We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter is the third of three to consider Puccini’s travels, both for work and leisure. It examines Puccini’s travels beyond Europe, primarily to South and North America. South America was a vital outpost of Italian operatic culture, with a large expatriate Italian population. The chapter discusses how Puccini’s works were exported to the major opera houses of the region and his travels to supervise performances in Argentina and Uruguay. Drawing upon Puccini’s correspondence, the author pays detailed attention to the life Puccini would have experienced on board ship, travelling in some luxury, unlike the many poor Italians who were migrating to the Americas for economic reasons – including the composer’s own brother, Michele Puccini. The chapter also discusses Puccini’s travels to New York, where he could not speak the language and was troubled by the weather. The author argues that the vast hotels and ships encountered by Puccini on these trips had a bearing on the sense of epic space in some of his later operas, notably La fanciulla del West. The chapter concludes with a discussion of Puccini’s tour of Egypt in 1908.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.