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FROM THE EDITOR
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- 25 April 2007, pp. 1-5
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EDITOR'S FORUM
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- 25 April 2007, pp. 7-15
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FROM THE EDITOR OF “CRITICAL STAGES”
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- 25 April 2007, p. 17
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Critical Stages: Edited by Mike Sell
COUNTERBALANCING THE PENDULUM EFFECT: POLITICS AND THE DISCOURSE OF POST-9/11 THEATRE
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- 25 April 2007, pp. 19-25
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Research Article
A SERIOUS JOY: ASTR FROM 1981 TO 2006
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- 25 April 2007, pp. 27-76
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RHETORICS OF THE OBSCÆNE
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- 25 April 2007, pp. 77-97
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DRAMA AND DIALOGUE IN OLD ENGLISH POETRY: THE SCENE OF CYNEWULF'S JULIANA
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- 25 April 2007, pp. 99-119
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DEATH'S ARRIVAL AND EVERYMAN'S SEPARATION
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- 25 April 2007, pp. 121-141
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RE: Sources
NONSURVIVOR TESTIMONY: TEREZíN GHETTO THEATRE IN THE ARCHIVE AND THE SECOND CZECH CABARET
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- 25 April 2007, pp. 143-167
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Research Article
WHAT ARE YOU READING?: EDITED BY EDWARD ZITER
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- 25 April 2007, pp. 169-172
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Book Reviews: Edited by Edward Ziter
Bodies in Commotion: Disability and Performance. Edited by Carrie Sandahl and Philip Auslander. Ann Arbor: University of Michigan Press, 2005; pp. 339, 13 illus. $70 cloth, $26.95 paper.
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- 25 April 2007, pp. 173-174
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Racism, Misogyny, and the “Othello” Myth: Inter-racial Couples from Shakespeare to Spike Lee. By Celia R. Daileader. Cambridge: Cambridge University Press, 2005; pp. x+256, 6 illus. $70 cloth, $25.99 paper.
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- 25 April 2007, pp. 175-177
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Performing Blackness on English Stages, 1500–1800. By Virginia Mason Vaughan. Cambridge: Cambridge University Press, 2005; xiv+190, 10 illus. $75 cloth.
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- 25 April 2007, pp. 177-179
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Staging Whiteness. By Mary F. Brewer. Middletown, CT: Wesleyan University Press, 2005 (Lebanon, NH: UPNE); xvi+236. $65 cloth, $24.95 paper.
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- 25 April 2007, pp. 179-181
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Shakespeare's Violated Bodies: Stage and Screen Performance. By Pascale Aebischer. Cambridge: Cambridge University Press, 2004; pp. xiii+221, 17 illus. $75 cloth.
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- 25 April 2007, pp. 181-183
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Shakespeare Survey 56: Shakespeare and Comedy. Edited by Peter Holland. Cambridge: Cambridge University Press, 2003; pp. 370. $85 cloth.
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- 25 April 2007, pp. 183-185
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Before Orientalism: London's Theatre of the East, 1576–1626. By Richmond Barbour. Cambridge Studies in Renaissance Literature and Culture. Cambridge University Press, 2003; pp. xii+238, 21 illus. $85 cloth. - Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton. Newark: University of Delaware Press (Cranbury, NJ: AUP), 2005; pp. 319, $55 cloth.
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- 25 April 2007, pp. 185-190
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Staging Governance: Theatrical Imperialism in London, 1770–1800. By Daniel O'Quinn. Baltimore: Johns Hopkins University Press, 2005; pp. xi+402, 40 illus. $60 cloth.
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- 25 April 2007, pp. 190-192
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon. AMS Studies in Music. Oxford: Oxford University Press, 2006; pp. xxvi+398, 25 illus. $50 cloth.
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- 25 April 2007, pp. 192-194
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The Circus and Victorian Society. By Brenda Assael. Charlottesville: University of Virginia Press, 2005; pp. xiii+237, 34 illus. $35.00 cloth.
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- 25 April 2007, pp. 194-196
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