Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-745bb68f8f-mzp66 Total loading time: 0 Render date: 2025-02-02T21:35:02.022Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  23 March 2023

Rosalind Parry
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Art of the Reprint
Nineteenth-Century Novels in Twentieth-Century Editions
 , pp. 192 - 205
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

“33-Foot Boat Sails Today for Greenland on 3-Month Trip; Rockwell Kent in Crew.” The New York Times, May 18, 1929, sec. Archives. Accessed February 15, 2021. www.nytimes.com/1929/05/18/archives/33foot-boat-sails-today-for-greenland-on-3month-trip-rockwell-kent.html.Google Scholar
Adcock, Arthur St John, ed. “Advertisement.” The Bookman 77, no. 457 (October 1929): 55.Google Scholar
“Artist and Crusader.” The New York Times, October 27, 1930, sec. Archives. Accessed February 15, 2020. www.nytimes.com/1930/10/27/archives/artist-and-crusader.html.Google Scholar
Austen, Jane. Emma (1815; 1962). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. Mansfield Park (1814; 1961). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. Northanger Abbey (1817; 1960). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. Persuasion (1817; 1961). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. Persuasion (1817). Edited by Spacks, Patricia Meyer. New York: W. W. Norton & Company, 2008.Google Scholar
Austen, Jane. Pride and Prejudice (1813). Illustrated with wood engravings by Helen Binyon. London: Penguin Illustrated Classics, 1938.Google Scholar
Austen, Jane. Pride and Prejudice (1813; 1957). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. Pride and Prejudice (1813). Illustrated by Anna and Elena Balbusso. London: The Folio Society, 2013.Google Scholar
Austen, Jane. Sense and Sensibility (1811; 1958). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. Shorter Works (1963). Illustrated with wood engravings by Joan Hassall. London: The Folio Society, 1975.Google Scholar
Austen, Jane. The Novels of Jane Austen. Edited by Chapman, R. W.. Oxford: Clarendon Press, 1923.Google Scholar
Austen, Jane. The Works of Jane Austen: Minor Works. Edited by Chapman, R. W.. Oxford: Oxford University Press, 1954.Google Scholar
Austen-Leigh, James Edward. A Memoir of Jane Austen and Other Family Recollections (1872). Oxford: Oxford University Press, 2008.Google Scholar
“Beautifully Illustrated Hardcover Books | Folio Society.” Accessed April 27, 2021. www.foliosociety.com/usa.Google Scholar
Betts, Reginald Dwayne, and Lennon, John J.. “A Canon for the American Prisoner.” The New York Review of Books (blog). Accessed February 19, 2022. www.nybooks.com/daily/2021/10/05/a-canon-for-the-american-prisoner/.Google Scholar
Bewick, Thomas, Beilby, Ralph, and Cotes, Henry. A History of British Birds. Newcastle: Printed by Edward Walker, for T. Bewick: Sold by him, and Longman and Rees, London, 1805.Google Scholar
Blake, William. The Selected Poems of William Blake. Hertfordshire, UK: Wordsworth Editions, 2000.Google Scholar
“Bookcase Credibility (@BCredibility).” Twitter. Accessed May 6, 2021. https://twitter.com/BCredibility.Google Scholar
“Book of the Month | Read More, Research Less, Save Money.” Accessed April 27, 2021. www.bookofthemonth.com.Google Scholar
Braby, Dorothea. The Way of Wood Engraving. London: Studio Publications, 1953.Google Scholar
“Brian North Lee.” The Scotsman, March 8, 2007, sec. Obituaries. Accessed January 31, 2022. www.scotsman.com/news/obituaries/brian-north-lee-2469136.Google Scholar
Brittain, Vera. Testament of Youth: An Autobiographical Study of the Years 1900–1925. London: Penguin, 1933.Google Scholar
Brontë, Charlotte. Jane Eyre (1847). Illustrated with wood engravings by Fritz Eichenberg. New York: Random House, 1943.Google Scholar
Brontë, Charlotte. Jane Eyre (1847). Illustrated by Santiago Caruso. London: The Folio Society, 2014.Google Scholar
Brontë, Emily. Wuthering Heights (1847). Illustrated with wood engravings by Clare Leighton. New York: Random House, 1931.Google Scholar
Brontë, Emily. Wuthering Heights (1847). Illustrated with wood engravings by Fritz Eichenberg. New York: Random House, 1943.Google Scholar
Brontë, Emily. Wuthering Heights (1847). Illustrated by Rovina Cai. London: The Folio Society, 2014.Google Scholar
Brooks, Adam, director. Definitely, Maybe. Universal Pictures, 1 hr., 51 minutes, 2008.Google Scholar
“CLIO.” Accessed June 23, 2021, https://clio.columbia.edu/.Google Scholar
Cummings, Paul, and Kent, Rockwell. “An Interview with Rockwell Kent Conducted by Paul Cummings at Ausable Forks, New York, February 26–27, 1969,” Archives of American Art Journal 12, no. 1 (1972): 10–18.Google Scholar
Dickinson, Emily. The Complete Poems of Emily Dickinson. Edited by Johnson, Thomas H.. New York: Little, Brown and Company, 1976.Google Scholar
“Display Ad 16.” The Observer, September 22, 1929. http://search.proquest.com.Google Scholar
Disser, Nicole. “Four Small Presses Rage on in Brooklyn,” Brooklyn Magazine, November 14, 2014. Accessed June 9, 2022. www.bkmag.com/2014/11/14/four-small-presses-rage-on-in-brooklyn.Google Scholar
Dostoyevsky, Fyodor. A Raw Youth (1875). Translated by Constance Garnett. Illustrated with wood engravings by Fritz Eichenberg. Avon, CT: Limited Editions Club, 1974.Google Scholar
Doyle, Arthur Conan. The Complete Sherlock Holmes. 2 vols. New York: Doubleday, 1930.Google Scholar
Eichenberg, Fritz. Artist on the Witness Stand. Wallingford, PA: Pendle Hill Publications, 1984.Google Scholar
Eichenberg, Fritz. Fritz Eichenberg Papers, Robert B. Haas Family Arts Library, Yale University Library.Google Scholar
Eichenberg, Fritz. Oral history interview with Fritz Eichenberg. Interview by Harlan Phillips, 1964. Archives of American Art’s New Deal and the Arts Project, Smithsonian Institution. Accessed January 21, 2021. www.aaa.si.edu/collections/interviews/oral-history-interview-fritz-eichenberg-12479.Google Scholar
Eichenberg, Fritz. Oral history interview with Fritz Eichenberg. Interview by Paul Cummings, 1970. Archives of American Art, Smithsonian Institution. Accessed June 7, 2016. www.aaa.si.edu/collections/interviews/oral-history-interview-fritz-eichenberg-12524.Google Scholar
Eichenberg, Fritz. Oral history interview with Fritz Eichenberg. Interview by Robert Brown, 1979. Archives of American Art, Smithsonian Institution. Accessed April 23, 2013. www.aaa.si.edu/collections/interviews/oral-history-interview-fritz-eichenberg-12736.Google Scholar
Eichenberg, Fritz. “Portrait of the Artist in Love with the Book.” The Quarterly Journal of the Library of Congress 22, no. 2 (April 1, 1965): 88–96.Google Scholar
Eichenberg, Fritz. “Self Portrait.” Face to Face: Twelve Contemporary American Artists Interpret Themselves in a Limited Edition of Original Wood Engravings. Great Barrington, MA: Penmaen-Busyhaus Publications, 1985.Google Scholar
Eichenberg, Fritz. The Art of the Print: Masterpieces, History, Techniques. New York: H. N. Abrams, 1976.Google Scholar
Eichenberg, Fritz. The Artist and the Seven Deadly Sins. 1975. Wood engraving, 10 5/8 × 7 inches.Google Scholar
Eichenberg, Fritz. The Midnight Oil. 1947. Lithograph on wove paper, 15 15/16 × 11 13/16 in., Brooklyn Museum.Google Scholar
Eichenberg, Fritz. The Wood and the Graver: The Work of Fritz Eichenberg. New York: Crown Publishers, 1977.Google Scholar
Eliot, George. Adam Bede (1859). New York: Penguin, 2008.Google Scholar
Eliot, George. Middlemarch: A Study of Provincial Life (1872). Illustrated by Pierre Mornet. London: The Folio Society, 1999.Google Scholar
Farris, Grace. “Bookcase Styles.” A Cup of Jo (blog), January 22, 2021. https://cupofjo.com/2021/01/bookcase-styles.Google Scholar
Filstrup, Chris, in discussion with the author, December 2017.Google Scholar
Reads, Freedom. “Our Story.” Accessed February 19, 2022. https://freedomreads.org/.Google Scholar
“Fritz Eichenberg Jane Eyre.” Etsy. Accessed May 7, 2021. www.etsy.com/market/fritz_eichenberg_jane_eyre.Google Scholar
Gaskell, Elizabeth. Cranford (1853). Illustrated by Joan Hassall. London: George G. Harrap & Co., 1948.Google Scholar
Gill, Eric. Eric Gill: Autobiography (1940). London: Lund Humphries, 1992.Google Scholar
Goya, Francisco. El Sueño de La Razon Produce Monstruos. 1799. Etching, aquatint, drypoint, and burin, 8 3/8 × 5 15/16 in. The Metropolitan Museum of Art, Gift of M. Knoedler & Co.Google Scholar
Hamel, Justin. “Searching for America’s 1930s Post Office Murals: A Photo Essay.” The Guardian, August 21, 2020, sec. Art and design. Accessed February 17, 2020, www.theguardian.com/artanddesign/2020/aug/21/picture-essay-america-1930s-post-office-murals.Google Scholar
Hardy, Thomas. Selected Poems. Illustrated by Stanley Donwood. London: The Folio Society, 2021.Google Scholar
Hardy, Thomas. Tess of the D’Urbervilles (1891). Illustrated by Vivien Gribble. London: Macmillan & Co, 1926.Google Scholar
Hardy, Thomas. Tess of the D’Urbervilles (1891). London: Penguin Books, 2003.Google Scholar
Hardy, Thomas. The Return of the Native. Illustrated by Arthur Hopkins. In Belgravia, A Magazine of Fashion and Amusement. January–December 1878. London: Chatto and Windus.Google Scholar
Hardy, Thomas. The Return of the Native (1878). Illustrated with woodcuts by Clare Leighton. New York: Harper & Brothers, 1929.Google Scholar
Hardy, Thomas. The Return of the Native (1878). Illustrated with woodcuts by Clare Leighton. London: Macmillan & Co., 1929.Google Scholar
Hardy, Thomas. The Return of the Native (1878). Illustrated by Agnes Miller Parker. New York: Limited Editions Club, 1942.Google Scholar
Hardy, Thomas. Under the Greenwood Tree (1872). Illustrated with wood engravings by Clare Leighton. New York: Macmillan & Co., 1940.Google Scholar
Harris, Elizabeth A. “What Happens When a Publisher Becomes a Megapublisher?” The New York Times, February 25, 2021, sec. Books. Accessed April 27, 2021. www.nytimes.com/2021/02/25/books/penguin-random-house-simon-schuster-publishing.html.Google Scholar
Hassall, Joan. “Illustrating Jane Austen.” In The Jane Austen Companion, edited by Grey, J. David. New York: Macmillan, 1986.Google Scholar
Hassall, Joan. Joan Hassall Manuscripts, Department of Manuscripts and Printed Books, The Fitzwilliam Museum, University of Cambridge.Google Scholar
Hassall, Joan. Joan Hassall Papers, The Fitzwilliam Museum, University of Cambridge.Google Scholar
Hassall, Joan. “My Engraved Work.” The Private Library Second Series 7, no. 4 (Winter 1974): 139–65.Google Scholar
Hassall, Joan. Wood Engraving, A Reader’s Guide. Cambridge: Cambridge University Press for the National Book League, 1949.Google Scholar
Hess, Amanda. “The ‘Credibility Bookcase’ Is the Quarantine’s Hottest Accessory.” The New York Times, May 1, 2020, sec. Arts. Accessed May 6, 2021. www.nytimes.com.Google Scholar
Hosken, Olivia. “What Celebrity Book Curator Thatcher Wine Really Thinks of A-Listers’ Bookshelves.” Town & Country, May 19, 2020. Accessed May 6, 2021. www.townandcountrymag.com.Google Scholar
Iannucci, Armando, director. The Personal History of David Copperfield. Lionsgate, Searchlight Pictures, 1 hr., 59 minutes, 2019.Google Scholar
“Jane Austen.” Accessed May 7, 2021. www.etsy.com/market/jane_austen.Google Scholar
“Jane Austen Joan Hassall, First Edition - AbeBooks.” AbeBooks. Accessed May 7, 2021. www.abebooks.com/book-search/kw/jane-austen-joan-hassall/first-edition/.Google Scholar
Jemisin, N. K. The City We Became. New York: Orbit, 2020.Google Scholar
“Jonathan Swift - Gulliver’s Travels - 1938 First Penguin Illustrated Classics Edition.” Etsy. Accessed June 9, 2021. www.etsy.com/listing.Google Scholar
“Journalistic Observation.” The New Yorker, March 24, 1945. Accessed July 18, 2020. www.newyorker.com/archive.Google Scholar
Kapoor, Sanjeev. How to Cook Indian: More than 500 Classic Recipes for the Modern Kitchen. New York: Stewart, Tabori and Chang, 2011.Google Scholar
Kent, Rockwell. It’s Me O Lord: The Autobiography of Rockwell Kent (1955). Whitefish, MT: Literary Licensing, LLC, 2011.Google Scholar
Kent, Rockwell. Mail Service in the Arctic at the Ariel Rios Federal Building in Washington, DC, 1937.Google Scholar
Kent, Rockwell. Mail Service in the tropics at the Ariel Rios Federal Building in Washington, DC, 1937.Google Scholar
Kent, Rockwell. N by E. New York: Random House, 1930.Google Scholar
Kent, Rockwell. Of Men and Mountains. Ausable Forks, NY: Asgaard Press, 1959.Google Scholar
Kent, Rockwell. Rockwell Kent Papers. Washington, DC, 1935–61. Archives of American Art, Smithsonian Museum of Art.Google Scholar
Kent, Rockwell. Rockwell Kent’s Greenland Journal. New York: Ivan Obolensky, 1962.Google Scholar
Kent, Rockwell. Rockwellkentiana: Few Words and Many Pictures. Edited by Zigrosser, Carl. New York: Harcourt, Brace and Co., 1933.Google Scholar
Kent, Rockwell. Salamina. New York: Harcourt, Brace and Co., 1935.Google Scholar
Kent, Rockwell. This Is My Own. New York: Duell, Sloan and Pearce, 1940.Google Scholar
Kent, Rockwell. Voyaging: Southward from the Strait of Magellan. New York: G.P. Putnam’s Sons, 1924.Google Scholar
Kent, Rockwell. Wilderness: A Journal of Quiet Adventure in Alaska (1918). Middletown, CT: Wesleyan University Press, 2011.Google Scholar
Kipling, Rudyard. The Jungle Books. Illustrated by Aldren Watson. 2 vols. Garden City, NY: Doubleday, 1948.Google Scholar
Lawrence, Simon. “The Fleece Press.” Accessed January 28, 2022. https://fleecepress.com.Google Scholar
Leighton, Clare. “Clare Leighton Papers.” Washington, D.C., 1931–67. Archives of American Art, Smithsonian Museum of Art.Google Scholar
Leighton, Clare. Clare Leighton: The Growth and Shaping of an Artist-Writer. Pewsey, Wiltshire, UK: Estate of Clare Leighton, 2009.Google Scholar
Leighton, Clare. Country Matters. New York: The Macmillan Company, 1937.Google Scholar
Leighton, Clare. Four Hedges: A Gardener’s Chronicle. New York: The Macmillan Company, 1935.Google Scholar
Leighton, Clare. “Growing New Roots.” Common Ground IV, no. 4 (Summer 1944): 20–23.Google Scholar
Leighton, Clare. Growing New Roots: An Essay with Fourteen Wood Engravings. San Francisco: The Book Club of California, 1976.Google Scholar
Leighton, Clare. Quiet Spirit, Skillful Hand: The Graphic Work of Clare Leighton. Edited by Stuhlman, Jonathan. Charlotte, NC: Mint Museum of Art, 2008.Google Scholar
Leighton, Clare. Study for Lopping. Black crayon and grey wash heightened with white gouache over graphite, 8 c 9 15/16 in. Mather Collection. Princeton University Museum, 1933.Google Scholar
Leighton, Clare. Tempestuous Petticoat: The Story of an Invincible Edwardian. New York; Toronto: Rinehart & Company, 1947.Google Scholar
Leighton, Clare. The Farmer’s Year: A Calendar of English Husbandry. New York: Longmans, Green and Co., 1933.Google Scholar
Leighton, Clare. Woodcuts: Examples of the Work of Clare Leighton. London: Longmans, Green and Co., 1930.Google Scholar
Leighton, Clare. Wood Engraving of the 1930’s. London: Studio Publications, 1936.Google Scholar
Leighton, Clare. Wood-Engraving and Woodcuts. London and New York: Studio Publications, 1948.Google Scholar
Leighton, David. “Eulogy at Memorial Service for Clare.” St. Paul’s, Woodbury, Connecticut, May 12, 1990.Google Scholar
Leighton, Marie Connor. Boy of My Heart: A True Book. New York: George H. Doran Company, 1916.Google Scholar
Lewes, George Henry. “Recent Novels: French and English.” Fraser’s Magazine for Town and Country, December 1847, 686–95. Accessed June 16, 2021. www.bl.uk/collection-items/review-of-jane-eyre-by-george-henry-lewes.Google Scholar
Melville, Herman. Moby Dick: Or, The Whale (1851). Illustrated by Rockwell Kent. Chicago: Lakeside Press, 1930.Google Scholar
Melville, Herman. Moby Dick: Or, the Whale (1851). Illustrated by Rockwell Kent. New York: Random House, 1930.Google Scholar
Melville, Herman. Moby Dick (1851). Edited by Parker, Hershel and Hayford, Harrison. New York: W. W. Norton, 2002.Google Scholar
Melville, Herman. Moby-Dick: Or, The Whale (1851). Illustrated by Rockwell Kent. London: The Folio Society, 2009.Google Scholar
Melville, Herman. Typee (1846). Illustrated with wood engravings by Robert Gibbings. London: Penguin Illustrated Classics, 1938.Google Scholar
Merrill, Jane, in discussion with the author, December 2017.Google Scholar
“Moby Dick Rockwell Kent.” Etsy. Accessed May 7, 2021. www.etsy.com/market/moby_dick_rockwell_kent.Google Scholar
Modern Library. “Modern Library Website,” 2015. www.modernlibrary.com.Google Scholar
Montaigne, Michel de. The Complete Works. Translated by Donald M. Frame. New York: Everyman’s Library, 2003.Google Scholar
“Painters Debate Art Policies Here.” The New York Times, March 15, 1926, sec. Archives. Accessed February 15, 2020. www.nytimes.com.Google Scholar
PenguinRandomhouse.com. “Penguin Clothbound Classics.” Accessed May 12, 2021. www.penguinrandomhouse.com/series/B45/penguin-clothbound-classics.Google Scholar
“Penguin Classics | The Best Classic Books, Poetry & Cult Novels.” Accessed June 14, 2021. www.penguin.co.uk/brands/penguin-classics.html.Google Scholar
“Princeton University Library Catalog.” Accessed June 23, 2021, https://catalog.princeton.edu/.Google Scholar
“Profiles: Education of a Prince ~ V.” The New Yorker, November 26, 1932. Accessed July 18, 2020. www.newyorker.com/archive.Google Scholar
“Profiles: Publisher II ~ Big Day for Random.” The New Yorker, May 16, 1959. Accessed July 18, 2020. www.newyorker.com/archive.Google Scholar
“Profiles: U.S. Artist II.” The New Yorker, March 24, 1945. www.newyorker.com/archive.Google Scholar
“Recent Books.” The New Yorker, December 13, 1930. Accessed June 16, 2021. www.newyorker.com/archive.Google Scholar
Rego, Paula. Loving Bewick. 2001. Lithograph, 67 × 43 cm.Google Scholar
“Revolt Plea Seen in Kent’s Murals.” The New York Times, September 11, 1937, sec. Archives. Accessed February 15, 2020. www.nytimes.com/1937/09/11/archives/revolt-plea-seen-in-kents-murals-paintings-near-farleys-office-show.html.Google Scholar
Richards, I. A. Principles of Literary Criticism. London: K. Paul, Trench, Trubner, & Co., 1924.Google Scholar
“Rockwell Kent Off on Trip to Greenland: Artist, Irked by City Life, to Live 2 Years with Eskimos. Son, 13, Accompanies Him.” The New York Times, July 12, 1934, sec. Archives. Accessed February 15, 2020. www.nytimes.com/1934/07/12/archives/rockwell-kent-off-on-trip-to-greenland-artist-irked-by-city-life-to.html.Google Scholar
“Rockwell Kent to Set Sail: Artist Leaves Thursday on Way to Greenland for Long Stay.” The New York Times, April 28, 1931, sec. Archives. Accessed February 15, 2020. www.nytimes.com/1931/04/28/archives/rockwell-kent-to-sail-artist-leaves-thursday-on-way-to-greenland.html.Google Scholar
Rossetti, Dante Gabriel. Letters of Dante Gabriel Rossetti to William Allingham, 1854–1870, edited by Hill, George Birbeck. New York: Frederick A. Stokes Company, 1898.Google Scholar
Ruddy, Betty. “Motherless.” Fourth Genre: Explorations in Nonfiction 10, no. 2 (2008): 39–47.Google Scholar
Scherman, Harry, ed. Book-of-the-Month Club News. Vol. November 1943. New York: Book-of-the-Month Club.Google Scholar
Scherman, Harry, ed. Book-of-the-Month Club News. Vol. January 1944. New York: Book-of-the-Month Club.Google Scholar
Scherman, Harry, ed. Book-of-the-Month Club News. Vol. February 1944. New York: Book-of-the-Month Club.Google Scholar
Scherman, Harry, Reminiscences of Harry Scherman: Oral History. Transcript, 1955. Book-of-the-Month Club Project, Columbia Center for Oral History.Google Scholar
Seaver, Edwin. “Letter to the Editor.” LIFE 15, no. 25 (December 20, 1943).Google Scholar
“Set of Decorative Penguin Books 1930s–1960s Vintage Book Set.” Etsy. Accessed May 7, 2021. www.etsy.com/listing.Google Scholar
Scorsese, Martin, director. Pretend It’s a City. Netflix, 30 minutes, 2021.Google Scholar
Shakespeare, William. The Complete Works of William Shakespeare. Philadelphia: The Blakiston Company, 1944.Google Scholar
Shaw, George Bernard. Arms and the Man: A Pleasant Play (1894). New York: Penguin Books, 2006.Google Scholar
Shaw, George Bernard. The Adventures of the Black Girl in Her Search for God. Illustrated by John Farleigh. London: Constable & Co., 1932.Google Scholar
“Shelf Portrait | Marie Claire - YouTube.” Accessed May 6, 2021. www.youtube.com.Google Scholar
Stevens, Wallace. The Collected Poems of Wallace Stevens. New York: Vintage, 1992.Google Scholar
“Supplement to The London Gazette.” The London Gazette, December 30, 1986.Google Scholar
“Talk of the Town.” The New Yorker, January 3, 1931. Accessed February 24, 2021. www.newyorker.com/archive.Google Scholar
“The Brontës: Three Strange Sisters Are Earning a New Popularity.” LIFE 15, no. 22 (November 29, 1943), 95–103.Google Scholar
“The Return of the Native by Hardy, Thomas: Good Hard Cover (1929) First Edition Thus., Signed by Author(s) | Arundel Books.” Accessed May 19, 2021. AbeBooks. www.abebooks.com/signed-first-edition/Return-Native-Hardy-Thomas-Harper-Brothers/22403825955/bd.Google Scholar
Tolstoy, Leo. War and Peace (1867). Illustrated by Fritz Eichenberg. Translated by Louise Maude and Alymer Maude. New York: Heritage Press, 1938.Google Scholar
Turgenev, Ivan Sergeevich. Fathers and Sons (1862). Illustrated by Fritz Eichenberg. Translated by Constance Garnett. New York: The Heritage Press, 1941.Google Scholar
Wheeler, André. “‘Fake Diversity’: Barnes & Noble Cancels Race-Swapped Classic Covers.” The Guardian, February 6, 2020. Accessed May 12, 2021. www.theguardian.com/books/2020/feb/05/barnes-and-noble-diverse-classics-backlash.Google Scholar
Wilcox, Richard, and Scherman, David E.. “Literary England,” LIFE 14, no. 24 (June 14, 1943), 76–83.Google Scholar
Wilcox, Richard, and Scherman, David E.. Literary England: Photographs of Places Made Memorable in English Literature. New York: Random House, 1944.Google Scholar
Yaffe, India. “There’s So Much to Unpack in These Celebrity Bookshelves.” PopSugar, November 23, 2020. Accessed May 6, 2021. www.popsugar.com/node/47982702.Google Scholar

Secondary Sources

Allee, Marjorie Hill. “Books at Home.” ALA Bulletin 34, no. 10 (1940): 623–30.Google Scholar
Alspaugh, Leann Davis. “‘Shell-Shocked: Expressionism after the Great War.’ Los Angeles County Museum of Art.” Exhibit 27, no. 8 (April 2009): 47–49.Google Scholar
Altick, Richard D. The English Common Reader: A Social History of the Mass Reading Public, 1800–1900. Chicago: University of Chicago Press, 1957.Google Scholar
Arnold, Matthew. Culture & Anarchy (1869). New York: Macmillan, 1924.Google Scholar
Auerbach, Emily. Searching for Jane Austen. Madison: University of Wisconsin Press, 2004.Google Scholar
Badaracco, Claire. American Culture and the Marketplace: R. R. Donnelley’s Four American Books Campaign 1926–1930. Washington, DC: Library of Congress, 1992.Google Scholar
Barnes, Julian. Flaubert’s Parrot (1984). New York: Vintage, 1990.Google Scholar
Barry, Rebecca Rego. “The Neo-Classics: (Re)Publishing the ‘Great Books’ in the United States in the 1990s.” Book History 6 (2003): 251–75.Google Scholar
Barthes, Roland. S/Z (1970). Translated by Richard Miller. Oxford: Wiley-Blackwell, 1991.Google Scholar
Barthes, Roland. The Pleasure of the Text (1973). Translated by Richard Miller. New York: Hill and Wang, 1975.Google Scholar
Beare, Geoffrey. “The Folio Society and Illustration.” Studies in Illustration 54 (2013): 6–25.Google Scholar
Benjamin, Walter. Illuminations: Essays and Reflections (1955). Edited by Arendt, Hannah. Translated by Harry Zohn. New York: Schocken, 2007.Google Scholar
Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap Press, 2002.Google Scholar
Bennett, Alan. “Pictures at an Exhibition.” The Book Collector 57, no. 1 (Spring 2008): 11–20.Google Scholar
Best, Stephen, and Marcus, Sharon. “Surface Reading: An Introduction.” Representations 108, no. 1 (November 1, 2009): 1–21.Google Scholar
Bluemel, Kristin. “‘A Happy Heritage’: Children’s Poetry Books and the Twentieth-Century Wood Engraving Revival.” The Lion and the Unicorn 37, no. 3 (September 2013): 207–37.Google Scholar
Bowlby, Rachel. Shopping with Freud. London, New York: Routledge, 1993.Google Scholar
Byrne, Paula. The Real Jane Austen: A Life in Small Things. New York: Harper, 2013.Google Scholar
Canton, James. The Oak Papers. San Francisco: HarperOne, 2021.Google Scholar
Certeau, Michel de. The Practice of Everyday Life (1980). Translated by Steven F. Rendall. Berkeley: University of California Press, 2011.Google Scholar
Chittick, V. L. O. “The Way Back to Melville: Sea-Chart of a Literary Revival.” Southwest Review 40, no. 3 (1955): 238–48.Google Scholar
Christodoulou, A. C. “Melville’s Painting.” Leviathan 5, no. 1 (2003).Google Scholar
Clement, Richard. Book in America. Golden, CO: Fulcrum Publishing, 1996.Google Scholar
Cohen, Rachel. Austen Years: A Memoir in Five Novels. New York: Farrar, Straus and Giroux, 2020.Google Scholar
Collins, Wilkie. “The Unknown Public.” Household Words 18, no. 439 (August 21, 1858): 217–22.Google Scholar
Cooke, Simon. “‘The Ever-Shifting Kaleidoscope of the Imagination’: Modern Illustrations to the Brontës.” Brontë Studies 31, no. 1 (March 1, 2006): 7–22.Google Scholar
Dalziel, Pamela. “Anxieties of Representation: The Serial Illustrations to Hardy’s The Return of the Native.” Nineteenth-Century Literature 51, no. 1 (1996): 84–110.Google Scholar
Darnton, Robert. The Case for Books: Past, Present, and Future. New York: PublicAffairs, 2021.Google Scholar
Darton, F. J. Harvey. Modern Book-Illustration in Great Britain and America. London and New York: Studio Publications, 1931.Google Scholar
Delbanco, Andrew. Melville: His World and Work. New York: Vintage, 2013.Google Scholar
Dentith, Simon. Nineteenth-Century British Literature Then and Now: Reading with Hindsight. Farnham, Surrey; Burlington, VT: Routledge, 2016.Google Scholar
DiBattista, Maria, and Nord, Deborah Epstein. At Home in the World: Women Writers and Public Life, from Austen to the Present. Princeton: Princeton University Press, 2017.Google Scholar
Donald, Diana. The Art of Thomas Bewick. London: Reaktion Books, 2013.Google Scholar
Editors. “The Folio Society.” The Book Collector 57, no. 1 (Spring 2008): 11–20.Google Scholar
“Engross.” In Merriam-Webster. Accessed August 18, 2020. www.merriam-webster.com/dictionary/engross.Google Scholar
Ferris, Scott R. Rockwell Kent’s Forgotten Landscapes. Camden, ME: Down East Books, 1998.Google Scholar
Fletcher, Winston. Powers of Persuasion: The Inside Story of British Advertising, 1951–2000. Oxford: Oxford University Press, 2008.Google Scholar
Forster, E. M. The BBC Talks of E.M. Forster, 1929–1960: A Selected Edition. Columbia: University of Missouri Press, 2008.Google Scholar
Garrett, Albert. A History of British Wood Engraving. Tunbridge Wells, UK: Midas Books, 1978.Google Scholar
Gherovici, Patricia. The Puerto Rican Syndrome. New York: Other Press, 2003.Google Scholar
Giggs, Rebecca. Fathoms: The World in the Whale. New York: Simon & Schuster, 2020.Google Scholar
April, G. L., and Evans-Smith, Annette. “2020 Biennial Report to the Governor and Legislature.” The Alaska Native Language Preservation and Advisory Council, January 1, 2020.Google Scholar
Goodspeed, George T. “The Home Library.” The Papers of the Bibliographical Society of America 42, no. 2 (1948): 110–18.Google Scholar
Gray, Basil. “Joan Hassall.” Signature 1: New Series. A Quadrimestrial of Typography and Graphic Arts. 1 (1949): 36–43.Google Scholar
Gross, Jenny. “A Jane Austen Museum Wants to Discuss Slavery. Will Her Fans Listen?” The New York Times, April 27, 2021, sec. World. Accessed April 27, 2021. www.nytimes.com/2021/04/27/world/europe/jane-austen-slavery-museum.html.Google Scholar
Hamilton, James. Wood Engraving & the Woodcut in Britain, c. 1890–1990. London: Barrie & Jenkins, 1994.Google Scholar
Harman, Claire. Charlotte Brontë: A Fiery Heart. New York: Knopf, 2016.Google Scholar
Herdle, Isabel C. “Memorial Gallery Offers Final Chance to View Watercolors Show, Leighton Woodcuts.” Democrat-Chronicle, December 3, 1939.Google Scholar
Hickman, Caroline Mesrobian. “Clare Leighton’s Wood Engravings of English Country Life between the Wars.” PhD thesis, The University of North Carolina at Chapel Hill, 2011. http://search.proquest.com.ezproxy.princeton.edu/.Google Scholar
Hill, Constance. Jane Austen: Her Homes & Her Friends. New York: John Lane, 1904.Google Scholar
Hodge, Jane Aiken. Only a Novel: The Double Life of Jane Austen. New York: Coward, McCann & Geoghegan, 1972.Google Scholar
Hoggart, Richard. The Uses of Literacy: Aspects of Working-Class Life (1957). London: Penguin Books in association with Chatto & Windus, 2009.Google Scholar
Horowitz, Sarah M. “Picturing Pride and Prejudice: Reading Two Illustrated Editions of the 1890s.” Persuasions: The Jane Austen Journal Online 34, no. 1 (Winter 2013): 19.Google Scholar
Jackson, Arlene M. Illustration and the Novels of Thomas Hardy. London: Palgrave Macmillan, 1981.Google Scholar
Jaffe, Patricia. Women Engravers. London: Sphere, 1988.Google Scholar
Jeffrey, Ian. British Landscape, 1920–1950: With 150 Illustrations, 50 in Color. New York: Thames & Hudson, 1985.Google Scholar
Jenkins, Elizabeth. Jane Austen: A Biography. London: Gollancz, 1986.Google Scholar
Johnson, Claudia L. Jane Austen: Women, Politics, and the Novel. Chicago: University of Chicago Press, 1990.Google Scholar
Johnson, Claudia L. Jane Austen’s Cults and Cultures. Chicago: University of Chicago Press, 2012.Google Scholar
Jones, Dan Burne. Rockwell Kent Centennial. Oak Park, IL: D. Burne Jones, 1983.Google Scholar
Jones, Jamie L. “Print Nostalgia: Skeuomorphism and Rockwell Kent’s Woodblock Style.” American Art 31, no. 3 (November 1, 2017): 2–25.Google Scholar
Kaplan, Alice, and Roussin, Philippe. “A Changing Idea of Literature: The Bibliothèque de La Pléiade.” Yale French Studies, no. 89 (1996): 237–62.Google Scholar
Kent, Emma Ruth. The Dividend Books of the Book-of-the-Month Club: An Appraisal and an Evaluation. Tallahassee: Florida State University, 1952.Google Scholar
Kepes, Gyorgy. Graphic Forms: The Arts as Related to the Book. London: Forgotten Books, 2018.Google Scholar
King, Richard J. Ahab’s Rolling Sea: A Natural History of “Moby-Dick.” Chicago: University of Chicago Press, 2019.Google Scholar
Koutsantoni, Katerina. Virginia Woolf’s Common Reader. Farnham, UK: Ashgate Publishing, Ltd, 2009.Google Scholar
Lauter, Paul. “Melville Climbs the Canon.” American Literature 66, no. 1 (1994): 1–24.Google Scholar
Lawrence, D. H. Studies in Classic American Literature. New York: T. Seltzer, 1923.Google Scholar
Leavis, F. R. Mass Civilisation and Minority Culture. Cambridge: The Minority Press, 1930.Google Scholar
Leavis, F. R. and Thompson, Denys. Culture and Environment: The Training of Critical Awareness. London: Chatto & Windus, 1933.Google Scholar
Leavis, Q. D. Fiction and The Reading Public (1932). London: Chatto and Windus, 1939.Google Scholar
Lee, Charles. The Hidden Public: The Story of the Book-of-the-Month Club. Garden City, NY: Doubleday, 1958.Google Scholar
Lewis, Frederick, director. Rockwell Kent: A Documentary by Frederick Lewis. Dundee Road Productions, 2 hr, 50 min, 2005.Google Scholar
LII/Legal Information Institute. Rockwell KENT and Walter Briehl, Petitioners, v. John Foster DULLES, Secretary of State. Accessed August 18, 2020. www.law.cornell.edu/supremecourt/text/357/116.Google Scholar
Looser, Devoney. The Making of Jane Austen. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Losano, Antonia. “Reading Women/Reading Pictures.” In Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present, edited by Phegley, Jennifer and Badia, Janet (pp. 27–52). Toronto: University of Toronto Press, 2005.Google Scholar
Lynd, Robert S., and Lynd, Helen Merrell. Middletown: A Study in Modern American Culture (1929). San Diego: Harcourt Brace Javanovich, 1959.Google Scholar
Marling, Karal Ann. Wall-to-Wall America: Post Office Murals in the Great Depression. Minneapolis: University of Minnesota Press, 1982.Google Scholar
Martin, Constance, and West, Richard V.. Distant Shores: The Odyssey of Rockwell Kent. Berkeley: University of California Press, 2000.Google Scholar
Matless, David. Landscape and Englishness. London: Reaktion Books, 2005.Google Scholar
Maxwell, Lee M. Save Women’s Lives: History of Washing Machines. Eaton, CO: Oldewash, 2003.Google Scholar
McLean, Ruari. The Wood Engravings of Joan Hassall. Oxford: Oxford University Press, 1960.Google Scholar
Meléndez, Edwin, and Meléndez, Edgardo. Colonial Dilemma: Critical Perspectives on Contemporary Puerto Rico. Boston: South End Press, 1993.Google Scholar
Miller, D. A. Jane Austen, or the Secret of Style. Princeton: Princeton University Press, 2005.Google Scholar
Miller, Joseph Hillis. Victorian Subjects. Durham, NC: Duke University Press, 1991.Google Scholar
Morpurgo, J. E. Allen Lane, King Penguin: A Biography. London: Hutchinson, 1979.Google Scholar
Mulhern, Francis. The Moment of “Scrutiny” (1979). London: Verso, 1981.Google Scholar
Mumford, Lewis. Herman Melville. New York: Literary Guild of America, 1929.Google Scholar
Myers, Bernard S. The German Expressionists: A Generation in Revolt. New York: Praeger, 1957.Google Scholar
Neavill, Gordon Barrick. “Publishing in Wartime: The Modern Library Series during the Second World War.” Library Trends 55, no. 3 (2007): 583–96.Google Scholar
Nehamas, Alexander. “The Sleep of Reason Produces Monsters.” Representations 74, no. 1 (2001): 37–54.Google Scholar
Pavel, Thomas G. The Lives of the Novel: A History. Princeton: Princeton University Press, 2013.Google Scholar
Pearson, David. Books as History: The Importance of Books Beyond Their Texts. London: British Library Board, 2008.Google Scholar
Peck, Amelia, Bogansky, Amy, Denney, Joyce, Guy, John, Ferreira, Maria Joao, Phipps, Elena, Sardar, Marika, Schaffner, Cynthia V. A., Stewart, Kristen, and Watt, Melinda. Interwoven Globe: The Worldwide Textile Trade, 1500–1800. New York: Metropolitan Museum of Art, 2013.Google Scholar
Pool, Daniel. Dickens’ Fur Coat and Charlotte’s Unanswered Letters: The Rows and Romances of England’s Great Victorian Novelists. New York: Perennial, 1998.Google Scholar
Price, Leah. How to Do Things with Books in Victorian Britain. Princeton: Princeton University Press, 2012.Google Scholar
Radway, Janice A. A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire. Chapel Hill: University of North Carolina Press, 1997.Google Scholar
Reisenfeld, Robin. “Cultural Nationalism, Brücke and the German Woodcut: The Formation of a Collective Identity.” Art History 20, no. 2 (June 1, 1997): 289–312.Google Scholar
Riegel, O. W. “The Anatomy of Melville’s Fame.” American Literature 3, no. 2 (1931): 195–203.Google Scholar
Roberts, Don. Rockwell Kent: The Art of the Bookplate. San Francisco: Fair Oaks Press, 2003.Google Scholar
Rogerson, Ian. Wood Engravings of Agnes Miller Parker. London: Mark Batty Publisher, 2006.Google Scholar
Rubin, Joan Shelley. The Making of Middlebrow Culture. Chapel Hill: University of North Carolina Press, 1992.Google Scholar
Schiffrin, Andre. The Business of Books: How the International Conglomerates Took Over Publishing and Changed the Way We Read. London: Verso, 2001.Google Scholar
Schjeldahl, Peter. “The Amy Sherald Effect.” The New Yorker, September 16, 2019. Accessed June 16, 2021. www.newyorker.com/magazine/2019/09/23/the-amy-sherald-effect.Google Scholar
Schuessler, Jennifer. “A Lost Brontë Library Surfaces.” The New York Times, May 25, 2021, sec. Arts. Accessed May 25, 2021. www.nytimes.com/2021/05/25/arts/bronte-library-sothebys-auction.html.Google Scholar
Schultz, Elizabeth A. Unpainted to the Last: Moby-Dick and Twentieth-Century American Art. Lawrence: University Press of Kansas, 1995.Google Scholar
Send Points Publishing Co., Ltd., ed. Art of the Book: Structure, Material and Technique. Berkeley, CA: Gingko Press, 2015.Google Scholar
Seymour, Terry. A Printing History of Everyman’s Library, 1906–1982. Bloomington, IN: Author House, 2011.Google Scholar
Sontag, Susan. Against Interpretation (1966). New York: Picador, 2001.Google Scholar
Spivak, Gayatri Chakravorty. “Three Women’s Texts and a Critique of Imperialism.” Critical Inquiry 12, no. 1 (1985): 243–61.Google Scholar
Stewart, Garrett. The Look of Reading: Book, Painting, Text. Chicago: University of Chicago Press, 2006.Google Scholar
Sutherland, Kathryn. “Jane Austen: Juvenilia. Review.” The Review of English Studies 63, no. 259 (April 1, 2012): 333–37.Google Scholar
Sutherland, Kathryn. Jane Austen’s Textual Lives: From Aeschylus to Bollywood. Oxford: Oxford University Press, 2007.Google Scholar
Tomalin, Claire. Jane Austen: A Life. New York: Viking, 1997.Google Scholar
Traxel, David. An American Saga: The Life and Times of Rockwell Kent. New York: Harper & Row, 1980.Google Scholar
Uglow, Jenny. Nature’s Engraver: A Life of Thomas Bewick. New York: Farrar, Straus and Giroux, 2007.Google Scholar
Weaver, Raymond Melbourne. Herman Melville, Mariner and Mystic. New York: George H. Doran Company, 1921.Google Scholar
Weber, Carl J. “Hardy’s Grim Note in ‘The Return of the Native.’” The Papers of the Bibliographical Society of America 36, no. 1 (1942): 37–45.Google Scholar
Weikop, Christian. “The Arts and Crafts Education of the Brücke: Expressions of Craft and Creativity.” The Journal of Modern Craft 1, no. 1 (March 1, 2008): 77–99.Google Scholar
Wien, Jake Milgram. “Rockwell Kent’s First Print.” Print Quarterly 18, no. 3 (2001): 289–301.Google Scholar
Williams, W. E. The Penguin Story. Harmondsworth, UK: Penguin Books, 1956.Google Scholar
Wolf, Norbert, and Grosenick, Uta. Expressionism. Köln; Los Angeles: Taschen, 2004.Google Scholar
Woolf, Virginia. The Common Reader (1925). Edited by McNeillie, Andrew. San Diego: Mariner Books, 2002.Google Scholar
Woolf, Virginia. The Essays of Virginia Woolf, Vol. 2: 1912–1918. Edited by McNeillie, Andrew. San Diego: Harvest Books, 1990.Google Scholar
Woolf, Virginia. The Essays of Virginia Woolf, Vol. 3: 1919–1924. Edited by McNeillie, Andrew. San Diego: Harvest Books, 1991.Google Scholar
Woolf, Virginia. The Essays of Virginia Woolf, Vol. 4: 1925–1928. Edited by McNeillie, Andrew. San Diego: Harvest Books, 1991.Google Scholar
Woolf, Virginia. The Second Common Reader (1932). San Diego: Mariner Books, 2003.Google Scholar
Yeazell, Ruth Bernard. Dutch Painting and the Realist Novel. Princeton: Princeton University Press, 2008.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Rosalind Parry
  • Book: The Art of the Reprint
  • Online publication: 23 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781009272032.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Rosalind Parry
  • Book: The Art of the Reprint
  • Online publication: 23 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781009272032.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Rosalind Parry
  • Book: The Art of the Reprint
  • Online publication: 23 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781009272032.008
Available formats
×