Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Introduction
- 63 Oral Tradition
- 64 Cheap Print
- 65 Popular Fiction
- 66 Traditional Entertainments and Celebrations
- 67 Flytings, Polemics, Charivaris
- 68 News Culture
- 69 Women’s Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
67 - Flytings, Polemics, Charivaris
from Part VII - Popular Culture
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Introduction
- 63 Oral Tradition
- 64 Cheap Print
- 65 Popular Fiction
- 66 Traditional Entertainments and Celebrations
- 67 Flytings, Polemics, Charivaris
- 68 News Culture
- 69 Women’s Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
AntigonusBathbroadside balladsBrome, RichardButler, SamuelCambridgecharivariChichesterCourt of Aldermencucking stoolcuckoldrycuckold’s hornsdefamationDorchesterFalstaffflytinggender hierarchygender rolesHall, JosephHenry IV, Part 1Henry IV, Part 2HerefordshireHeywood, ThomasHogarth, Williamhorn madHudibrasinvectiveKemp, WillKentLate Lancashire WitchesLeicestershirelibelsLincoln, Earl ofLincolnshireLondonMay gamesThe Merry Wives of WindsorA Midsummer Night’s DreamMontacute HouseParliamentPaulinapillorypopular cultureprint cultureridingsSalisbury, Earl ofsatireskimmingtonslandersocial criticismSomersetStar ChamberstocksStow, JohnsubversionSuffolkSussexTarlton, RichardtermagantVirgidemiarumWellsWestminsterWhitgift, Archbishop JohnwhoreWiltshireThe Winter’s Tale“world turned ipside down”youth groups
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 516 - 523Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Bellany, Alastair. “A Poem on the Archbishop’s Hearse: Puritanism, Libel and Sedition after the Hampton Court Conference.” Journal of British Studies 34 (1995): 137–64.CrossRefGoogle Scholar
Capp, Bernard. “English Youth Groups and The Pinder of Wakefield.” Past and Present 76 (1977): 127–33.CrossRefGoogle Scholar
Croft, Pauline. “The Reputation of Robert Cecil: Libels, Political Opinion and Popular Awareness in the Early Seventeenth Century.” Transactions of the Royal Historical Society 6th ser. 1 (1991): 43–69.CrossRefGoogle Scholar
Davis, Natalie Zemon. “The Reasons of Misrule: Youth Groups and Charivaris in Sixteenth-Century France.” Past and Present 50 (1971): 41–75.CrossRefGoogle Scholar
Gowing, Laura. Domestic Dangers: Women, Words and Sex in Early Modern London. Oxford: Clarendon, 1996.Google Scholar
Ingram, Martin. “Law, Litigants and the Construction of ‘Honour’: Slander Suits in Early Modern England.” The Moral World of the Law. Ed. Coss, Peter. Cambridge: Cambridge University Press, 2000. 134–60.Google Scholar
Scott, James C. Weapons of the Weak: Everyday Forms of Peasant Resistance. New Haven: Yale UP, 1985.Google Scholar
Underdown, David. “‘But the Shows of Their Street’: Civic Pageantry and Charivari in a Somerset Town, 1607.” Journal of British Studies 50 (2011): 4–23.Google Scholar
Underdown, David. “The Taming of the Scold: The Enforcement of Patriarchal Authority in Early Modern England.” Order and Disorder in Early Modern England. Ed. Fletcher, Anthony and Stevenson, John. Cambridge: Cambridge University Press, 1985. 116–36.Google Scholar