Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-04T19:42:35.809Z Has data issue: false hasContentIssue false
  • English
  • Français

Contemporary Manifestations of Yemeni-Derived Song and Dance in Indonesia

Published online by Cambridge University Press:  07 March 2019

Charles Capwell
Get access Rights & Permissions [Opens in a new window]

Extract

Indonesia is the world's most populous Muslim country as general descriptions of the nation that celebrated its fiftieth anniversary in 1995 often state. Yet scholarship, including that on music, has often drawn attention away from the prominence of Islam in Indonesia to such things as spirit cults of the abangan culture of the countryside or the traces of Hindu-Buddhist influence in court-derived priyayi culture. Of course Islam in Indonesia, particularly in Java, is comparatively reticent when compared to its more assertive expression in neighboring countries, but this should not obscure its fundamental presence and importance. In this paper, I will report on my ongoing exploration of gambus, an Indonesian performance complex of Yemeni derivation with a prominent place in Indonesian Islamic culture.

Type
Articles
Information
Yearbook for Traditional Music , Volume 27 , 1995 , pp. 76 - 89
Copyright
Copyright © 1995 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Arison, Ibnur 1985 “Laporan studi lapangan mengenai zapin di Kalimantan Barat, Jawa Timur dan Riau, Tahun 1985 [Report of a fieldwork study on zapin in West Kalimantan, East Java, and Riau],” Department of Dance, Faculty of Arts, Jakarta Institute of the Arts, 1986.Google Scholar
Bakewell, Anderson 1985 “Music,” [chap.] 7, in Studies on the Tihamah: The Report of the Tihamah Expedition 1982 and Related Papers, ed. Stone, Francine; Mill, Burnt, Harlow: Longman, pp. 104–108.Google Scholar
Echols, John M. and Shadily, Hassan 1992 Kamus Indonesia-Inggris: An Indonesian-English Dictionary. Third edition, rev. and ed. by Wolff, John U. and Collins, James T. with Shadily, Hassan. Jakarta: PT Gramedia.Google Scholar
Eisner, Jürgen 1992 “Trommeln und Trommelspiel im Jemen,” in Von der Vielfalt musikalischer Kultur, Festschrift für Josef Kuckertz, ed. Rüdiger Schumacher, Wort und Musik, Salzburger Akademische Beiträge, no. 12, ed. Ulrich Müller, Franz Hundsnurscher, und Oswald Panagl. Anif/Salzburg: Verlag Ursula Müller-Speiser, p. 3.Google Scholar
Frederick, William 1982 “Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian Popular Culture,” Indonesia 34: 103–130.CrossRefGoogle Scholar
Fuld, James L. 1971 The Book of World-Famous Music, Classical, Popular and Folk, rev. and enlarged edition, New York: Crown.Google Scholar
Geertz, Clifford 1960 The Religion of Java, Chicago and London: University of Chicago.Google Scholar
Hefner, Robert W. 1987 “The Politics of Popular Art: Tayuban Dance and Culture Change in East Java,” Indonesia 43 (Apr. 1):75–94.Google Scholar
Kunst, Jaap 1973 Music in Java: Its History, Its Theory and its Technique, 2 vols., ed. Heins, Ernst, The Hague: Martinus Nijhoff.Google Scholar
Kunst, Jaap 1994 Indonesian music and dance: traditional music and its interaction with the West: a compilation of articles (1934-1952) originally published in Dutch, with biographical essays by Ernst Heins, Elisabeth den Otter, and Felix van Lamsweerde, Amsterdam: Royal Tropical Institute, University of Amsterdam, Ethnomusicology Centre “Jaap Kunst.”Google Scholar
Nor, Mohd Anis Md 1993 Zapin: Folk Dance of the Malay World, Singapore: Oxford University Press.Google Scholar
Olsen, Paul Rovsing 1980 “Arabian Gulf,” The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 1:513–14.Google Scholar
Shawqi, Yusuf 1994 Dictionary of Traditional Music in Oman, English edition revised and expanded by Dieter Christensen, Intercultural Music Studies 6, ed. Max Peter Baumann, Wilhelmshaven: Florian Noetzel Verlag.Google Scholar
van den Berg, L[odewijk] W[illem] C[hristiaan]. 1886 Le Hadhramout et les colonies arabes dans l'archipel Indien, Batavia: Imprimerie du gouvernement.Google Scholar