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2 results

About Suffering

About Suffering
  • On Louise Glück
  • Christos Hadjiyiannis
  • Published online:
    17 February 2025
    Print publication:
    13 March 2025
  • Poetry has always courted suffering. Poets sing their suffering, we've been told, and there can be no poetry without suffering. Louise Glück wasn't too sure about that. Suffering features centrally in her poetry and she discussed its role in poetry in her critical writing, where she often retained the language of poetry as martyrdom. However, she was keen to stress that suffering's part in composition has been misplaced and misunderstood, its function idealised and fetishised. Surveying a wide range of texts about poetry's relationship to suffering, and drawing surprising links between very different voices, this book situates Glück both in the tradition of Rainer Maria Rilke's lyrical suffering and in the tradition of T. S. Eliot's impersonal approach to poetry. Glück's most powerful and characteristic discussion of suffering, it argues, takes place in her 1992 volume, The Wild Iris.

  • Epilogue

  • Elizabeth Helsinger, University of Chicago
  • Book:
    Conversing in Verse
    Published online:
    21 July 2022
    Print publication:
    04 August 2022, pp 155-159

  • Summary

    The Epilogue moves forward to consider briefly selected poems from the twentieth century by T. S. Eliot, Elizabeth Bishop, and especially Louise Glück, who in her Nobel prize acceptance speech in December 2020 invoked an earlier tradition of poems that seem to invite the reader into secret conversations. These conversations are not, in fact, so secret, as Conversing in Verse has argued. The poems Glück cites (by Blake, Dickinson, and T. S. Eliot) include voices conversing under difficult conditions – as do her own poems, particularly in two collections, The Wild Iris and Meadowlands. There, as in the poetry that has been the subject of this study, misunderstandings and failed encounters are as frequent as successful ones. Handled with Glück’s ironic, witty self-awareness, they too are desperate conversations – with other people, with an impatient God, or with the nonhuman phenomena of the world. Poetry is after all sociable; it continues, against all odds, to converse.