Book contents
- The Cambridge Companion to The Magic Flute
- Cambridge Companions to Music
- The Cambridge Companion to The Magic Flute
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Conception and Context
- 1 German Opera in Mozart’s Vienna
- 2 The Magic Flute’s Libretto and German Enlightenment Theater Reform
- 3 Emanuel Schikaneder and the Theater auf der Wieden
- 4 The Magic Flute in 1791
- Part II Music, Text, and Action
- Part III Approaches and Perspectives
- Part IV Reception, Interpretation, and Influence
- Further Reading
- Index
2 - The Magic Flute’s Libretto and German Enlightenment Theater Reform
from Part I - Conception and Context
Published online by Cambridge University Press: 24 November 2023
- The Cambridge Companion to The Magic Flute
- Cambridge Companions to Music
- The Cambridge Companion to The Magic Flute
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Acknowledgments
- Abbreviations
- Introduction
- Part I Conception and Context
- 1 German Opera in Mozart’s Vienna
- 2 The Magic Flute’s Libretto and German Enlightenment Theater Reform
- 3 Emanuel Schikaneder and the Theater auf der Wieden
- 4 The Magic Flute in 1791
- Part II Music, Text, and Action
- Part III Approaches and Perspectives
- Part IV Reception, Interpretation, and Influence
- Further Reading
- Index
Summary
This chapter focuses on The Magic Flute’s links to theatrical aesthetics of the Vienna court theater as well as debates surrounding the late eighteenth-century calls for the establishment of a German national theater tradition. This exploration suggests that Mozart’s unique experiences with the world of late eighteenth-century German theater traditions shaped The Magic Flute’s libretto significantly. Mozart’s contributions to Schikaneder’s libretto in fact enhance the work’s status as both a culmination of decades-long debates about German national theater and a harbinger of a future course for German national opera.
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- The Cambridge Companion to The Magic Flute , pp. 30 - 43Publisher: Cambridge University PressPrint publication year: 2023