Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
130 - John Webster
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 967 - 972Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bradbrook, M. C. John Webster, Citizen and Dramatist. London: Weidenfeld and Nicolson, 1980.Google Scholar
Edmond, Mary. “In Search of John Webster.” Times Literary Supplement 24 December 1976.Google Scholar
Eliot, T. S. “Four Elizabethan Dramatists.” Selected Essays. New ed. London: Harcourt, Brace, and Company, 1950. 91–99.Google Scholar
Foakes, R. A., ed. Henslowe’s Diary. 2nd ed. Cambridge: Cambridge University Press, 2002.Google Scholar
Forker, Charles R. Skull beneath the Skin: The Achievement of John Webster. Carbondale: Southern Illinois UP, 1986.Google Scholar
Marcus, Leah S., ed. Webster, John. The Duchess of Malfi. Arden Early Modern Drama. London: Methuen, 2009.Google Scholar
Russell Brown, John, ed. Webster, John. The White Devil. The Revels Plays. London: Methuen, 1960.Google Scholar
Shepherd, Simon. Amazons and Warrior Women: Varieties of Feminism in Seventeenth-Century Drama. New York: St. Martin’s, 1981.Google Scholar
Webster, John. The Works of John Webster. Ed. Gunby, David, Carnegie, David, Hammond, Antony, and Jackson, Macdonald P.. 3 vols. Cambridge: Cambridge University Press, 1995–2007.Google Scholar
Further reading
Callaghan, Dympna, ed. The Duchess of Malfi: Contemporary Critical Essays. London: Macmillan, 2000.CrossRefGoogle Scholar
Cave, Richard Allen. “The White Devil” and “The Duchess of Malfi”: Text and Performance. London: Macmillan, 1988.CrossRefGoogle Scholar
Dollimore, John. Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries. 3rd ed. Basingstoke: Palgrave Macmillan, 2004.Google Scholar
Luckyj, Christina. A Winter’s Snake: Dramatic Form in the Tragedies of John Webster. Athens: U of Georgia P, 1989.Google Scholar
McLuskie, Kathleen, and Uglow, Jennifer, eds. The Duchess of Malfi. Plays in Performance. Bristol: Bristol Classical, 1989.Google Scholar
Morris, Brian. John Webster. Mermaid Critical Commentaries. London: Ernest Benn, 1970.Google Scholar
Rabkin, Norman, ed. Twentieth Century Interpretations of “The Duchess of Malfi”: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1968.Google Scholar
Russell Brown, John, ed. Webster, John. The Duchess of Malfi. 2nd ed. Revels Plays. Manchester: Manchester UP, 2009.Google Scholar