Book contents
- Apocalypse in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- Apocalypse in American Literature and Culture
- Copyright page
- Contents
- Figures
- Contributors
- Introduction The United States of Apocalypse
- Part I America as Apocalypse
- Part II American Apocalypse in (and out of) History
- Part III Varieties of Apocalyptic Experience
- Chapter 17 New History for a New Earth
- Chapter 18 W. E. B. Du Bois’s Apocalyptic Ambivalence
- Chapter 19 The Empty Cities of Urban Apocalypse
- Chapter 20 The Planetary Futures of Eco-Apocalypse
- Chapter 21 The Last Laughs of Doomsday Humor
- Chapter 22 The Catastrophic Endgames of Young Adult Literature
- Chapter 23 Apocalyptic Trauma and the Politics of Mourning a World
- Chapter 24 Posthuman Postapocalypse
- Further Reading
- Index
Chapter 17 - New History for a New Earth
from Part III - Varieties of Apocalyptic Experience
Published online by Cambridge University Press: 03 December 2020
- Apocalypse in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- Apocalypse in American Literature and Culture
- Copyright page
- Contents
- Figures
- Contributors
- Introduction The United States of Apocalypse
- Part I America as Apocalypse
- Part II American Apocalypse in (and out of) History
- Part III Varieties of Apocalyptic Experience
- Chapter 17 New History for a New Earth
- Chapter 18 W. E. B. Du Bois’s Apocalyptic Ambivalence
- Chapter 19 The Empty Cities of Urban Apocalypse
- Chapter 20 The Planetary Futures of Eco-Apocalypse
- Chapter 21 The Last Laughs of Doomsday Humor
- Chapter 22 The Catastrophic Endgames of Young Adult Literature
- Chapter 23 Apocalyptic Trauma and the Politics of Mourning a World
- Chapter 24 Posthuman Postapocalypse
- Further Reading
- Index
Summary
Early national historians such as George Bancroft, William H. Prescott, and Francis Parkman were nominally concerned with a semisecular vision of historical Providence, narrating the history of the continent as if it were directed toward the progress and consecration of democratic liberty in the United States and across the hemisphere. However, they were haunted by visions that such futures were being destroyed before their eyes in sectional conflict, slave revolution, and imperial expansion. This chapter explores how the US historical imagination before the Civil War stood on a razor’s edge between the anticipation of an empire of liberty and the fear of complete national catastrophe. It argues that this either-or narrative structure of progress or apocalypse continues to inform nationalist visions of history, leading to reactionary calls against dissident politics and ever-increasing imperial security measures in the name of protecting the nation’s future.
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- Apocalypse in American Literature and Culture , pp. 227 - 238Publisher: Cambridge University PressPrint publication year: 2020