Book contents
- The Cambridge Companion to Tango
- Cambridge Companions to Music
- The Cambridge Companion to Tango
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Notes on Contributors
- Notes on the Text
- Acknowledgments
- Introduction: Tango Studies across Disciplinary and Geographic Boundaries
- 1 A Brief History of Tango
- Part I Tango Music
- Part II Tango Song
- Part III Tango Dance
- Part IV Interdisciplinary Tango Studies
- Appendix: Tango Chronology
- Song Title Index
- Index
- References
1 - A Brief History of Tango
Published online by Cambridge University Press: 15 March 2024
- The Cambridge Companion to Tango
- Cambridge Companions to Music
- The Cambridge Companion to Tango
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Notes on Contributors
- Notes on the Text
- Acknowledgments
- Introduction: Tango Studies across Disciplinary and Geographic Boundaries
- 1 A Brief History of Tango
- Part I Tango Music
- Part II Tango Song
- Part III Tango Dance
- Part IV Interdisciplinary Tango Studies
- Appendix: Tango Chronology
- Song Title Index
- Index
- References
Summary
Omar García Brunelli provides a solid historical overview of tango music, dance, and poetry. He first broadly lays out tango’s African, European, Argentine, and Uruguayan origins in the Río de la Plata region of South America, then focuses on the musical changes that took place through time. In doing so, García Brunelli highlights important contributors from tango’s guardia vieja (Old Guard), guardia nueva (New Guard), and Golden Age; discusses Piazzolla’s nuevo tango (New Tango); and brings his overview up to today by describing active contemporary tango musicians.
- Type
- Chapter
- Information
- The Cambridge Companion to Tango , pp. 10 - 28Publisher: Cambridge University PressPrint publication year: 2024