Death during childbirth was a significant risk for women in prehistoric and pre-modern societies, but it has rarely been documented by archaeology. The evidence for twins in the archaeological record has likewise been largely circumstantial, with few confirmed cases. Maternal mortality in childbirth is often obscured by the special ritual practices associated with this type of death. In the case of twin births that difficulty is compounded by past social attitudes to twins. The earliest confirmed evidence for obstructed labour comes from the burial of a young woman who died attempting to deliver twins in the middle Holocene hunter-gatherer cemetery at Lokomotiv in southern Siberia some 7000 to 8000 years ago.

Detailed taphonomic and skeletal analyses document the diverse and often unusual burial practices employed by European Neolithic populations. In the Upper Chamber at Scaloria Cave in southern Italy, the remains of some two dozen individuals had been subjected to careful and systematic defleshing and disarticulation involving cutting and scraping with stone tools, which had left their marks on the bones. In some cases these were not complete bodies but parts of bodies that had been brought to the cave from the surrounding area. The fragmented and commingled burial layer that resulted from these activities indicates complex secondary burial rites effecting the transition from entirely living to entirely dead individuals.

Megalithic art is a well-known feature of the Neolithic chambered tombs of Atlantic Europe. The surviving evidence consists largely of carved motifs, and, until recently, painted megalithic art was thought to be restricted to western Iberia. Recent discoveries have expanded that distribution, assisted by new methods of detection, recording and analysis. The discovery of painted motifs at Barnenez in Brittany, reported here, marks a breakthrough and raises the possibility that many megalithic tombs in north-west Europe were once coloured as well as carved. Similarities in motifs and techniques also point to the likelihood of direct connections with Iberia.

Mining has commonly been thought of as hard manual labour undertaken by the lower echelon of a hierarchical society, but was this always the case? Recent excavations of the variscite mines at Gavà have revealed burials contemporary with the peak of mining activity that represent a community of miners exploiting the subterranean resources for trade and manufacturing variscite beads with a nuanced symbolism. Skeletal evidence demonstrates the physicality of mining while grave goods reveal a community that worked collectively to mine, manufacture and trade goods, with miners themselves benefiting from the fruits of their labours.

Cattle are a key focus of traditional pastoralist societies in eastern Africa and also figure prominently in the rock art of the region. In both contexts, their cultural and social significance is underscored by colour and decoration. The contemporary Mursi of south-west Ethiopia transform favourite oxen in various ways, including horn alteration, ear cutting and decorative pattern branding. These practices may provide direct insight into cattle portrayal in Ethiopian rock art, where abstract or non-realistic symbols depicted on cattle coats could indicate the modification, alteration or beautification of cattle in prehistoric societies.

Disposal of the dead in early societies frequently involved multiple stages of ritual and processing. At Khonkho Wankane in the Andes quicklime was used to reduce corpses to bones in a special circular structure at the centre of the site. The quicklime was obtained from solid white blocks of calcium oxide and was then mixed with water and applied to disarticulated body parts. A few plaster-covered bones were recovered from the structure but most had been removed from the site, possibly by itinerant llama caravans. Thus, Khonkho Wankane was a ritual centre to which the dead were brought for processing and then removed for final burial elsewhere.

Maya murals depicting scenes of courtly life are well known from sites such as Bonampak; far less common are scenes depicting life outside the royal sphere. Recent excavations at Xultun in Guatemala have revealed well-preserved murals in a domestic context that offer a fresh perpective on life in the Maya court, that of the priests, scribes and artists who attended the royal governor. Here, the authors decode the images to reveal the lives and activities of those who planned, performed and recorded official events in Classic-period Xultun. One of only two well-preserved examples of eastern Maya lowland wall painting from the Late Classic period, this rare display of master craftsmanship outside of the royal court sheds new light on the lives of those who produced it.

Ritual items made of thin mica sheet are among the most spectacular of the special objects from the Hopewell sites of the Ohio Valley. Hitherto it has generally been believed that the mica was imported in raw material form from sources in the Appalachian Summit and cut into shape in the Hopewell core. Recent excavations at Garden Creek, a ritual enclosure on the margin of the source area, throws doubt on this model through extensive evidence for mica-working at this site. The Garden Creek community may have been drawn into the Hopewell sphere through its proximity to the mica sources, and the people of Garden Creek may have carried cut mica and crystal quartz as offerings to the major Hopewell centres in the course of pilgrimage.

The repetitive and highly structured domestic architecture of Çatalhöyük is a distinctive feature of this important Neolithic settlement. At the very end of the sequence, however, excavations on the surface of the East Mound reveal changes in household construction and burial chambers. Bayesian analysis of 56 AMS radiocarbon dates from these layers allow the date and pace of these changes to be established in detail. Settlement activity on the East Mound ceased just after 6000 cal BC, and was followed by the cessation of Neolithic burial activity a few decades later.

What benefits were derived from the invention of pottery, and why did ceramics remain marginal for so long? The increasing use of pottery has been seen as a response to large-scale harvesting in a model that favours economic advantage through increased efficiency. This paper challenges that view; combining carbon and nitrogen isotope and lipid analysis, the authors argue that pottery was used selectively for storing or processing valued exchange commodities such as fish oil. Its use can be seen as part of broader developments in hunter-gatherer society, featuring seasonal gatherings, collective feasting and a new articulation of social relations.

Bronze Age trade networks across Europe and the Mediterranean are well documented; Baltic amber and bronze metalwork were particularly valued commodities. Here it is argued that demand for copper and tin led to changes in Scandinavian trade routes around 1600 BC, which can be linked to the appearance of figurative rock art images in southern Scandinavia. Images identified as oxhide ingots have been discovered in Sweden and suggest that people from Scandinavia were familiar with this characteristically Mediterranean trading commodity. Using trace element and lead isotope analysis, the authors argue that some bronze tools excavated in Sweden could have been made of Cypriot copper; these two discoveries suggest that Scandinavians were travelling to the Mediterranean, rather than acting through a middle man.