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198 - Costume

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Arnold, Janet. Patterns of Fashion 1: Englishwomen’s Dresses and Their Construction c.1660–1860. Basingstoke: Macmillan, 1984.Google Scholar
Arnold, Janet. Patterns of Fashion 2: Englishwomen’s Dresses and Their Construction c.1860–1940. Basingstoke: Macmillan, 1984.Google Scholar
Ashelford, Janet. The Art of Dress: Clothes and Society, 1500–1914. London: Anova Books, 2009.Google Scholar
Friedland, Nancy E., ed. Documenting Costume Design. New York: Theatre Library Association, 2010.Google Scholar
Holland, Peter. “The Age of Garrick.” Shakespeare: An Illustrated Stage History. Ed. Bate, Jonathan and Jackson, Russell. Oxford: Oxford UP, 1996. 6991.Google Scholar
Holmes, M. R. Stage Costume and Accessories in the London Museum. London: Her Majesty’s Stationery Office, 1968.Google Scholar
Hume, Robert D. The London Theatre World, 1660–1800. Carbondale: Southern Illinois UP, 1980.Google Scholar
Laver, James. Costume in the Theatre. London: Harrap, 1964.Google Scholar
Motley, . Designing and Making Stage Costumes. London: Studio Vista, 1964.Google Scholar
Nicoll, Allardyce, and Rosenfeld, Sybil. The Garrick Stage, Theatres and Audience in the Eighteenth Century. Manchester: Manchester UP, 1980.Google Scholar

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