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6 - Country

from Part I - Mapping Shakespeare’s World

Published online by Cambridge University Press:  17 August 2019

By
Gabriel Egan
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

atlascartographydeereconomicsEdenforestsheathhistory playshuntinglandlandscapeLondonLucy, Thomasnatureparkspastoralismplace-namesrabbitsrecreationsheepstagingStratford-upon-Avonsubjectivismtravelviolence
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 40 - 45
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Braun, Georg, and Hogenberg, Franz. Civitates Orbis Terrarum. Cologne: 1572.Google Scholar
Eccles, Mark. Shakespeare in Warwickshire. Madison: U of Wisconsin P, 1961.Google Scholar
Foakes, R. A., and Rickert, R. T., eds. Henslowe’s Diary, Edited with Supplementary Material, Introduction and Notes. Cambridge: Cambridge University Press, 1961.Google Scholar
Heinemann, Margot. “How Brecht Read Shakespeare.” Political Shakespeare: New Essays in Cultural Materialism. Ed. Dollimore, Jonathan and Sinfield, Alan. Manchester: Manchester UP, 1985. 202–30.Google Scholar
Quarmby, Kevin. “‘As the Cony That You See’: Rosalind’s Risqué Rabbits in As You Like It.” Shakespeare 6 (2010): 153–64.Google Scholar
Sokol, B. J. “A Warwickshire Scandal: Sir Thomas Lucy and the Date of The Merry Wives of Windsor.” Shakespeare 5 (2009): 355–71.CrossRefGoogle Scholar
Taylor, Gary. “Shakespeare’s Mediterranean Measure for Measure.” Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress at Valencia 2001. Ed. Clayton, Tom, Brock, Susan, and Fores, Vicente. Newark: U of Delaware P, 2004. 243–69.Google Scholar
Watson, Robert N. Back to Nature: The Green and the Real in the Late Renaissance. Philadelphia: U of Pennsylvania P, 2006.Google Scholar
Wells, Stanley. Shakespeare: For All Time. London: Macmillan, 2002.Google Scholar

Further reading

Berry, Edward. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001.Google Scholar
Fitter, Chris. Poetry, Space, Landscape: Towards a New Theory. Cambridge: Cambridge University Press, 1995.Google Scholar
Klein, Bernhard. Maps and the Writing of Space in Early Modern England and Ireland. Basingstoke: Palgrave, 2001.CrossRefGoogle Scholar
Nicolson, Marjorie Hope. Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite. Ithaca: Cornell UP, 1959.Google Scholar
Sullivan, Garrett A. The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage. Stanford: Stanford UP, 1998.Google Scholar

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