This chapter addresses when nuclear latency leads to nuclear weapons proliferation and arms races. It shows that under certain conditions, nuclear latency can deter rivals from arming. In other situations, however, nuclear latency can foment nuclear weapons proliferation. It includes six case studies of nuclear proliferation: Argentina, Brazil, France, India, Pakistan, and South Africa.

This chapter rethinks Indigenous bodies and remains as unstable sources of scientific knowledge during a period of great violence and settler expansion: the late nineteenth-century incursions into Indigenous lands in Southern Argentina. Rodriguez compares the experiences of two prominent anthropologists, one an outsider (the German Rudolf Virchow) and one an insider-outsider (Argentine scientist Francisco P. Moreno) to show how their methods both overlapped and diverged based on their positionality. Rodriguez reads the scientists’ reports of their own emotive states as well as their interpretation of Indigenous peoples’ against the grain, revealing that underneath the authoritative scientific conclusions lay uncertainty and unease.

Chapter Two follows a restless Rogers’ attempt to find himself as a young man by going abroad to seek work as a cowboy. He first journeyed to Argentina, then South Africa, and finally, Australia. A struggle to achieve success led him into popular "cowboy shows" where his riding and roping skills made him an attraction as "The Cherokee Kid" and symbol America for foreign audiences. Returnng to the United States after a couple of years, and determined to continue a career in entertainment, he joined a popular Wild West show featured at the 1904 St. Louis World’s Fair. When the show went to New York and found success, Rogers affirmed his determination to be a cowboy showman and professional entertainer.

This chapter describes the IMF and the World Bank, the two big international financial institutions created after World War II to stabilize the global economy. The two have similar goals and mechanisms but work with different instruments and in different contexts. Both pool the resources of their members and use the money it raises to make loans to governments with specific needs. The IMF lends to countries experiencing critical balance-of-payments problems. It makes short-term loans of foreign currencies that the borrowing country must use to finance the stabilization of its own currency or monetary system. As a precondition to the loan, the Fund generally requires that the borrower change its policies in ways that the Fund believes will enable monetary stability in future. The World Bank makes longer-term loans to pay for specific projects related to development or poverty reduction. Most Bank loans are tied to a particular project undertaken by the borrowing government. The Bank and the Fund are twinned institutions in the sense that they share a common origin and many structural features, but their practices and purposes are very different. As a result, they contrast each other in ways that are useful for exploring the mix of law and politics in global affairs.

This chapter analyzes the historical legacies of union-founding to establish whether these legacies had enduring consequences for subsequent patterns of teacher mobilization. It examines the development trajectories of teacher organizations, from 1900 to 1979. It analyzes several themes: church–state conflict over mass public schooling in the early twentieth century; contrasts between the political incorporation of industrial workers and teachers; patronage politics in public schools and the education bureaucracy; teacher struggles for labor codes and professional autonomy; and restrictions on political rights under nondemocratic regimes. It is shown that corporatist legacies set unions on different paths, but these legacies do not fully account for contemporary patterns of teacher mobilization.

This chapter shows how the bottom-up organization of CTERA was crucial for movementism. The mark of the activist base on protests is reflected in the fact that protests were organized primarily at the provincial and municipal levels, were widespread across provinces, and recurred over time. The chapter then examines the union’s role in electoral politics. While some union leaders became politicians, the union was not beholden to any political party and it lacked a coherent partisan identity. The last section analyzes the policy dynamics that ensued from movementism and the extent to which the creation of a new national institution of collective bargaining for teachers transformed the union’s political repertoire. It is shown that movementism remained largely in place.

This chapter argues that the organizational structure of the Argentine teachers’ confederation (CTERA), with power rooted in provincial and municipal actors, is crucial for explaining why teachers engaged in ongoing protests. It examines the process of union rebuilding in the wake of democratization, after harsh repression during the military regime. Even if newly elected leaders offered little support to the union because of the debt crisis, union leaders made some progress in consolidating CTERA through their own initiatives. The chapter then turns to decentralization under President Carlos Menem as a point of inflection. This undermined national union leaders, weakening their hold on the base. Once organizational hierarchies were weakened, movementism became the union’s political strategy.

Although Spanish-speaking lands are often imagined as lands of sexual intolerance, Buenos Aires is better characterized by ineffectual repression and by its recent celebration of sexual diversity. In this chapter we analyze sexuality in Buenos Aires against the backdrop of economic, socio-demographic, cultural, and political transformations that often undermined the regulations of authorities. The decades between 1880, when Buenos Aires became the capital, and the overthrow of President Juan Perón in 1955 were crucial for the formation of modern Argentina and constitute its focus. We begin with some preceding historical trends in the colonial and early independent era, and end with a succinct analysis of a few salient trends after 1955, especially those leading to Buenos Aires becoming a leader of LGBTQ+ rights in the twenty-first century. We discuss immigration, class differences in sexual behaviours, commercialized sex, sexual diversity with marica and homosexual identities, the rise of family sociability, and the push for sexual ‘normalcy’.

The Argentine crisis of 2001 saw economic collapse, social unrest, and police repression. But if it caused a political and economic fracture with apocalyptic overtones, in literature – and in prose fiction, specifically – it did not mean a complete break with the past nor an eruption of the new, but instead the return or reformulation of the old. Despite everything, the 2000s was a period of productivity and global acclaim for Argentina’s writers. Certain activist uses of literature and its insertion in other areas of social praxis coexisted with a search for a personal voice, namely autofictions, writings of the self, and stories of everyday life. This chapter structures a reading of the literature of the 2000s around three key topics that emerge from this conjuncture: an aesthetic of recycling; an aesthetic of haunting; and the presence of a reinvigorated feminist gaze. After a period of scepticism about the role of literature in social change, these trends sparked a renewal of interest in the activist uses of fiction. At the same time, other writers made abject characters the protagonists of their stories and agitated for a literature that strives to be both autonomous and political at the same time.

Omar García Brunelli provides a solid historical overview of tango music, dance, and poetry. He first broadly lays out tango’s African, European, Argentine, and Uruguayan origins in the Río de la Plata region of South America, then focuses on the musical changes that took place through time. In doing so, García Brunelli highlights important contributors from tango’s guardia vieja (Old Guard), guardia nueva (New Guard), and Golden Age; discusses Piazzolla’s nuevo tango (New Tango); and brings his overview up to today by describing active contemporary tango musicians.

The introduction of Pirandello’s works to Latin America started in earnest after the controversial Italian success of Six Characters in Search of an Author (1921), which was then staged by Dario Niccodemi’s company in Buenos Aires, Montevideo, and Rio de Janeiro. When Pirandello’s newly established Teatro d’Arte found itself in serious financial trouble in 1927, it welcomed the proposal by the Teatro Odeón in Buenos Aires for a tour that promised to cover the deficit. On his first trip to South America the author sparked a fervor that made him the tour’s protagonist while dispelling the perception of his theatre as simply a conduit for Fascist propaganda. Pirandello’s second trip to Argentina in 1933 saw the author directing the successful world premiere of When One Is Somebody, which had not yet found an Italian production due to its autobiographical content and heavy technical requirements. An important connection between Pirandello and the Buenos Aires professional theatre scene was actor Luis Arata, whose company systematically offered his plays between the 1930s and 1940s. Over time, Pirandellian productions gradually spread across the official, commercial, and independent circuits, and Pirandellian tropes have continued to influence Argentine playwriting to this day.

This chapter shifts to undesirable men and disreputable expressions of masculinity, depicting the world of pimps and traffickers from the perspective of the migration paradigm. With examples that span the United States, Uruguay, Argentina, Cuba, and Mexico, I show how anti-trafficking and anti-prostitution discourse, in addition to articulating gendered ideas about sexual respectability and normative migration patterns, employed equally moralistic concepts to distinguish honest labor from illegitimate work. Some traffickers sought upward social mobility by engaging with both the licit and illicit economies of their destination countries, while for others, pimping and trafficking was the logical extension of a longer criminal history, shirking work discipline, and refusing the responsibilities of family and nation. French men were central to a broader story of migrant criminality in the Americas, namely through their participation in the sex trade.