Book contents
- A History of Haitian Literature
- Additional material
- A History of Haitian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Chapter 1 Editors’ Introduction
- Chapter 2 Literature as Loot
- Chapter 3 Theater in Early Independent Haiti
- Chapter 4 “So all the world may know it”
- Chapter 5 Civil War, Guerre de Plume, and the Emergence of Early Haitian Periodical Culture
- Chapter 6 History, Politics, and Revolutionary Romanticism in Charles Hérard-Dumesle’s Voyage dans le nord d’Hayti (1824) and the Anonymously Published L’Haïtiade (ca. 1826)
- Chapter 7 The Cénacle and the Sacred
- Chapter 8 Émeric Bergeaud’s Stella
- Chapter 9 The Predicament of Civilization
- Chapter 10 The Politics of Disenchantment
- Chapter 11 Haitian Poetry in Creole
- Chapter 12 Some Causes of the Underdevelopment of Haiti’s Creole-Language Literature
- Chapter 13 Performing Rebellion and Re-membering Haiti’s Past and Present in Twentieth-Century and Contemporary Theater
- Chapter 14 Haitian Writers and the Forging of a National Voice through Periodicals in the Twentieth Century
- Chapter 15 “Arrêtez le monde! Je veux rêver”
- Chapter 16 Occupation-Era Literature in Haiti
- Chapter 17 Haitian Literature and the Dominican Republic
- Chapter 18 Marxism and the Moun Andeyo
- Chapter 19 Jacques Roumain, from Indigenism to Nationalism
- Chapter 20 For a History of the Novel of Haitian Tradition
- Chapter 21 Exile and Twentieth-Century Haitian Writing
- Chapter 22 The Zonbi as Episteme in Haitian Prose Fiction
- Chapter 23 Living Vodou
- Chapter 24 Papa Loko’s Dire Poétique in Twenty-First-Century Port-au-Prince-Based Haitian Poetry
- Chapter 25 Partisan Politics and Twentieth-Century Fictions of the Haitian Revolution
- Chapter 26 Haitian Women’s Fiction
- Chapter 27 Haitian Uses of the Erotic
- Chapter 28 Archiving Narratives of Maternal Loss and Queer Life in Haitian Fiction in the Wake of the 2010 Earthquake
- Index
Chapter 23 - Living Vodou
Representations of Power and Resistance in René Depestre’s Un arc-en-ciel pour l’occident chrétien
Published online by Cambridge University Press: 07 November 2024
- A History of Haitian Literature
- Additional material
- A History of Haitian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Chapter 1 Editors’ Introduction
- Chapter 2 Literature as Loot
- Chapter 3 Theater in Early Independent Haiti
- Chapter 4 “So all the world may know it”
- Chapter 5 Civil War, Guerre de Plume, and the Emergence of Early Haitian Periodical Culture
- Chapter 6 History, Politics, and Revolutionary Romanticism in Charles Hérard-Dumesle’s Voyage dans le nord d’Hayti (1824) and the Anonymously Published L’Haïtiade (ca. 1826)
- Chapter 7 The Cénacle and the Sacred
- Chapter 8 Émeric Bergeaud’s Stella
- Chapter 9 The Predicament of Civilization
- Chapter 10 The Politics of Disenchantment
- Chapter 11 Haitian Poetry in Creole
- Chapter 12 Some Causes of the Underdevelopment of Haiti’s Creole-Language Literature
- Chapter 13 Performing Rebellion and Re-membering Haiti’s Past and Present in Twentieth-Century and Contemporary Theater
- Chapter 14 Haitian Writers and the Forging of a National Voice through Periodicals in the Twentieth Century
- Chapter 15 “Arrêtez le monde! Je veux rêver”
- Chapter 16 Occupation-Era Literature in Haiti
- Chapter 17 Haitian Literature and the Dominican Republic
- Chapter 18 Marxism and the Moun Andeyo
- Chapter 19 Jacques Roumain, from Indigenism to Nationalism
- Chapter 20 For a History of the Novel of Haitian Tradition
- Chapter 21 Exile and Twentieth-Century Haitian Writing
- Chapter 22 The Zonbi as Episteme in Haitian Prose Fiction
- Chapter 23 Living Vodou
- Chapter 24 Papa Loko’s Dire Poétique in Twenty-First-Century Port-au-Prince-Based Haitian Poetry
- Chapter 25 Partisan Politics and Twentieth-Century Fictions of the Haitian Revolution
- Chapter 26 Haitian Women’s Fiction
- Chapter 27 Haitian Uses of the Erotic
- Chapter 28 Archiving Narratives of Maternal Loss and Queer Life in Haitian Fiction in the Wake of the 2010 Earthquake
- Index
Summary
This chapter examines René Depestre’s epic poem Un arc-en-ciel pour l’occident chrétien. It contextualizes Vodou as a cultural and spiritual lieu de mémoire that was a major turning point leading to the Haitian Revolution. It analyzes the monumental role that the Vodou religion played in creating a sense of collective identity and consciousness that would eventually lead to the Ceremony of Bois Caïman. I argue that Vodou was at the heart of the resistance movement and provided agency for the enslaved. This agency allowed them to question the colonized Christian white god and embrace their own African spirituality. In so doing the enslaved were able to come together to create community and affirm their identity/ies. I then argue that the five sections of the poem depict Vodou as a framework for denouncing racism in the US South, as various lwas travel to Alabama, where lynching was commonplace, to decry the US’s political and religious hypocrisy and to avenge the enslaved and their families in the face of the wickedness and hatred associated with slavery. Depestre decries the hypocrisy of the white god and suggests to readers that the lwas show true humanity.
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- A History of Haitian Literature , pp. 417 - 427Publisher: Cambridge University PressPrint publication year: 2024