Reassessing the speech on Platonic love by the interlocutor Pietro Bembo in The Book of the Courtier (1528), this essay discusses Castiglione’s Platonic love ideology both as a philosophy and as the theoretical underpinning of an amorous praxis. After an overview of the reception of Platonic love during this stage of the Italian Renaissance, it examines to what extent Bembo’s discourse reflects Ficinian Neoplatonic notions of love as enjoyment of beauty and ascent toward the divine. While Castiglione echoes Ficino in his emphasis on the role of reason, Bembo creates a more permissive standard for younger lovers and for older lovers sanctions the kiss as a pivotal point on the ascent towards spiritual love, thus reconciling contemplative aspects of Platonic love with the concrete amorous dynamics of court life. Moreover, Bembo’s speech is predicated on the awareness that desire can degenerate into fury, an aspect that is discussed in the context of the contra amorem tradition. Literary form is a constant consideration: as a Ciceronian dialogue, the text not only projects an ideal Renaissance court, but also has a mimetic function in that its medium reflects and supports its content.