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  • Chapter 29 - Rhyme

  • from Part VI - Form, Genre, and Poetics
  • Edited by Martin Dubois, University of Durham
  • Book:
    Gerard Manley Hopkins in Context
    Published online:
    16 January 2025
    Print publication:
    16 January 2025, pp 253-260

  • Summary

    This chapter explores Hopkins and rhyme: both his views on the subject and his practice as a poet. It considers Hopkins as an artist caught between two conceptions of rhyme that stood in tension with one another. In the first view, rhyme is a metaphor for thinking about questions of cosmic design and coherence, and hence carries philosophical weight, and a religious and ethical charge. In the second, rhyme is aligned with pleasure and beauty, and needs to be disciplined and harnessed if it is not to be decadent or self-indulgent. The chapter considers Hopkins’s observations and pronouncements on the subject of rhyme in his letters and lectures and compares and contrasts them with the evidence of his poems, in which he often breaks his own rules. The chapter argues that Hopkins needed to be in more than one mind about rhyme in order to write the way he did.