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252 - Performance, Perception, Reception

from Part XXV - Shakespeare and the Critics

Published online by Cambridge University Press:  17 August 2019

By
James Kearney
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

audiencecontextnew historicismperceptionperformancephenomenareaderreceptionscholarstradition
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1790 - 1797
Publisher: Cambridge University Press
Print publication year: 2016

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References

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Further reading

Cartelli, Thomas. Repositioning Shakespeare: National Formations, Postcolonial Appropriations. New York: Routledge, 1999.Google Scholar
Floyd-Wilson, Mary. English Ethnicity and Race in Early Modern Drama. Cambridge: Cambridge University Press, 2003.Google Scholar
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Singh, Jyotsna, and Gitanjali, Shahani. “Postcolonial Shakespeare Revisited.” Shakespeare 6.1 (2010): 127–38.Google Scholar
Smith, Bruce R. The Key of Green: Passion and Perception in Renaissance Culture. Chicago: U of Chicago P, 2009.Google Scholar
Smith, Bruce R. “Premodern Sexualities.” Publications of the Modern Language Association of America 115 (2000): 318–29.Google Scholar
Tribble, Evelyn, and Keene, Nicholas. Cognitive Ecologies and the History of Remembering: Religion, Education and Memory in Early Modern England. New York: Palgrave Macmillan, 2011.Google Scholar

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