From the Editor
From the Editor
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- Published online by Cambridge University Press:
- 07 July 2009, pp. i-ii
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From the Editor
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- 07 July 2009, pp. i-iv
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Articles
Rewriting the Hallams: Research in 18th Century British and American Theatre
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- 07 July 2009, pp. 1-22
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Recasting Race: Casting Practices and Racial Formations
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- 07 July 2009, pp. 1-22
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Cork and Community: Postwar Blackface Minstrelsy in the Rural Midwest
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- 07 July 2009, pp. 23-50
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Your Mission, If You Accept It: “Texan” Culture and the Performance of the Alamo1
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- 07 July 2009, pp. 23-46
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Paul Robeson, Will Vodery's “Jubilee Singers,” and the Earliest Script of the Kern-Hammerstein Show Boat
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- 07 July 2009, pp. 51-70
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Method Acting and the Cold War
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- 07 July 2009, pp. 47-68
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Creator of Compromise: William Henry Sedley Smith and the Boston Museum's Uncle Tom's Cabin
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- 07 July 2009, pp. 71-82
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Antigone's Example: A View of the Living Theatre's Production, Process, and Praxis
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- 07 July 2009, pp. 69-88
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Re:Sources
The Theatre Museum of Repertoire Americana
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- 07 July 2009, pp. 89-93
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Review Essay
Writing History Today
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- 07 July 2009, pp. 83-106
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Book Reviews
The Cambridge History of American Theatre, Volume II: 1870–1945. Edited by Don B. Wilmeth and Christopher Bigsby. New York: Cambridge University Press, 1999; pp. 590, 30 illustrations. $95.00 hardcover.
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- 07 July 2009, pp. 95-97
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A Documentary History of the African Theatre. By George A. ThompsonJr. Evanston, Illinois: Northwestern University Press, 1999; pp. xiii+254. $54.95 hardcover. - Africans on Stage: Studies in Ethnological Show Business. Edited by Bernth Lindfors. Bloomington & Indianapolis: Indiana University Press, 1999; pp. xiii+302. $35.00 cloth; $16.95 paper.
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- 07 July 2009, pp. 107-113
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Documentary Theatre in the United States: An Historical Survey and Analysis of Its Content, Form, and Stagecraft. By Gary Fisher Dawson. Westport, Connecticut: Greenwood Press, 1999; pp. 249. $65.00 hardcover.
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- 07 July 2009, pp. 97-99
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La técnica del actor español en el Barroco: Hipótesis y documentos. By Evangelina Rodriguez Cuadros. Madrid: Editorial Castalia, 1998; pp. 701. Various illustrations. Paperback.
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- 07 July 2009, pp. 114-115
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The Contested Parterre: Public Theater and French Political Culture 1680–1791. By Jeffrey S. Ravel. Ithaca: Cornell University Press, 1999; pp. 256.
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- 07 July 2009, pp. 115-117
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The Cambridge Companion to American Women Playwrights. Edited by Brenda Murphy. New York: Cambridge University Press, 1999. pp. 285. $54.95 hardcover.
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- 07 July 2009, pp. 99-101
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The Radical in Performance: Between Brecht and Baudrillard. By Baz Kershaw. New York: Routledge. 1999; pp. 252. 16 illustrations. $24.99 paperback.
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- 07 July 2009, pp. 117-119
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Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. By William J. Mahar. Urbana and Chicago: University of Illinois Press, 1999; pp. 444. $60.00 hardcover.
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- 07 July 2009, pp. 101-103
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