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The Passions and the Imagination in Wollstonecraft's Theory of Moral Judgement

Published online by Cambridge University Press:  26 January 2009

Abstract

According to Wollstonecraft ‘every being may become virtuous by the exercise of its own reason’. This suggests that for her ethical judgement is based on reason, and so she is an ethical cognitivist. This impression is upheld by the fact that she clearly believes in the existence of ethical truth and has little sympathy with subjectivism. At the same time, she places a great deal of importance on the role of the emotions in ethical judgement. This raises the question how the emotions can be relevant if ethics consists in a realm of truths, discoverable by reason. The paper answers this question and clarifies Wollstonecraft's model of the interaction of emotion and reason by comparing it with those of Rousseau, Godwin, Price and Adam Smith. It argues that the originality of Wollstonecraft's position resides in the way she understands the role of the imagination in ethical reasoning.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1997

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References

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9 There is a tension here, since if conscience already knows what is good, what is the role of reason? This tension is discussed below.

10 I discuss Rousseau's, understanding of the relation of reason and passion in greater detail in The Woman of Reason: Feminism, Humanism and Political Thought, Cambridge, 1995, pp. 6581Google Scholar, and develop the connection between his moral psychology and his prescriptions concerning the role of women, in Rousseau's Women,’ International Journal of Philosophical Studies, iv (1996)Google Scholar.

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19 Ibid., p. 32.

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35 Ibid., p. 31 and see also Rights of Woman, pp. 81 and 183.

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39 Godwin, William, Thoughts Occasioned by the Perusal of Dr. Parr's Spital Sermon Preached at Christ Church April 15, 1800, in Uncollected Writings (1785–1822), ed. Marken, Jack and Pollin, Bernard, Gainesville, Florida, 1968 (1801), pp. 314–15Google Scholar.

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48 Philp, pp. 80–98, argues that Godwin should be interpreted as primarily a perfectionist rather than as a modern-day utilitarian.

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64 This story is discussed in Singer, Cannold and Kuhse, 77.

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66 Independently, Alessandra Tanesini and David Lewis raised something like this difficulty for the account of Wollstonecraft's position in an earlier version of this paper.

67 Whether this will really solve the problem is another matter, for we construct our conception of the ideal observer according to the prejudices of our age; see Gordon, , ‘Sympathy’, 740–2Google Scholar; and my ‘Rousseau's Women’, 102–4.

68 Wollstonecraft, Mary, ‘Letter on the Present Character of the French Nation’, The Works of Mary Wollstonecraft, vol. 6, 1989 (1798), pp. 444–5Google Scholar.

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