Theatre Survey: Volume 54 -

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Volume 54 - September 2013

Contents

Page 3 of 4

Book Reviews: Edited by Kim Solga, with Sally Colwell

Venice Incognito: Masks in the Serene Republic. By James H. Johnson. Berkeley, Los Angeles, and London: University of California Press, 2011; pp. xiv + 318, 52 illustrations. $45 cloth, $45 e-book.
Christine Scippa Bhasin
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22 April 2013, pp. 327-329
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The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870. By Jacky Bratton. Cambridge: Cambridge University Press, 2011; pp. viii + 222, 9 illustrations. $103 cloth, $82 e-book.
Marlis Schweitzer
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29 August 2013, pp. 456-458
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Twentieth-Century British Theatre: Industry, Art and Empire. By Claire Cochrane. Cambridge: Cambridge University Press, 2011; pp. x + 353. $103 cloth, $82 e-book.
Thomas Postlewait
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29 August 2013, pp. 458-460
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The Tourist State: Performing Leisure, Liberalism, and Race in New Zealand. By Margaret Werry. Minneapolis: University of Minnesota Press, 2011; pp. xxxix + 313, 26 illustrations. $75 cloth, $25 paper.
Diana Looser
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22 April 2013, pp. 329-331
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“The Farce of the Fart” and Other Ribaldries: Twelve Medieval French Plays in Modern English. Edited and translated by Jody Enders. Philadelphia: University of Pennsylvania Press, 2011; pp. xv + 477. $49.95 cloth, $49.95 e-book. - Sacred Folly: A New History of the Feast of Fools. By Max Harris. Ithaca: Cornell University Press, 2011; pp. xi + 322. $49.95 cloth.
Marla Carlson
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03 January 2013, pp. 154-157
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Self and Space in the Theater of Susan Glaspell. By Noelia Hernando-Real. Jefferson, NC: McFarland, 2011; pp. x + 204, 11 illustrations. $55 paper.
Cheryl Black
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22 April 2013, pp. 331-333
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Eugene O'Neill and His Early Contemporaries: Bohemians, Radicals, Progressives and the Avant Garde. Edited by Eileen J. Herrmann and Robert M. Dowling. Jefferson, NC: McFarland, 2011; pp. 324 + 30 illustrations. $45 paper.
Kellyn Johnson
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03 January 2013, pp. 157-159
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Hiking the Horizontal: Field Notes from a Choreographer. By Liz Lerman. Middletown, CT: Wesleyan University Press (dist. Lebanon, NH: UPNE), 2011; pp. xx + 307, 47 illustrations. $29.95 cloth, $23.99 e-book.
Ariel Nereson
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29 August 2013, pp. 460-462
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Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. By Michael Y. Bennett. New York: Palgrave Macmillan, 2011; pp. 179 + xi. $80 cloth.
Patrick M. Konesko
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03 January 2013, pp. 159-161
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Wild and Dangerous Performances: Animals, Emotions, Circus. By Peta Tait. New York and Basingstoke: Palgrave Macmillan, 2012; pp. x + 230, 21 illustrations. $85 cloth, $85 e-book.
Catherine Young
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29 August 2013, pp. 462-464
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Shakespeare and Amateur Performance: A Cultural History. By Michael Dobson. Cambridge: Cambridge University Press, 2011; pp. xiii + 265, 29 illustrations. $88 cloth, $70 e-book.
Katherine Scheil
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22 April 2013, pp. 333-336
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Staging the People: Community and Identity in the Federal Theatre Project. By Elizabeth A. Osborne. New York: Palgrave Macmillan, 2011; pp. xvi + 240, 9 illustrations. $90 cloth, $90 e-book.
Amy Brady
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29 August 2013, pp. 464-466
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The Politics of Jean Genet's Late Theatre: Spaces of Revolution. By Carl Lavery. Theatre: Theory–Practice–Performance. Manchester: Manchester University Press, 2010; pp. 272, 5 illustrations. $90 cloth.
Matthew Yde
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03 January 2013, pp. 161-163
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Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost. Translation/Transnation. By Margaret Litvin. Princeton, NJ: Princeton University Press, 2011; pp. xviii + 270, 9 illustrations, 3 tables. $35 cloth, $35 e-book.
Edward Ziter
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22 April 2013, pp. 336-338
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Books Received

List of Books Received as of 1 December 2012
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22 April 2013, pp. 339-344
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Book Reviews: Edited by Kim Solga, with Sally Colwell

The Politics of Paul Robeson's Othello. By Lindsey R. Swindall. Jackson: University Press of Mississippi, 2011; pp. vii + 233, 6 illustrations. $50 cloth, $30 paper, $30 e-book.
Mark Fearnow
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03 January 2013, pp. 163-165
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Artificial Hells: Participatory Art and the Politics of Spectatorship. By Claire Bishop. London: Verso, 2012; pp. 382, 86 illustrations. $29.95 paper, $12.99 e-book.
Adam Alston
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29 August 2013, pp. 466-468
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Adapting “King Lear” for the Stage. By Lynne Bradley. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010; pp. 280. $99.95 cloth.
Dave Peterson
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03 January 2013, pp. 165-168
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Books Received

List of Books Received as of 1 April 2013
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29 August 2013, pp. 469-474
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Front Cover (OFC, IFC) and matter

TSY volume 54 issue 2 Cover and Front matter
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22 April 2013, pp. f1-f4
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Page 3 of 4

Theatre Survey

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Volume 54 - September 2013

Book Reviews: Edited by Kim Solga, with Sally Colwell

Venice Incognito: Masks in the Serene Republic. By James H. Johnson. Berkeley, Los Angeles, and London: University of California Press, 2011; pp. xiv + 318, 52 illustrations. $45 cloth, $45 e-book.

The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870. By Jacky Bratton. Cambridge: Cambridge University Press, 2011; pp. viii + 222, 9 illustrations. $103 cloth, $82 e-book.

Twentieth-Century British Theatre: Industry, Art and Empire. By Claire Cochrane. Cambridge: Cambridge University Press, 2011; pp. x + 353. $103 cloth, $82 e-book.

The Tourist State: Performing Leisure, Liberalism, and Race in New Zealand. By Margaret Werry. Minneapolis: University of Minnesota Press, 2011; pp. xxxix + 313, 26 illustrations. $75 cloth, $25 paper.

Self and Space in the Theater of Susan Glaspell. By Noelia Hernando-Real. Jefferson, NC: McFarland, 2011; pp. x + 204, 11 illustrations. $55 paper.

Eugene O'Neill and His Early Contemporaries: Bohemians, Radicals, Progressives and the Avant Garde. Edited by Eileen J. Herrmann and Robert M. Dowling. Jefferson, NC: McFarland, 2011; pp. 324 + 30 illustrations. $45 paper.

Hiking the Horizontal: Field Notes from a Choreographer. By Liz Lerman. Middletown, CT: Wesleyan University Press (dist. Lebanon, NH: UPNE), 2011; pp. xx + 307, 47 illustrations. $29.95 cloth, $23.99 e-book.

Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. By Michael Y. Bennett. New York: Palgrave Macmillan, 2011; pp. 179 + xi. $80 cloth.

Wild and Dangerous Performances: Animals, Emotions, Circus. By Peta Tait. New York and Basingstoke: Palgrave Macmillan, 2012; pp. x + 230, 21 illustrations. $85 cloth, $85 e-book.

Shakespeare and Amateur Performance: A Cultural History. By Michael Dobson. Cambridge: Cambridge University Press, 2011; pp. xiii + 265, 29 illustrations. $88 cloth, $70 e-book.

Staging the People: Community and Identity in the Federal Theatre Project. By Elizabeth A. Osborne. New York: Palgrave Macmillan, 2011; pp. xvi + 240, 9 illustrations. $90 cloth, $90 e-book.

The Politics of Jean Genet's Late Theatre: Spaces of Revolution. By Carl Lavery. Theatre: Theory–Practice–Performance. Manchester: Manchester University Press, 2010; pp. 272, 5 illustrations. $90 cloth.

Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost. Translation/Transnation. By Margaret Litvin. Princeton, NJ: Princeton University Press, 2011; pp. xviii + 270, 9 illustrations, 3 tables. $35 cloth, $35 e-book.

Books Received

List of Books Received as of 1 December 2012

Book Reviews: Edited by Kim Solga, with Sally Colwell

The Politics of Paul Robeson's Othello. By Lindsey R. Swindall. Jackson: University Press of Mississippi, 2011; pp. vii + 233, 6 illustrations. $50 cloth, $30 paper, $30 e-book.

Artificial Hells: Participatory Art and the Politics of Spectatorship. By Claire Bishop. London: Verso, 2012; pp. 382, 86 illustrations. $29.95 paper, $12.99 e-book.

Adapting “King Lear” for the Stage. By Lynne Bradley. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010; pp. 280. $99.95 cloth.

Books Received

List of Books Received as of 1 April 2013

Front Cover (OFC, IFC) and matter

TSY volume 54 issue 2 Cover and Front matter

Theatre Survey

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Volume 54 - September 2013

Book Reviews: Edited by Kim Solga, with Sally Colwell

Books Received

Book Reviews: Edited by Kim Solga, with Sally Colwell

Books Received

Front Cover (OFC, IFC) and matter