Book contents
- Frontmatter
- Introduction
- 1 The metaphysics of Modernism
- 2 The cultural economy of Modernism
- 3 The Modernist novel
- 4 Modern poetry
- 5 Modernism in drama
- 6 Modernism and the politics of culture
- 7 Modernism and religion
- 8 Modernism and mass culture
- 9 Modernism and gender
- 10 Musical motives in Modernism
- 11 Modernism and the visual arts
- 12 Modernism and film
- 13 Modernism and colonialism
- Further reading
- Index
11 - Modernism and the visual arts
Published online by Cambridge University Press: 28 September 2011
- Frontmatter
- Introduction
- 1 The metaphysics of Modernism
- 2 The cultural economy of Modernism
- 3 The Modernist novel
- 4 Modern poetry
- 5 Modernism in drama
- 6 Modernism and the politics of culture
- 7 Modernism and religion
- 8 Modernism and mass culture
- 9 Modernism and gender
- 10 Musical motives in Modernism
- 11 Modernism and the visual arts
- 12 Modernism and film
- 13 Modernism and colonialism
- Further reading
- Index
Summary
The ancient parallel between literature and the visual arts - i.e., painting, sculpture, and architecture - became newly relevant in the twentieth century. Painters were the first to explore the revolutionary possibilities of Modernism, so that painting became the leading art form. Modernist writers often patterned their literary experiments on parallels drawn from the visual arts. It is impossible to understand fully the development of literary Modernism, therefore, without at least a rudimentary knowledge of modern art. This chapter is intended to provide a brief history of modern art for those whose primary interest is modern British and American literature. It follows the version of Modernism that was endorsed by the Museum of Modern Art in the 1930s and that served as the standard for most of the twentieth century. Literary parallels will be drawn primarily from poetry, since there the influence of the visual arts is deepest and most direct.
- Type
- Chapter
- Information
- The Cambridge Companion to Modernism , pp. 245 - 267Publisher: Cambridge University PressPrint publication year: 2011