This chapter examines René Depestre’s epic poem Un arc-en-ciel pour l’occident chrétien. It contextualizes Vodou as a cultural and spiritual lieu de mémoire that was a major turning point leading to the Haitian Revolution. It analyzes the monumental role that the Vodou religion played in creating a sense of collective identity and consciousness that would eventually lead to the Ceremony of Bois Caïman. I argue that Vodou was at the heart of the resistance movement and provided agency for the enslaved. This agency allowed them to question the colonized Christian white god and embrace their own African spirituality. In so doing the enslaved were able to come together to create community and affirm their identity/ies. I then argue that the five sections of the poem depict Vodou as a framework for denouncing racism in the US South, as various lwas travel to Alabama, where lynching was commonplace, to decry the US’s political and religious hypocrisy and to avenge the enslaved and their families in the face of the wickedness and hatred associated with slavery. Depestre decries the hypocrisy of the white god and suggests to readers that the lwas show true humanity.