Book contents
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Chapter 6 Artefacts and Contexts
- Chapter 7 Architecture
- Chapter 8 Early Bronze Age Aegean Glyptic
- Chapter 9 Sculpture
- Chapter 10 Stone Vases, Metalware, and Miscellaneous
- Chapter 11 Early Bronze Age Pottery in the Aegean
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Chapter 10 - Stone Vases, Metalware, and Miscellaneous
from Part II - The Art of the Aegean Early Bronze Age
Published online by Cambridge University Press: 19 May 2022
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Chapter 6 Artefacts and Contexts
- Chapter 7 Architecture
- Chapter 8 Early Bronze Age Aegean Glyptic
- Chapter 9 Sculpture
- Chapter 10 Stone Vases, Metalware, and Miscellaneous
- Chapter 11 Early Bronze Age Pottery in the Aegean
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Summary
As with the figurines, marble vases mostly come from burials: they too form part of the set of prestige goods interred with the deceased. The commonest type from the beginning of the Early Cycladic (EC) is the ‘kandyli’ (the name is borrowed from the hanging oil lamps in Orthodox churches); these vessels can vary from 7 to 37 cm in height with a tall narrow neck, rounded belly in the shape of a sea urchin, and a small conical foot (AE1, fig. 85). Pierced horizontal lugs permit its suspension. The function is unclear; the interior is often very shallow, which makes it an unlikely drinking vessel (Getz-Gentle 1996, 38). Tall beakers have their precursors in stone or clay in the Final Neolithic period (Figure 5.2); now, though, they have a flat base and their lateral suspension lugs are less angular than in the Neolithic (AE1, fig. 86).
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- Information
- The Art and Archaeology of the Aegean Bronze AgeA History, pp. 61 - 65Publisher: Cambridge University PressPrint publication year: 2022