938): 251–64.Google Scholar
Jonson, Ben. Ben Jonson. Ed. Herford, C. H., Simpson, Percy, and Simpson, Evelyn. 11 vols. Oxford: Clarendon P, 1925–52.Google Scholar
Llewellyn, Nigel. “East Sussex Church Monuments c. 1530–1830.” Lewes: Sussex Record Society, 2011.Google Scholar
White, Adam. “A Biographical Dictionary of London Tomb Sculptors c.1560–c.1660.” The Walpole Society 41 (1998–99): 1–162.Google Scholar
Further Reading
Barkan, Leonard. “‘Living Sculptures’: Ovid, Michelangelo, and The Winter’s Tale.” ELH 48.4 (1981): 639–67.Google Scholar
Llewellyn, Nigel. Funeral Monuments in Post-Reformation England. Cambridge: Cambridge University Press, 2000.Google Scholar
Smith, Bruce R. “Sermons in Stones: Shakespeare and Renaissance Sculpture.” Shakespeare Studies 17 (1985): 1–23.Google Scholar