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262 - Graphic Satire

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bate, Jonathan. “Shakespearean Allusion in English Caricature in the Age of Gillray.” Journal of the Courtauld and Warburg Institutes 49 (1986): 196210.Google Scholar
Bell, Steve. Belltoons cartoon archive. http://www.belltoons.co.uk/bellworks/.Google Scholar
McCreery, Cindy. The Satirical Gaze: Prints of Women in Late Eighteenth-Century England. Oxford: Oxford UP, 2004.Google Scholar
Risdell, Marcus. The Face and Figure of Shakespeare: How Britain’s 18th Century Sculptors Invented a National Hero. Twickenham: Orleans House Gallery, 2009.Google Scholar

Further reading

Donald, Diana. The Age of Caricature: Satirical Prints in the Age of George III. New Haven: Yale UP, 1996.Google Scholar
Gombrich, E. H.The Cartoonist’s Armoury.” Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon, 1963. 127–42.Google Scholar
Harper’s Weekly. American Political Prints, 1766–1876. http://loc.harpweek.com/.Google Scholar
Porter, Roy. “Seeing the Past?Past and Present 118 (1988): 186205.CrossRefGoogle Scholar
Smith, Bruce R. Roasting the Swan of Avon: Shakespeare’s Redoubtable Enemies and Dubious Friends. Washington: Folger Shakespeare Library, 1994.Google Scholar
Stephens, F. G., and George, M. D.. Catalogue of Personal and Political Satires in the British Museum. 11 vols. London: British Museum, 1870–1954.Google Scholar

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