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Preface

Published online by Cambridge University Press:  17 April 2021

Edited by
Laura Hamer
Laura Hamer
Affiliation:
The Open University, Milton Keynes
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Summary

The preface briefly outlines the evolving situation of women in music since 1900, and also explores the development of women in music studies/feminist musicology since the 1980s. The Cambridge Companion to Women in Music since 1900 is situated within this field. An overview of the contents of the volume – which considers women in classical music, women in popular music, women and music technology, and women’s wider work in music (including music education and the music industries) – is provided. The preface concludes with a short section of acknowledgements.

Keywords

women in musicsince 1900feminist musicology
Type
Chapter
Information
The Cambridge Companion to Women in Music since 1900 , pp. xxi - xxix
Publisher: Cambridge University Press
Print publication year: 2021

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  • Preface
  • Edited by Laura Hamer
  • Book: The Cambridge Companion to Women in Music since 1900
  • Online publication: 17 April 2021
  • Chapter DOI: https://doi.org/10.1017/9781108556491.001
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  • Preface
  • Edited by Laura Hamer
  • Book: The Cambridge Companion to Women in Music since 1900
  • Online publication: 17 April 2021
  • Chapter DOI: https://doi.org/10.1017/9781108556491.001
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Preface
  • Edited by Laura Hamer
  • Book: The Cambridge Companion to Women in Music since 1900
  • Online publication: 17 April 2021
  • Chapter DOI: https://doi.org/10.1017/9781108556491.001
Available formats
×