Jessica Pisano's focus on the everyday political economy of electoral participation in Staging Democracy makes an insightful contribution to the literature on state management of elections and protest across regime types. Based on a framework grounded in dramatic theory, Pisano relies on evidence from the post-Soviet empire states to show how state actors engage citizens in political performances that project regime support and mask the effects of economic precarity and state dependence on patterns of political participation.
Producers, Directors, Actors, and the Audience
Staging Democracy is based on Pisano's long-term ethnographic study of political behavior in rural and small-town communities in Russia and Ukraine. These groups are notoriously understudied. Fieldwork is arduous and public opinion polls based on national samples do not have the statistical power to look inside these communities. As a result, citizens outside urban centers are characterized as unitary, conservative, and easily led despite growing evidence of different attitudes and economic coping strategies.Footnote 1 Pisano's research methods challenge these assumptions, demonstrating that elections and protest actions are embedded in long histories of performative interactions between state and society and the practices of everyday life.
This research focus yields an important argument: economic vulnerability wrought by the introduction of capitalism enabled elites to exploit precarity to win elections and orchestrate pro-regime activism. Voters do not crave paternalism or a strong hand; they want their lights to stay on and their apartments repaired, and they exchange their votes for services.
Pisano adapts a dramatic theory framework to understand state strategies that constrain societal actors. This approach is more than a metaphor. She relies on different understandings of theater to capture the relational aspects of electoral competition, defining stakeholders and their power to shape outcomes. Producers (those in control of electoral processes) and directors (those who implement these processes) orchestrate political actions. The voters shift between audience, led by the arc of the electoral story, or bit players with limited choice left to comply with incumbent demands.
The framework relies on the Aristotelian and Brechtian approaches to dramaturgy to generate relationships among stakeholders. State reliance on the Aristotelian strategy builds community, as the state leads its voters through a story, a plot that triggers emotions and undermines autonomy. In contrast, protest resembles epic theater that challenges participants to act together to solve problems. Often coopted by the state, protest gives the illusion of voice while identifying good and bad constituencies, acceptable and unacceptable action. These interactions relegate protest, and protesters, to the realm of an imagined future and away from tangible change. Pisano's approach, laid out in the early chapters of the book, is intriguing, although theoretic scaffolding is less visible in empirical chapters, leaving the reader to sort out how it operates in daily life.
The book addresses the puzzle of why citizens overlook illiberal electoral practices within democratic regime structures. Elites equate elections with choice, and even if voters understand that choice is constrained, they accept it because they are engaged in performing their collective role and obtaining resulting benefits. Equally important, the study stresses variation in citizens’ experiences depending on where they live, their position in the economic structure, and their dependence on the state. This variation exists within neighborhoods and towns, fragmenting the meaning of citizenship across and within states and creating pockets of illiberalism that have disproportionate impact on national politics.
Pisano's analysis of protest as theater is more limited. Her core cases, the Immortal Regiment and state repression following the For Fair Elections protest in Russia and the Orange Revolution in Ukraine effectively illustrate state cooptation of activism. Yet, the analysis does not recognize that these events resulted in resources, skills, networks,Footnote 2 and the creation of new identities that transcend ethnicity, language, and regionalism.Footnote 3 Ukraine's Revolution of Dignity is presented as an exception in this regard, ignoring differences in levels of effect across contexts. While the creative urban class initiated some of the most visible Eurasian protest episodes, labor unrest and local actions often reflect grassroots concerns. As Carine Clement convincingly showed, local actions were rooted in everyday grievances around housing, healthcare, and land use.Footnote 4 The chapters in our recent edited volume, Varieties of Russian Activism, demonstrates the complexity of local activism as citizens span urban and rural communities to solve common problems.Footnote 5
The Argument in Context: Building Constituencies after 1991
Pisano's innovative argument shares a good deal with Gulnaz Sharafutdinova's The Red Mirror: Putin's Leadership and Russia's Insecure Identity that also emphasizes legacy, leadership, and political strategy.Footnote 6 Both Pisano and Sharafutdinova look beyond easy answers to explain post-Soviet societal attitudes: moral bankruptcy, brainwashing by state television, or the desire for strong leadership. They diverge on the drivers of political community-building. Sharafutdinova adopts a social identity perspective to explain the emergence of Russia's national community, bound by common identity. Red Mirror explores the resuscitation of core Soviet ideas such as exceptionalism and the common enemy that underpin shared feelings of pride and belonging. This approach is supported by studies on the evolution of state narrativesFootnote 7 and state performance of identity and history that make ideas available to mass publics.Footnote 8
Pisano's study also resonates with research on electoral competition and state-building that explores the causes of variation in state capacity to forge national constituencies.Footnote 9 Staging Democracy speaks to the limits of authoritarians who do not control the resources necessary to unify the national political space—a theme developed in Pauline Jones's book on resources and electoral institutions in Central Asia.Footnote 10 Cole Harvey's research on electoral malfeasance is an important reminder of how variation in state resources shape the capacity to determine vote counts.Footnote 11 These arguments speak to new research exploring the incoherent nature of post-Soviet states, Russia's resulting “bad governance,” and Ukraine's persistent corruption.Footnote 12
Staging Democracy also challenges institutionalist theories of political competition. Yet, Timothy Frye's overview of the institutionalist literature, Weak Strongman, highlights how institutions structure political theater by defining the frequency and nature of interactions, community boundaries, and constraints on opposition actors.Footnote 13 Similarly, the second generation of party system research in Eurasia considered the durability of communist-legacy partiesFootnote 14 and the role of hegemonic state partiesFootnote 15 that change the currency of political bargains that bring state resources to bear directly on electoral competition. All these state interventions influence the shape of constituencies, sometimes acting as a centralizing force and sometimes devolving electoral control and strengthening regional leaders.
Placing Staging Democracy in a brief overview of the literature clarifies both the complementarities, tensions, and questions raised by the work. It also suggests Pisano's most important contribution to our field: defining a path for future research exploring the effects of class, precarity, and inequality on political development. Most critically, Pisano's comparative, cross-regime approach and joint foci on political theater and everyday political economy suggests a lens to understand the role of precarity on support for and participation in Russia's escalation of war, the divergence of political behavior in occupied territories, and remarkable Ukrainian unity after 2014.Footnote 16