1 - Biography and early works

Summary

How can a life correspond to a proper name when that life is incomplete, its vicissitudes not exhausted, its past forever open before it? How does a mortal's life correspond to a proper name when the name itself marks the desire for immortality? And if a mortal life has intersected more than one subject – in the Badiouean sense of the term – and if each subject is properly infinite, then what possible correspondence can be written out between one name and a life? Only a correspondence of personae, of heteronyms.

First persona: the teacher, the master. A graduate student spends a year researching his doctorate in Paris, sits in on three notorious seminars. To distinguish the lecturers he disposes of three variables, each with two values: starts late or not, dresses up or down, audience rich or poor. One starts late, dresses up and the audience is rich; another starts late, dresses up, and the audience is rich; the other starts late, dresses down and the audience is poor – which one was Miller, which Derrida, and which Badiou? Badiou avows having encountered three masters in his youth: Sartre, Althusser and Lacan, but in each text he engages in a progressive multiplication of masters: Mao and Mallarmé, Hegel and Pascal, Canguilhem, Cavaillès and Lautman, Cantor and Cohen, not to mention the seven poets of the Manifesto for Philosophy's “Age of Poetry”.