Theatre Survey: Volume 34 -

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Volume 34 - November 1993

Contents

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Book Reviews

MELODRAMATIC FORMATIONS: AMERICAN THEATRE AND SOCIETY, 1820–1870. By Bruce A. McConachie. Iowa City: University of Iowa Press, 1992; pp. 320. $39.95 cloth, $15.95 paper. - HORRIBLE PRETTINESS: BURLESQUE AND AMERICAN CULTURE. By Robert C. Allen. Chapel Hill: University of North Carolina Press, 1991; pp. 350. $34.95 cloth, $12.95 paper.
Harley Erdman
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21 October 2010, pp. 116-118
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THE JAMAICAN STAGE 1655–1900, A PROFILE OF A COLONIAL THEATRE. Errol Hill. Amherst: University of Massachusetts Press, 1992; pp. 360. $30.00.
James V. Hatch
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21 October 2010, pp. 110-111
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EUGENE O'NEILL IN CHINA. Ed. by Haiping Liu. Westport, CT: Greenwood Press, 1992; pp. 308. $55.00.
Travis Bogard
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21 October 2010, pp. 112-113
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STAGING THE RENAISSANCE: REINTERPRETATIONS OF ELIZABETHAN AND JACOBEAN DRAMA. Ed. David Scott Kastan and Peter Stallybrass. New York & London: Routledge, 1991; pp. x + 293. $14.95 (paper).
Ronald W. Vince
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21 October 2010, pp. 119-121
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FROM CLASS TO CASTE IN AMERICAN DRAMA: POLITICAL AND SOCIAL THEMES SINCE THE 1930s. By Richard G. Scharine. Westport, CT: Greenwood Press, 1991; pp. 328. $45.00.
Ron Engle
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21 October 2010, pp. 113-115
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THE PLAYWRIGHTING SELF OF BERNARD SHAW. By John A. Bertolini. Carbondale and Edwardsville: Southern Illinois University Press, 1991; pp. 206. $22.95.
Charles A. Berst
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21 October 2010, pp. 122-123
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SORROW IS THE ONLY FAITHFUL ONE: THE LIFE OF OWEN DODSON. By James V. Hatch. Foreword by Arnold Rampersad. Urbana, Chicago: University of Illinois Press, 1993; pp. 362. $34.95 hardcover.
William R. Reardon
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21 October 2010, pp. 124-125
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WITH AN AIR DEBONAIR: MUSICAL THEATRE IN AMERICA, 1785–1815. By Susan L. Porter. Washington and London: Smithsonian Institution Press, 1991; pp. 631. $55.00.
Billy J. Harbin
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21 October 2010, pp. 115-117
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THE TRICKS OF THE TRADE. By Dario Fo. Trans. Joe Farrell. New York: Routledge, 1991; pp. 217. $15.95.
Mimi Gisolfi D'Aponte
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21 October 2010, pp. 126-127
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INVENTING TIMES SQUARE: COMMERCE AND CULTURE AT THE CROSSROADS OF THE WORLD. Ed. William R. Taylor. New York: Russell Sage Foundation, 1991; pp. 467. $39.95.
Bruce A. McConachie
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21 October 2010, pp. 117-120
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Books Received

Books Received
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21 October 2010, pp. 128-134
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Book Reviews

ACTORS AND ONLOOKERS: THEATER AND TWENTIETH-CENTURY SCIENTIFIC VIEWS OF NATURE. Natalie Crohn Schmitt. Evanston, IL: Northwestern University Press, 1990; pp. 163. $29.95 (cloth); $12.50 (paper).
Rhona Justice-Malloy
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21 October 2010, pp. 120-122
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Front matter

TSY volume 34 issue 2 Cover and Front matter
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21 October 2010, pp. f1-f4
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Book Reviews

Taking Center Stage: Feminism in Contemporary U.S. Drama. By Janet Brown. Meruchen, NJ, & London: Scarecrow Press, 1991; pp. 171. $22.50. - The Luminous Ones: a History of the Great Actresses. By Elizabeth Nash. New York: Peter Lang, 1991; pp. 224. $43.95. - Shakespeare and Feminist Criticism: an Annotated Bibliography and Commentary. By Philip C. Kolin. New York: Garland Publishing, Inc., 1991; pp. 420. $55.00.
Lynne Greeley
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21 October 2010, pp. 123-126
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Books Received

Books Received
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21 October 2010, pp. 126-133
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Back matter

TSY volume 34 issue 2 Cover and Back matter
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21 October 2010, p. b1
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Front matter

TSY volume 34 issue 1 Cover and Front matter
Published online by Cambridge University Press:

21 October 2010, pp. f1-f4
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Back matter

TSY volume 34 issue 1 Cover and Back matter
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21 October 2010, pp. b1-b2
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Page 2 of 2

First
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1
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Theatre Survey

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Volume 34 - November 1993

Book Reviews

THE JAMAICAN STAGE 1655–1900, A PROFILE OF A COLONIAL THEATRE. Errol Hill. Amherst: University of Massachusetts Press, 1992; pp. 360. $30.00.

EUGENE O'NEILL IN CHINA. Ed. by Haiping Liu. Westport, CT: Greenwood Press, 1992; pp. 308. $55.00.

STAGING THE RENAISSANCE: REINTERPRETATIONS OF ELIZABETHAN AND JACOBEAN DRAMA. Ed. David Scott Kastan and Peter Stallybrass. New York & London: Routledge, 1991; pp. x + 293. $14.95 (paper).

FROM CLASS TO CASTE IN AMERICAN DRAMA: POLITICAL AND SOCIAL THEMES SINCE THE 1930s. By Richard G. Scharine. Westport, CT: Greenwood Press, 1991; pp. 328. $45.00.

THE PLAYWRIGHTING SELF OF BERNARD SHAW. By John A. Bertolini. Carbondale and Edwardsville: Southern Illinois University Press, 1991; pp. 206. $22.95.

SORROW IS THE ONLY FAITHFUL ONE: THE LIFE OF OWEN DODSON. By James V. Hatch. Foreword by Arnold Rampersad. Urbana, Chicago: University of Illinois Press, 1993; pp. 362. $34.95 hardcover.

WITH AN AIR DEBONAIR: MUSICAL THEATRE IN AMERICA, 1785–1815. By Susan L. Porter. Washington and London: Smithsonian Institution Press, 1991; pp. 631. $55.00.

THE TRICKS OF THE TRADE. By Dario Fo. Trans. Joe Farrell. New York: Routledge, 1991; pp. 217. $15.95.

INVENTING TIMES SQUARE: COMMERCE AND CULTURE AT THE CROSSROADS OF THE WORLD. Ed. William R. Taylor. New York: Russell Sage Foundation, 1991; pp. 467. $39.95.

Books Received

Books Received

Book Reviews

ACTORS AND ONLOOKERS: THEATER AND TWENTIETH-CENTURY SCIENTIFIC VIEWS OF NATURE. Natalie Crohn Schmitt. Evanston, IL: Northwestern University Press, 1990; pp. 163. $29.95 (cloth); $12.50 (paper).

Front matter

TSY volume 34 issue 2 Cover and Front matter

Book Reviews

Books Received

Books Received

Back matter

TSY volume 34 issue 2 Cover and Back matter

Front matter

TSY volume 34 issue 1 Cover and Front matter

Back matter

TSY volume 34 issue 1 Cover and Back matter

Theatre Survey

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Volume 34 - November 1993

Book Reviews

Books Received

Book Reviews

Front matter

Book Reviews

Books Received

Back matter

Front matter

Back matter