Book contents
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- 6 Cultivating a European Concert Culture in Colonial Sydney and Hobart, 1826–1840
- 7 An Early Australian Musical Modernism
- 8 Country Music: Australianising an American Tradition?
- 9 The Development of the Australian Pop Charts and the Changing Meaning of the ‘Number One’ Single
- 10 Artist Perspective Didjeridu on the Art Music Stage
- Part III Diversities
- Part IV Institutions
- Index
- References
7 - An Early Australian Musical Modernism
from Part II - Encounters
Published online by Cambridge University Press: 14 November 2024
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- 6 Cultivating a European Concert Culture in Colonial Sydney and Hobart, 1826–1840
- 7 An Early Australian Musical Modernism
- 8 Country Music: Australianising an American Tradition?
- 9 The Development of the Australian Pop Charts and the Changing Meaning of the ‘Number One’ Single
- 10 Artist Perspective Didjeridu on the Art Music Stage
- Part III Diversities
- Part IV Institutions
- Index
- References
Summary
Modernist art music of the interwar period takes its place among other early Australian musical modernisms. It developed within an antipodean modernity transformed by new technologies of transport and communication. Mobility – the movement of people, scores, print journalism and recordings – is central here. Using a conceptual framework informed by transnational historical approaches and expanded understandings of the unsettled and contested concept of modernism, this chapter provides a more generous reading of this musical moment long obscured by the concerns and anxieties of a young nation negotiating its complicated ties to Britain and continental Europe while searching for a distinctive culture. After tracing the emergence of a modernist musical discourse in Australia’s popular press, this chapter looks at the output of a group of composers and various forms of modernist musicking to reveal a transnational community of Australian musicians who actively participated in what can be understood as a modernist music world.
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- Information
- The Cambridge Companion to Music in Australia , pp. 111 - 129Publisher: Cambridge University PressPrint publication year: 2024