Book contents
- The Cambridge Companion to Byron
- The Cambridge Companion to Byron
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Chapter 1 Byron’s Life and His Biographers
- Chapter 2 ‘My Pen Is at the Bottom of a Page’
- Chapter 3 Byron’s Politics
- Chapter 4 Byron: Gender and Sexuality
- Chapter 5 Heroism and History
- Chapter 6 Byron and the Eastern Mediterranean
- Chapter 7 1816–1817: Childe HaroldIII and Manfred
- Chapter 8 Byron and the Theatre
- Chapter 9 Byron’s Experiments in Drama: 1820–1822
- Chapter 10 Childe Harold’s Pilgrimage iv, Don Juan, and Beppo
- Chapter 11 Redeeming Levity
- Chapter 12 The Vision of Judgment and the Visions of ‘Author’
- Chapter 13 Byron’s Bear and Other Animals
- Chapter 14 Byron’s Lyric Poetry
- Chapter 15 Byron and the Eighteenth Century
- Chapter 16 In Byron’s Wake
- Chapter 17 Byron, Postmodernism, and Intertextuality
- Chapter 18 ‘Writing Grows a Habit’
- Select Bibliography
- Index
- Cambridge Companions To Literature
Chapter 16 - In Byron’s Wake
Published online by Cambridge University Press: 02 November 2023
- The Cambridge Companion to Byron
- The Cambridge Companion to Byron
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Chapter 1 Byron’s Life and His Biographers
- Chapter 2 ‘My Pen Is at the Bottom of a Page’
- Chapter 3 Byron’s Politics
- Chapter 4 Byron: Gender and Sexuality
- Chapter 5 Heroism and History
- Chapter 6 Byron and the Eastern Mediterranean
- Chapter 7 1816–1817: Childe HaroldIII and Manfred
- Chapter 8 Byron and the Theatre
- Chapter 9 Byron’s Experiments in Drama: 1820–1822
- Chapter 10 Childe Harold’s Pilgrimage iv, Don Juan, and Beppo
- Chapter 11 Redeeming Levity
- Chapter 12 The Vision of Judgment and the Visions of ‘Author’
- Chapter 13 Byron’s Bear and Other Animals
- Chapter 14 Byron’s Lyric Poetry
- Chapter 15 Byron and the Eighteenth Century
- Chapter 16 In Byron’s Wake
- Chapter 17 Byron, Postmodernism, and Intertextuality
- Chapter 18 ‘Writing Grows a Habit’
- Select Bibliography
- Index
- Cambridge Companions To Literature
Summary
This chapter explores Byron’s reception through the lens of the Byronic sense of occasion. Focusing on the history of Byron’s contemporary reception, it argues that Byronic reception involves a transformed scene of reading and writing, and a transformed temporality, which is acutely attuned to a sense of occasion, stretching the moment of reception and production across a longue durée. It is a critical commonplace that Byron’s writing is about its own creation and production, but it is also about its reception. The story of Byron’s reception also tells us about the changing practices of Romantic criticism and culture more broadly. The Byron phenomenon taught its contemporaries to think of the poem as a performance, an event, an experience. It is also a kind of entourage. In this transformed scene of reading and writing, the text’s reception – always already anticipated – forms part of the entourage. The chapter examines how Byron’s works contribute to this sustained sense of the text as entourage, event, and public occasion – in furious conversation with its own past, present, and future audiences.
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- The Cambridge Companion to ByronSecond Edition, pp. 257 - 270Publisher: Cambridge University PressPrint publication year: 2023