Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Notes on Contributors
- List of Abbreviations
- Introduction
- 1 Going Behind Britten’s Back
- 2 Performing Early Britten: Signs of Promise and Achievement in Poèmes nos. 4 and 5 (1927)
- 3 Shostakovich's Fourteenth Symphony: A Response to War Requiem?
- 4 Six Metamorphoses after Ovid and the Influence of Classical Mythology on Benjamin Britten
- 5 Britten and the Cinematic Frame
- 6 Storms, Laughter and Madness: Verdian ‘Numbers’ and Generic Allusions in Benjamin Britten's Peter Grimes
- 7 Dramatic Invention in Myfanwy Piper's Libretto for Owen Wingrave
- 8 ‘The Minstrel Boy to the War is Gone’: Father Figures and Fighting Sons in Britten's Owen Wingrave
- 9 Made You Look! Children in Salome and Death in Venice
- 10 From ‘The Borough’ to Fraser Island
- 11 Britten and France, or the Late Emergence of a Remarkable Lyric Universe
- 12 Why did Benjamin Britten Return to Wartime England?
- Index of Britten’s works
- General index
10 - From ‘The Borough’ to Fraser Island
Published online by Cambridge University Press: 03 March 2023
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Notes on Contributors
- List of Abbreviations
- Introduction
- 1 Going Behind Britten’s Back
- 2 Performing Early Britten: Signs of Promise and Achievement in Poèmes nos. 4 and 5 (1927)
- 3 Shostakovich's Fourteenth Symphony: A Response to War Requiem?
- 4 Six Metamorphoses after Ovid and the Influence of Classical Mythology on Benjamin Britten
- 5 Britten and the Cinematic Frame
- 6 Storms, Laughter and Madness: Verdian ‘Numbers’ and Generic Allusions in Benjamin Britten's Peter Grimes
- 7 Dramatic Invention in Myfanwy Piper's Libretto for Owen Wingrave
- 8 ‘The Minstrel Boy to the War is Gone’: Father Figures and Fighting Sons in Britten's Owen Wingrave
- 9 Made You Look! Children in Salome and Death in Venice
- 10 From ‘The Borough’ to Fraser Island
- 11 Britten and France, or the Late Emergence of a Remarkable Lyric Universe
- 12 Why did Benjamin Britten Return to Wartime England?
- Index of Britten’s works
- General index
Summary
Dear Benjamin Britten,
I enclose the synopsis for a libretto by Patrick White. He has suggested that I forward it to you, since he would rather you wrote the opera than any other composer.
The Sydney Opera House opens in 1966 and the Elizabethan Trust Director, Stefan Haag, has asked White for a libretto in the hope that an opera could finally evolve for the opening.
I have shown it to K. Clark who feels that you might be interested.
Patrick White is now in London and will be here until the end of September. If you are interested I could bring him up to Aldeburgh one day for discussion.
I am most hesitant about approaching you an artist personally, but my admiration for his work is of the same order as I have for yours, so I hope you will not mind this informal approach.
Yours sincerely,
Sidney Nolan
So wrote the artist, Sidney Nolan, to Benjamin Britten on 8 August 1963. Enclosed with the letter was a 21-page libretto synopsis, beginning with a cast list and followed by an account of the act and scene divisions, a brief description of each scene, including stage directions, clarifications of mood and atmosphere at the dramatic and musical climaxes, and some dialogue. The tale outlined was the history of one Mrs Eliza Fraser – a history which exposed the cruelty and hypocrisy of allegedly civilized worlds, and which explored the passage from innocence to experience, the revelation of repressed instincts, notions of betrayal and injustice, of imprisonment and freedom, through symbols such as the ‘outsider’ and the power, both physical and psychological, of the sea.
Eliza Fraser was a wealthy Scottish lady who, returning from Australia with her husband, the sickly Captain James Fraser, was shipwrecked off the Queensland coast on 21 May 1836. The Frasers boarded a leaky longboat, and after an arduous journey – during which Mrs Fraser gave birth to a still-born child – eventually reached Sandy Island, now renamed Fraser Island. Upon landing, the survivors encountered native Aborigines; a scuffle ensued and James Fraser, demonstrating uncharacteristic bravery, was among those killed. His wife subsequently spent ten weeks living among these ‘savages’.
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- Information
- Benjamin BrittenNew Perspectives on His Life and Work, pp. 138 - 159Publisher: Boydell & BrewerPrint publication year: 2009