Book contents
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
22 - Central do Brasil (Central Station, 1998), Directed by Walter Salles
Published online by Cambridge University Press: 05 May 2023
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
Summary
Cast
Dora, played by Fernanda Montenegro
Josué, played by Vinícius De Oliveira
Ana (Josué’s mother), played by Soia Lira
Irene, played by Marília Pêra
Pedrão, played by Otávio Augusto
Moisés (Josué’s half-brother), played by Caio Junqueira
Isaías (Josué’s half-brother), played by Matheus Nachtergaele
Crew
Production Designers: Cassio Amarante, Carla Caffe
Cinematographer: Walter Carvalho
Editors: Isabelle Rathery, Felipe Lacerda
Music: Antonio Pinto, Jacques Morelenbaum
Screenwriters: João Emanuel Carneiro, Marcos Bernstein
Associate Producers: Paulo Brito, Jack Gajos
Executive Producers: Lillian Birnbaum, Thomas Garvin, Donald Ranvaud
Producers: Martine de Clermont-Tonnerre, Arthur Cohn
Director: Walter Salles
Awards
Golden Bear, Berlin International Film Festival, 1999
Silver Condor, Best Foreign Film, Argentinian Film Critics Association, 2000
BAFTA film award, Best Film not in the English Language, 1999
Winner, Golden Globe, Best Foreign Language Film, 1999
Nominee, Best Actress in a Leading Role (Fernanda Montenegro), Academy of Motion Picture Arts and Sciences, Hollywood, 1999
Winner, Best Screenplay, Sundance Institute International Award ($310,000)
Plot
Film opens with Dora, the letter writer, writing letters for various people in Central Station in Rio de Janeiro. Ana, Josué’s mother, arrives, accompanied by Josué, and asks to write a letter to her absent husband, Jesus, in Estrela do Norte in the backlands of central Brasil. The letter is direct and forceful. We follow Dora, after her day’s work has finished, going home; she is a spinster who has a close friend, also a spinster, who helps Dora decide what to do with the letters. Despite her promise to her clients that she will post the letters, sometimes Dora simply tears them up and sometimes she stores them away in a drawer. Dora is presented as a cynical, unfeeling individual, made so by a life of hard knocks. Ana returns the next day and writes a kinder letter to her absent husband. Soon after writing the letter, Ana is run over by a bus. Josué, now an orphan, begins living in Central Station. He asks Dora to write another letter to his father, Jesus, but she refuses to do so because he has no money. She takes him to a ‘home’, from where she believes he will be taken to the United States to be adopted. She buys a television with the proceeds of her transaction – 1,000 dollars – but her friend becomes suspicious. She says that Josué will probably be killed and his organs sold on the black market.
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- Information
- A Companion to Latin American Film , pp. 179 - 185Publisher: Boydell & BrewerPrint publication year: 2004