The last three decades have witnessed an increase in the number of middle-class people in China. Some of them spend money like water, have garish tastes and lack ‘good’ cultural traits and sophistication; they are called tuhao in Chinese (Cai, 2014). Others, in particular most of the middle-aged women, who are called dama, ‘live a happy life with plenty of free time and money’, investing in gold, bitcoins and overseas property markets and enjoying noisy square dances. (dama is a term coined by The Wall Street Journal) (Zhou & He, 2015). It was rumored around the end of 2013 that Chinese words, such as tuhao, dama and hukou ‘household registration’ would enter into the Oxford English Dictionary (Gui, 2013), which was still not the case when we searched the online Oxford Dictionaries for these words in 2015 (oxforddictionaries.com, 2015).

Usage guidance on what Biber et al. (1999) call ‘species nouns’ in English (kind/sort/type + of) has a long history, and has tended to concentrate on number concord between a determiner (e.g. this or these) and kind/sort/type in the singular or plural. Thus we have, from four different centuries.

Drawing on the linguistic practices of Facebook (FB) users in Mongolia, this article illustrates how multiple local meanings are produced in the local context of Mongolia, while English oriented linguistic resources are assimilated and injected into the local language – Mongolian. The research is timely in the context of contemporary Mongolia, as English continues to spread over and is used in more diverse ways than ever. Before 1990, Mongolia was a socialist nation, the satellite of the Soviet Union, with Russian language being the most important foreign language. English and other Western languages were uncommon, and Western cultural elements were largely resisted (Marsh, 2010). Following the collapse of Soviet Union, Mongolia embraced a new democratic society in 1990, transforming itself from a socialist to a democratic country with free market economy. Mongolia embraced the linguistic and cultural diversity, and English and other foreign languages have replaced the once popular Russian language. English has now immense role in both institutional and non-institutional contexts (Dovchin, 2016a, 2016b).

English as a lingua franca (ELF) first emerged in the academic literature at the end of the 20th century. Since then, there has been an ever-increasing amount of research devoted to this topic. This line of research has identified new challenges that educators will likely face as their previous training and current practice might not match the changing landscape of English language use. ELF research has yielded new information related to how individuals communicate in an ELF context; therefore, most researchers have emphasized the need to fully explore the pedagogical impact of the findings from ELF research (Jenkins, 2006; Jenkins, Cogo & Dewey, 2011; Mauranen, 2012).

The present study is an investigation of how English has been conceptualized in the discourses of ten Brazilian English language teachers with diverse language teaching experiences. Discourses of major agents in Brazilian English language teaching (ELT) – mainly the media, language schools, and the Ministry of Education through its national guidelines – usually associate English with notions of mobility, empowerment, and international ownership. The understanding of how English language educators conceptualize the language thus provides a valuable perspective on how these discourses may be taken on and reproduced by teachers. Such understanding is also relevant because educators have first hand experience in what actually goes on inside schools, thus being able to provide important accounts that are based on real life examples of their practices.

China English (CE) is the fastest growing variety of English in the world. While some estimate that there are between 200–400 million learners of English in mainland China, other researchers put the numbers between 440–650 million (cf. Bolton & Graddol, 2012; He & Zhang, 2010). Although not all learners of English in China will become active users of English, the numbers above are staggering, especially if we consider that the population of the United States is currently 319 million (United States Census Bureau, 2014). As Kirkpatrick (2007: 151) notes, CE is ‘soon likely to be the most commonly spoken variety of English in Asia’. One could argue that, judging by the numbers given above, CE will become the most commonly spoken variety of English in the world.

Singing is a very dynamic and innovative mode of communication through which artists often express themselves with a set of various voices. Today, pop music circulates across national boundaries and English is the main medium of communication in transnational pop culture. In this special context different varieties of English meet at a high density. Rihanna's single Work is an example of this prevalent multivocality in pop music culture. Her language performance attracted public attention of various sorts as she audibly incorporates several Caribbean English Creole (CEC) features. While some critics describe her lyrics as ‘gibberish’ (cf. Noelliste, 2016), others acknowledge her performance as a ‘reclamation of her Barbadian heritage’ (Gibsone, 2016). The example of Rihanna shows that singers can be transporters of English varieties: she is a Caribbean artist who started a successful career in the US, and whose music today has global reach. Singers, like Rihanna, are thus mobile, transnational linguistic agents. On the one hand, she physically travels the world playing concerts to her audiences. On the other, her persona, music, videos, and further media commodities are part of the global ‘mediascape’ (Appadurai, 1996). In other words, her products easily spread across the globe and are reproduced, transcending national and social boundaries. New technologies (e.g. smart phones, tablets) and applications (Facebook, Twitter, Instagram) facilitate as well as accelerate the transnational dissemination of media resources. Moreover, singers show that the linguistic (and cultural) resources as such are mobile. Different language influences are formed into individual linguistic repertoires. Singers often playfully employ certain features to highlight parts of their identity or locate themselves in a particular music genre.