Editorial
Outgoing Editor's Note
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- 03 January 2013, p. 1
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From the Editor
From the Editor
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- Published online by Cambridge University Press:
- 03 January 2013, pp. 3-5
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Articles
Representations of India on Jacobean Popular Stages
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- 03 January 2013, pp. 7-25
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“The Brightest Sun, The Darkest Shadow”: Ideology and the Study of Chinese Theatre in the West during the Cold War
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- 03 January 2013, pp. 27-50
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“What Country, Friends, Is This?”: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography
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- 03 January 2013, pp. 51-85
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The Theatre of a Two-Headed Calf: Simulacral Performance and the Deconstruction of Orientalism
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- 03 January 2013, pp. 87-106
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Memoirs of a Kisaeng: Choreographing Performance Historiography
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- 03 January 2013, pp. 107-130
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Critical Stages: Edited by Patrick Anderson
Performed Otherwise: The Political and Social Possibilities of Asian/American Performance
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- 03 January 2013, pp. 131-139
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Book Reviews: Edited by Kim Solga, with Sally Colwell
National Performance: Representing Quebec from Expo 67 to Céline Dion. By Erin Hurley. Toronto: University of Toronto Press, 2011; pp. 264. $45 cloth, $44.99 e-book.
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- 03 January 2013, pp. 141-143
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Making Contemporary Theatre: International Rehearsal Processes. Edited by Jen Harvie and Andy Lavender. Theatre: Theory–Practice–Performance. Manchester: Manchester University Press, 2010; pp. 272, 87 illustrations. $84.95 cloth, $24.95 paper.
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- 03 January 2013, pp. 143-145
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Acts of Activism: Human Rights as Radical Performance. By D. Soyini Madison. Cambridge and New York: Cambridge University Press, 2010; pp. 322 + 10 illustrations. $104 cloth, $36 paper, $83 e-book.
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- 03 January 2013, pp. 145-147
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Site-Specific Performance. By Mike Pearson. Basingstoke: Palgrave Macmillan, 2010; pp. 272, 33 illustrations. $85 cloth, $31 paper.
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- 03 January 2013, pp. 148-150
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Sex, Drag, and Male Roles: Investigating Gender as Performance. By Diane Torr and Stephen Bottoms. Ann Arbor: University of Michigan Press, 2010; pp. 314, 19 illustrations. $70 cloth, $26.95 paper.
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- 03 January 2013, pp. 150-151
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Uncloseting Drama: American Modernism and Queer Performance. By Nick Salvato. Yale Studies in English. New Haven and London: Yale University Press, 2010; pp. vii + 227. $40 paper.
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- 03 January 2013, pp. 152-154
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“The Farce of the Fart” and Other Ribaldries: Twelve Medieval French Plays in Modern English. Edited and translated by Jody Enders. Philadelphia: University of Pennsylvania Press, 2011; pp. xv + 477. $49.95 cloth, $49.95 e-book. - Sacred Folly: A New History of the Feast of Fools. By Max Harris. Ithaca: Cornell University Press, 2011; pp. xi + 322. $49.95 cloth.
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- 03 January 2013, pp. 154-157
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Eugene O'Neill and His Early Contemporaries: Bohemians, Radicals, Progressives and the Avant Garde. Edited by Eileen J. Herrmann and Robert M. Dowling. Jefferson, NC: McFarland, 2011; pp. 324 + 30 illustrations. $45 paper.
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- 03 January 2013, pp. 157-159
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Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. By Michael Y. Bennett. New York: Palgrave Macmillan, 2011; pp. 179 + xi. $80 cloth.
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- 03 January 2013, pp. 159-161
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The Politics of Jean Genet's Late Theatre: Spaces of Revolution. By Carl Lavery. Theatre: Theory–Practice–Performance. Manchester: Manchester University Press, 2010; pp. 272, 5 illustrations. $90 cloth.
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- 03 January 2013, pp. 161-163
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The Politics of Paul Robeson's Othello. By Lindsey R. Swindall. Jackson: University Press of Mississippi, 2011; pp. vii + 233, 6 illustrations. $50 cloth, $30 paper, $30 e-book.
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- 03 January 2013, pp. 163-165
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Adapting “King Lear” for the Stage. By Lynne Bradley. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010; pp. 280. $99.95 cloth.
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- 03 January 2013, pp. 165-168
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