Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Part VII - Popular Culture
Published online by Cambridge University Press: 17 August 2019
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Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Keywords
Archbishop LaudBakhtin, MikhailBarber, C. L.Bodley, Sir ThomasBook of SportsBourdieu, PierreBristol, MichaelBurke, PetercalendarcapitalismcarnivalCharivariCharles IChurch Alesclass structureclass struggleCoriolanusCerteau, Michel decultural hybridityDimmock, MatthewElias, Norbertelite social groupsElizabeth Ifestivityfolk cultureGillespie, StuartGreenblatt, StephenGreene, RobertGuildsHadfield, AndrewHall, StuartHamletHarris, TimHelgerson, RichardHenry IV, Part 1Henry VHenry VI, Part 2hobbyhorseHutton, RonaldJames IJameson, FredericJonson, BenKastan, DavidLamb, Mary EllenLaroque, FrançoisLatin educationLaughterLiebler, NaomiMarcus, LeahMarxismmass-consumer societyMay gamesmaypolesmerry EnglandThe Merry Wives of Windsormicrohistoriesmiddling sortA Midsummer Night’s Dreammorris dancingNewcomb, Lori Humphreyoral cultureOthelloOvid’s MetamorphosespaganPandostoPatterson, AnnabelPericlesplebeian culturepopular cultureprint culturePuritansReay, BarryRobin HoodRomance1623 Shakespeare FolioSmith, BruceStallybrass, PeterStokes, JamesSullivan, GarrettThe TempestTwelfth NightVirgil’s AeneidWeimann, RobertWellsWhite, AllonballadbroadsideBrown, Mary EllenBuhler, StephenDuffin, Ross W.folklorefolk songFox, AdamjigKitch, AaronLamb, Mary Ellenliteracymorris danceoral traditionoralityprint cultureSmith, Bruce R.songStationers’ Registeralmanacballadblack letterblank formbroadsheetbroadsidecheap printcultureentertainmentfoliofolkgodlinesshandbilliconographyimagesjobbingliteracymusicnewspamphletplaybillpopularpopular culturepricesprintprintingreadingreligionretailsongsspeculative“cheap print”early modern authorshipearly nodern prose fictioneuphuismGreek romanceGreene, RobertLyly, JohnNashe, Thomasnovelnovellaprint cultureromanceSidney, Sir Philipurban cultureThe Anatomy of AbusesanthropologyAubrey, JohnAutolycusThe Book of SportsCade, JackcalendarcarnivalCleopatraFalstaffFestegreen worldhobbyhorsejigKenilworthLupercalia, merry Englandmisrulemorris dancemummingSaturnaliaskimmingtonAntigonusBathbroadside balladsBrome, RichardButler, SamuelCambridgecharivariChichesterCourt of Aldermencucking stoolcuckoldrycuckold’s hornsdefamationDorchesterFalstaffflytinggender hierarchygender rolesHall, JosephHenry IV, Part 1Henry IV, Part 2HerefordshireHeywood, ThomasHogarth, Williamhorn madHudibrasinvectiveKemp, WillKentLate Lancashire WitchesLeicestershirelibelsLincoln, Earl ofLincolnshireLondonMay gamesThe Merry Wives of WindsorA Midsummer Night’s DreamMontacute HouseParliamentPaulinapillorypopular cultureprint cultureridingsSalisbury, Earl ofsatireskimmingtonslandersocial criticismSomersetStar ChamberstocksStow, JohnsubversionSuffolkSussexTarlton, RichardtermagantVirgidemiarumWellsWestminsterWhitgift, Archbishop JohnwhoreWiltshireThe Winter’s Tale“world turned ipside down”youth groupscensorshipcorantogazettejournalismnewsprintingpropagandapublic spherepublishingwarAnne of DenmarkaudienceballadBiblebirthboy actorscostumedeathElizabeth IFletcher, JohngenderJacobean Englandjestperformativityproverbqueensongtheaterweaker vessel
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- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 483 - 536Publisher: Cambridge University PressPrint publication year: 2016
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