Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • 9 - The Fabric of the City

  • Andrew Wallace-Hadrill, University of Cambridge
  • Book:
    The Idea of the City in Late Antiquity
    Published online:
    30 January 2025
    Print publication:
    27 February 2025, pp 314-372

  • Summary

    While the focus of preceding chapters has been on written sources, this chapter looks at the archaeologicy of cities as evidence for underlying ideas. The old model of the disintegration of a city of straight lines into tangled suqs is hard to reconcile with the evidence. New cities continue to be built through Late Antiquity, with the model set by Constantinople. Far from indicating the grid as the ideal, it is based on Rome itself, a notably non-gridded city. Despite contrasts of terrain, Constantinople competes with old Rome wherever possible. Justinian was responsible for a series of new cities, as Procopius claims, for which we have the advantage of good archaeological studies. If there is a model for these, it is Constantinople itself. Visigothic Reccopolis follows the same pattern. Exceptional among these new cities is the Umayyad foundation of ‘Anjar, outstanding as the most mathematical grid plan since antiquity; the model seems to be in Roman forts. Finally, Charlemagne’s Aachen is examined; though a palace rather than a city, contemporary court poets celebrate it as a New Rome.