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Gerhard Kubik. Theory of African Music. Vol. I. Intercultural Music Studies, 7. Wilhelmshaven: Florian Noetzel Verlag, 1994. 464 pp., musical examples, illustrations, tables, photographs, bibliography, accompanying compact disc (71 '26“).
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Gerhard Kubik. Theory of African Music. Vol. I. Intercultural Music Studies, 7. Wilhelmshaven: Florian Noetzel Verlag, 1994. 464 pp., musical examples, illustrations, tables, photographs, bibliography, accompanying compact disc (71 '26“).
Published online by Cambridge University Press: 07 March 2019
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- Copyright © 1995 by the International Council for Traditional Music
References
References Cited
Agawu, Kofi 1990 Review of African Musicology: Current Trends, Volume I. A Festschrift Presented to J.H. Kwabena Nketia. Ethnomusicology 34:460–63.Google Scholar
Arom, Simha 1985 Polyphonies et polyrhythmies instrumentales d'Afrique Centrale: Structure et méthodologie. 2 vols. Paris: Centre National de la Recherche Scientifique. [Translated as African Polyphony and Polyrhythm: Musical Structure and Methodology. Cambridge: Cambridge University Press, 1991].Google Scholar
Fiagbedzi, Nissio 1989 “Toward a Philosophy of Theory in Ethnomusicological Research.” In African Musicology: Current Trends, Volume I. A Festschrift Presented to J.H. Kwabena Nketia, ed. DjeDje, Jacqueline Cogdell. Los Angeles: African Studies Center, University of California, and Atlanta: African Studies Association, Emory University, pp. 45–57.Google Scholar