Volume 31 - 1999
Book Reviews
Walter Feldman,. Music of the Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire. Berlin: Verlag für Wissenschaft und Bildung, International Institute for Traditional Music, 1996. 503 pp., notes, bibliography, index, figures, music examples.
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- 07 March 2019, pp. 140-142
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Virginia Danielson,. The Voice of Egypt: Umm Kulthūm, Arabic Song and Egyptian Society in the Twentieth Century. Chicago: The University of Chicago Press, 1997. xiii, 273 pp., transcriptions, photographs, maps, figures, notes, glossary, bibliography, index.
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- 07 March 2019, pp. 142-143
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Edward Herbst. Voices in Bali: Energies and Perceptions in Vocal Music and Dance Theater. Music/Culture Series. Hanover, N.H. and London: Wesleyan University Press/University Press of New England, 1997. Foreword by Judith Becker; Afterword by René T.A. Lysloff. xxvii, 198 pp., photographs, musical examples, text transcriptions with translations, footnotes, glossary, bibliography, index, compact disc.
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- 07 March 2019, pp. 143-145
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John Thompson,. Music Beyond Sound: Transcriptions of Music for the Chinese Silk-String Zither. Hong Kong: John Thompson, 1998. xxvi, 118 pp., illustration, tables, facsimile excerpts, musical transcriptions, Chinese translation.
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- 07 March 2019, pp. 145-147
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Antoinet Schimmelpenninck,. Chinese Folk Songs and Folk Singers —Shan'ge Tradition in Southern Jiangsu. Leiden: CHIME Foundation (European Foundation for Chinese Music Research), 1997. xvi 4 + 442 pp., appendices, bibliography, glossary, index, photos, compact disc.
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- 07 March 2019, pp. 147-148
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Joseph S.C. Lam, State Sacrifices and Music in Ming China: Orthodoxy, Creativity, and Expressiveness. Albany: State University of New York, 1998. xvi, 205 pp., figures, musical examples, drawings, glossary/ translations, references, index.
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- 07 March 2019, pp. 148-150
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A. Kimi Coaldrake,. Women's Gidayû and the Japanese Theatre Tradition (The Nissan Institute/Routledge Japanese Studies Series). London and New York: Routledge, 1997. xxii, 262 pp., plates, tables, musical examples, photographs, appendix, glossary, references, index, and accompanying compact disc.
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- 07 March 2019, pp. 150-151
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Yoichi Yamada,. Songs of Spirits: An Ethnography of Sounds in a Papua New Guinea Society. Translated from the Japanese by Jun'ichi Ohno. Boroko, PNG: Institute of Papua New Guinea Studies, 1997. xxxvi, 307 pp., color and black/white photographs, musical transcriptions, appendices, and compact disc. (Apwitihire: Studies in Papua New Guinea Musics, number 5; series editor: Don Niles; K15 from IPNGS, PO Box 1432, Boroko, Papua New Guinea).
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- 07 March 2019, pp. 152-153
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Jean-Michel Beaudet,. Souffles d'Amazonie: Les Orchestres “Tule” des Wayãpi. Nanterre: Société d'Ethnologie, 1997 (Collection de la Société Française d'Ethnomusicologie, III). 213 p., compact disc.
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- 07 March 2019, pp. 153-154
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Lorna McDaniel,. The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight. University Press of Florida, 1998. xiv, 198 pp., illustrations, tables, map, song transcriptions, photographs, notes, bibliography, song list, glossary, index.
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- 07 March 2019, pp. 154-155
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Frances Aparicio,. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover and London: Wesleyan University Press, Music/Culture Series, 1997. xxi, 290 pp., photographs, figures, index of songs and recordings, notes, index.
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- 07 March 2019, pp. 156-157
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Myers, Helen. Music of Hindu Trinidad: Songs from the Indian Diaspora. Chicago: University of Chicago Press (Chicago Studies in Ethnomusicology), 1998. xxxii, 510 pp., illustrations, map; compact disc, bibliography, discography, indices.
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- 07 March 2019, pp. 157-158
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Kevin O'Brien Chang, and Wayne Chang. Reggae Routes: The Story of Jamaican Music. Philadelphia: Temple University Press, 1998. x, 246 pp., photos, notes, bibliography, index.
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- 07 March 2019, pp. 158-159
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Brian Ward,. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley: University of California Press, 1998. xi, 600 pp., b/w photographs, notes, bibliography, index.
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- 07 March 2019, pp. 159-161
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Ingrid Monson,. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press (Chicago Studies in Ethnomusicology), 1996. xii, 253 pp., 6 figures, 19 musical examples, notes, appendix, discography and index.
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- 07 March 2019, pp. 161-163
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John Bealle,. Public Worship, Private Faith: Sacred Harp and American Folksong. Athens, Georgia: University of Georgia Press, 1997. 308 pp., appendices, notes, references, index.
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- 07 March 2019, pp. 163-164
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Harry White. The Keeper's Recital. Music and Cultural History in Ireland 1770-1970. Critical Conditions: Field Day Essays and Monographs 6, Seamus Deane (general editor). Cork: Cork University Press, 1998 (US rights: University of Notre Dame Press). xi, 227 pp., bibliography, index. - Fintan Vallely, (editor). The Companion to Irish Traditional Music. Cork: Cork University Press (US rights: New York University Press), 1999. xviii, 478 pp., bibliography. discography. - Robert R. Grimes, S.J. How Shall We Sing in a Foreign Land? Music of Irish Catholic Immigrants in the Antebellum United States. Notre Dame: University of Notre Dame Press, 1996. 272 pp., notated examples, appendix, bibliography. - Aloys Fleischmann, (editor). Sources of Irish Traditional Music c.1600-1855. An Annotated Catalogue of Prints and Manuscripts 1583-1855, 2 volumes. Garland Reference Library of the Humanities, vol. 1296. New York and London: Garland, 1998. xxxix, 708 pp., vi, 710 pp., bibliography, indices. - James Flannery. Dear Harp of My Country: The Irish Melodies of Thomas Moore. With performances by James Flannery, Tenor, and Janet Harbison, Irish Harp. Nashville and Dublin: Sanders & Co./Wolf-hound Press, 1997. 175 pp., plates, bibliography, 2 compact discs.
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- 07 March 2019, pp. 165-169
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Chris Goertzen,. Fiddling for Norway: Revival and Identity. University of Chicago Press, 1997. xv, 347 pp., maps, graphs, b/w photographs, musical examples, performance information, notes, bibliography, index.
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- 07 March 2019, p. 170
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Bengt R. Jonsson, (editor). Sveriges Medeltida Ballader (Sweden's Medieval Ballads), Volumes 4:1 & 4:2. Stockholm: Almqvist & Wiksell International, 1996. Volume 4:1, 342 pp., Volume 4:2, 358 pp., short list of sources at the end of 4:2.
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- 07 March 2019, p. 171
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Jane Sugarman. Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings. Chicago and London: The University of Chicago Press, 1997. xix, 395 pp., photographs, musical examples, maps, glossary, notes, bibliography, discography, index, compact disc.
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- 07 March 2019, pp. 171-172
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