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LIST OF BOOKS RECEIVED AS OF 15 JUNE 2008

Published online by Cambridge University Press:  23 October 2008

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Books Received
Copyright
Copyright © American Society for Theatre Research 2008

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References

Alonso, Harriet Huyman. Robert E. Sherwood: The Playwright in Peace and War. Amherst and Boston: University of Massachusetts Press, 2007. $28.95 paper.Google Scholar
*Anderson, Lisa M. Black Feminism in Contemporary Drama. Urbana and Chicago: University of Illinois Press, 2008. $35 cloth.Google Scholar
*Armstrong, Ann, and Kathleen, Juhl, eds. Radical Acts: Theatre and Feminist Pedagogies of Change. San Francisco: Aunt Lute Books, 2007. $17.95 paper.Google Scholar
Arons, Wendy. Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act. Palgrave Macmillan Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2006. $69.95 cloth.CrossRefGoogle Scholar
Auslander, Philip. Liveness: Performance in a Mediatized Culture. 2d ed.London and New York: Routledge, 2008. $35.95 paper.Google Scholar
*Beam, Sara. Laughing Matters: Farce and the Making of Absolutism in France. Ithaca: Cornell University Press, 2007. $55 cloth.Google Scholar
*Bechtel, Roger. Past Performance: American Theatre and the Historical Imagination. Lewisburg: Bucknell University Press (Cranbury, NJ: AUP), 2007. $56.50 cloth.Google Scholar
Bial, Henry, ed. The Performance Studies Reader. 2d ed.London and New York: Routledge, 2007. $125 cloth, $47.95 paper.Google Scholar
Bigsby, Christopher. Neil LaBute: Stage and Cinema. Cambridge and New York: Cambridge University Press, 2008. $95 cloth, $24.99 paper.Google Scholar
Bigsby, Christopher, ed. The Cambridge Companion to August Wilson. Cambridge and New York: Cambridge University Press, 2007. $90 cloth, $29.99 paper.CrossRefGoogle Scholar
Boon, Richard, ed. The Cambridge Companion to David Hare. Cambridge and New York: Cambridge University Press, 2007. $90 cloth, $29.99 paper.CrossRefGoogle Scholar
Bottoms, Stephen, and Matthew, Goulish, eds. Small Acts of Repair: Performance, Ecology, and Goat Island. London and New York: Routledge, 2007. $37.95 paper.Google Scholar
Broadhurst, Susan, and Machon, Josephine, eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity. New York: Palgrave Macmillan, 2007. $74.95 cloth.Google Scholar
Brown, Pamela Allen, and Peter, Parolin, eds. Women Players in England, 1500–1660: Beyond the All-Male Stage. Aldershot, Hampshire and Burlington, VT: Ashgate, 2005. $99.95 cloth, $49.95 paper.Google Scholar
*Bulman, James C., ed. Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance. Madison and Teaneck: Fairleigh Dickinson University Press (Cranbury, NJ: AUP), 2008. $53.50 cloth.Google Scholar
Canino, Catherine Grace. Shakespeare and the Nobility: The Negotiation of Lineage. Cambridge and New York: Cambridge University Press, 2008. $95 cloth.Google Scholar
Castellucci, Claudia, Romeo Castellucci, Chiara Guidi, Joe, Kelleher, and Nicholas, Ridout. The Theatre of Socìetas Raffaello Sanzio. London and New York: Routledge, 2007. $150 cloth, $35.95 paper.Google Scholar
Chatterjee, Sudipto. The Colonial Staged: Theatre in Colonial Calcutta. London, New York, and Calcutta: Seagull Books, 2008. $84.95 cloth, $29.95 paper.Google Scholar
Clinton, Craig. Mrs. Leslie Carter: A Biography of the Early Twentieth Century American Star. Jefferson, NC, and London: McFarland & Co., 2006. $45 paper.Google Scholar
Conner, Lynne. Pittsburgh in Stages: Two Hundred Years of Theater. Pittsburgh: University of Pittsburgh Press, 2007. $32 cloth.Google Scholar
*David, Deidre. Fanny Kemble: A Performed Life. Philadelphia: University of Pennsylvania Press, 2007. $39.95 cloth.CrossRefGoogle Scholar
*Davis, Tracy C. Stages of Emergency: Cold War Nuclear Civil Defense. Durham, NC: Duke University Press, 2007. $89.95 cloth, $24.95 paper.CrossRefGoogle Scholar
Delgado, Maria M. Federico García Lorca. London and New York: Routledge, 2008. $29.95 paper.Google Scholar
Durham, Weldon B. Liberty Theatres of the United States Army 1917–1919. Jefferson, NC: McFarland & Co., 2006. $35 paper.Google Scholar
Ephraim, Michelle. Reading the Jewish Woman on the Elizabethan Stage. Aldershot, Hampshire and Burlington, VT: Ashgate, 2008. $99.95 cloth.Google Scholar
Filichia, Peter. Let's Put on a Musical: How to Choose the Right Show for Your Theater. New York: Back Stage Books, 2007. $14.95 paper.Google Scholar
*Fleischer, Mary. Embodied Texts: Symbolist Playwright–Dancer Collaborations. Amsterdam and New York: Rodopi, 2007. $107 paper.Google Scholar
Freud, Joanna. Clairvoyance (For Those in the Desert): Performance Pieces, 1979–2004. Durham, NC: Duke University Press, 2008. $89.95 cloth, $24.95 paper.Google Scholar
Gale, Maggie B. J. B. Priestley. London and New York: Routledge, 2008. $29.95 paper.Google Scholar
*Glow, Hilary. Power Plays: Australian Theatre and the Public Agenda. Sydney: Currency Press, 2007. $32.95 paper.Google Scholar
*Goff, Moira. The Incomparable Hester Santlow: A Dancer–Actress on the Georgian Stage. Aldershot, Hampshire and Burlington, VT: Ashgate, 2007. $99.95 cloth.Google Scholar
Goldhill, Simon. How to Stage Greek Tragedy Today. Chicago: University of Chicago Press, 2007. $18 paper.Google Scholar
*Hall-Witt, Jennifer. Fashionable Acts: Opera and Elite Culture in London, 17801880. Becoming Modern: New Nineteenth-Century Studies. Durham, NH: University of New Hampshire Press (Lebanon, NH: UPNE), 2007. $55 cloth.Google Scholar
*Hamera, Judith. Dancing Communities: Performance, Difference and Connection in the Global City. Studies in International Performance. New York: Palgrave Macmillan, 2007. $74.95 cloth.CrossRefGoogle Scholar
*Hand, Richard J., and Michael, Wilson. London's Grand Guignol and the Theater of Horror. Exeter: University of Exeter Press, 2007. $90 cloth, $28.95 paper.Google Scholar
Hampton-Reeves, Stuart, and Carol, Chillington Rutter. The Henry VI Plays. Shakespeare in Performance. Manchester, UK: Manchester University Press, 2007. $74.95 cloth.Google Scholar
Henry, Mari Lyn, and Lynne, Rogers. How to Be a Working Actor: The Insider's Guide to Finding Jobs in Theater, Film, and Television. 5th ed.New York: Back Stage Books, 2008. $19.95 paper.Google Scholar
*Herren, Graley. Samuel Beckett's Plays on Film and Television. New York: Palgrave Macmillan, 2007. $65 cloth.CrossRefGoogle Scholar
Hooks, Ed. The Ultimate Scene & Monologue Sourcebook. New York: Back Stage Books, 2007. $19.95 paper.Google Scholar
Hopkins, D. J. City/Stage/Globe: Performance and Space in Shakespeare's London. New York and London: Routledge, 2008. $95 cloth.Google Scholar
*Hunt, Marvin W. Looking for Hamlet. New York: Palgrave Macmillan, 2007. $27.95 cloth.Google Scholar
*Johnson, Claudia Durst. Church and Stage: The Theatre as Target of Religious Condemnation in Nineteenth Century America. Jefferson, NC: McFarland & Company, Inc., 2008. $39.95 paper.Google Scholar
Johnson, Kim “Howard.” The Funniest One in the Room: The Lives and Legends of Del Close. Chicago: Chicago Review Press, 2008. $24.95 cloth.Google Scholar
Johnson, Odai. Absence and Memory in Colonial American Theatre: Fiorelli's Plaster. Palgrave Macmillan Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2006. $75 cloth.CrossRefGoogle Scholar
*Kanter, Jodi. Performing Loss: Rebuilding Community through Theater and Writing. Carbondale, IL: Southern Illinois University Press, 2007. $37.50 paper.Google Scholar
*Kershaw, Baz. Theatre Ecology: Environments and Performance Events. New York and Cambridge: Cambridge University Press, 2008. $99 cloth.Google Scholar
Knight, Alan K., ed. Mystères de la procession de Lille, vol. IV: Le Nouveau Testament. Geneva: Librairie Droz S.A., 2007. €80.07 paper.Google Scholar
*Kolin, Philip C., ed. Contemporary African American Woman Playwrights: A Casebook. London and New York: Routledge, 2007. $120 cloth.Google Scholar
Krasner, David, ed. Theatre in Theory, 1900–2000: An Anthology. Malden, MA: Blackwell, 2008. $44.95 paper.Google Scholar
*Kritzer, Amelia Howe. Political Theatre in Post-Thatcher Britain: New Writing: 1995–2005. New York: Palgrave Macmillan, 2008. $74.95 cloth.Google Scholar
Lada-Richards, Ismene. Silent Eloquence: Lucian and Pantomime Dancing. Classical Literature and Society. London: Duckworth, 2007. $37 paper.Google Scholar
*Leach, Robert. Theatre Workshop: Joan Littlewood and the Making of the Modern British Theatre. Exeter: University of Exeter Press, 2006. $95 cloth, $32.50 paper.Google Scholar
Lundskaer-Nielsen, Miranda. Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s. New York: Palgrave Macmillan, 2008. $74.95 cloth.CrossRefGoogle Scholar
McDonald, Marianne, and Walton, J. Michael, eds. The Cambridge Companion to Greek and Roman Theatre. Cambridge Companions to Literature. Cambridge and New York: Cambridge University Press, 2007. $85 cloth, $29.99 paper.CrossRefGoogle Scholar
McMullan, Gordon. Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Cambridge and New York: Cambridge University Press, 2007. $99 cloth.CrossRefGoogle Scholar
*Mann, David. Shakespeare's Women: Performance and Conception. Cambridge and New York: Cambridge University Press, 2008. $95 cloth.Google Scholar
Mann, Theodore. Journeys in the Night: Creating a New American Theatre with Circle in the Square—A Memoir. New York: Applause Theatre and Cinema Books, 2007. $34.95 cloth.Google Scholar
Marranca, Bonnie. Performance Histories. New York: Paj Publications, 2008. $18.95 paper.Google Scholar
Martin, Carol, and Saviana, Stanescu, eds. Global Foreigners: An Anthology of Plays. New York: Seagull Books, 2006. $99.95 cloth, $22.95 paper.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge and New York: Cambridge University Press, 2007. $101 cloth.Google Scholar
*Miller, Tice L. Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries. Carbondale, IL: Southern Illinois University Press, 2007. $37.50 paper.Google Scholar
Moncrief, Kathryn M., and Kathryn, R. McPherson. Performing Maternity in Early Modern England. Aldershot, Hampshire and Burlington, VT: Ashgate, 2007, $99.95 cloth.Google Scholar
Moody, Jane, and Daniel, O'Quinn. The Cambridge Companion to British Theatre, 1730–1830. Cambridge and New York: Cambridge University Press, 2007. $85 cloth, $29.99 paper.CrossRefGoogle Scholar
Mukherji, Subha, and Raphael, Lyne, eds. Early Modern Tragicomedy. Cambridge: D. S. Brewer, 2007. $85 cloth.Google Scholar
Munro, Ian. The Figure of the Crowd in Early Modern London: The City and Its Double. Early Modern Cultural Studies. New York: Palgrave Macmillan, 2005. $75 cloth.CrossRefGoogle Scholar
*Murphy, Jacqueline Shea. The People Have Never Stopped Dancing: Native American Dance Histories. Minneapolis: University of Minnesota Press, 2007. $75 cloth.Google Scholar
Nadel, Ira. David Mamet: A Life in the Theatre. New York: Palgrave Macmillan, 2008. $26.95 cloth.CrossRefGoogle Scholar
*Newstok, Scott L., ed. Kenneth Burke on Shakespeare. West Lafayette, IN: Parlor Press, 2006. $32 paper.Google Scholar
*Normington, Katie. Modern Mysteries: Contemporary Productions of Medieval English Cycle Dramas. Cambridge: D. S. Brewer, 2007. $55 cloth.Google Scholar
Novick, Julius. Beyond the Golden Door: Jewish American Drama and Jewish American Experience. New York: Palgrave Macmillan, 2008. $69.95 cloth.CrossRefGoogle Scholar
Ozieblo, Barbara, and Jerry, Dickey. Susan Glaspell and Sophie Treadwell. London and New York: Routledge, 2008. $29.95 paper.Google Scholar
*Parker, John. The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe. Ithaca: Cornell University Press, 2007. $39.95 cloth.Google Scholar
Phillips, Louis. The Audience Book of Theatre Quotations. New York: World Audience, Inc., 2007. $20 paper.Google Scholar
Reinelt, Janelle G., and Joseph, Roach, eds. Critical Theory and Performance. Theater: Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2007. $85 cloth, $32.50 paper.Google Scholar
*Reynolds, Paige. Modernism, Drama, and the Audience for Irish Spectacle. Cambridge and New York: Cambridge University Press, 2007. $95 cloth.Google Scholar
Robb, David, ed. Clowns, Fools, and Picaros: Popular Forms in Theatre, Fiction, and Film. Amsterdam and New York: Rodopi, 2007. $68 paper.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge Studies in Romanticism. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.Google Scholar
*Saal, Ilka. New Deal Theater: The Vernacular Tradition in American Political Theater. New York: Palgrave Macmillan, 2007. $69.95 cloth.CrossRefGoogle Scholar
Schalkwyk, David. Shakespeare, Love and Service. Cambridge and New York: Cambridge University Press, 2008. $99 cloth.CrossRefGoogle Scholar
*Shaffer, Jason. Performing Patriotism: National Identity in the Colonial and Revolutionary Theater. Early American Studies. Philadelphia: University of Pennsylvania Press, 2007. $45 cloth.Google Scholar
Shakespeare, William. The Second Part of King Henry IV. 2d ed. Edited by Giorgio Melchiori. The New Cambridge Shakespeare. Cambridge and New York: Cambridge University Press, 2007. $75 cloth, $14.99 paper.Google Scholar
*Sihra, Melissa. Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. New York: Palgrave Macmillan, 2007. $74.95 cloth.CrossRefGoogle Scholar
Singer, Toba. First Position: A Century of Ballet Artists. Westport, CT: Praeger, 2007. $49.95 cloth.Google Scholar
*Sokalski, J. A. Pictorial Illusionism: The Theatre of Steele Mackaye. Montréal: McGill–Queen's University Press, 2007. $55 cloth.Google Scholar
Stanislavski, Konstantin. An Actor's Work: A Student's Diary. Translated by Jean, Benedetti. New York: Routledge, 2008. $35 cloth.Google Scholar
Stanislavski, Konstantin. My Life in Art. Trans. Jean, Benedetti. London and New York: Routledge, 2008. $35 cloth.Google Scholar
Strobl, Gerwin. The Swastika and the Stage: German Theatre and Society, 1933–1945. Cambridge and New York: Cambridge University Press, 2007. $95 cloth.Google Scholar
*Symes, Carol. A Common Stage: Theatre and Public Life in Medieval Arras. Ithaca: Cornell University Press, 2007. $49.95 cloth.Google Scholar
Tichler, Rosemarie, and Barry, Jay Kaplan. Actors at Work. New York: Faber & Faber, 2007. $16 paper.Google Scholar
*Tompkins, Joanne. Unsettling Space: Contestations in Contemporary Australian Theatre. Studies in International Performance. New York: Palgrave Macmillan, 2007. $74.95 cloth.Google Scholar
Törnqvist, Emil, and Birgitta, Steene, eds. Strindberg: On Drama and Theatre. Amsterdam: Amsterdam University Press, 2008. $34.95 paper.Google Scholar
Wallace, Jennifer. The Cambridge Introduction to Tragedy. Cambridge Introductions to Literature. Cambridge and New York: Cambridge University Press, 2007. $75 cloth, $22.99 paper.Google Scholar
Walling, Michael, ed. Theatre and Slavery: Ghosts at the Crossroads. Enfield: Border Crossings, 2007. £12.99 paper.Google Scholar
, Wetmore Jr., Kevin, J., ed. Revenge Drama in European Renaissance and Japanese Theatre: From Hamlet to Madame Butterfly. New York: Palgrave Macmillan, 2008. $79.95 cloth.Google Scholar
Willinger, David, ed. “The Sacrament” and Other Plays of Forbidden Love by Hugo Claus. Selinsgrove, PA: Susquehanna University Press (Cranbury, NJ: AUP), 2007. $50 paper.Google Scholar
Wilmer, Stephen, ed. National Theatres in a Changing Europe. New York: Palgrave Macmillan, 2008. $74.95 cloth.CrossRefGoogle Scholar
Wilson, Alexandra. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge Studies in Opera. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.CrossRefGoogle Scholar
Wilson, Gregory A. The Problem in the Middle: Liminal Space and the Court Masque. Clemson, SC: Clemson University Press, 2007. $19.95 paper.Google Scholar
Wilson, Ross. Theodor Adorno. London and New York: Routledge, 2007. $19.95 paper.Google Scholar
*Witmore, Michael. Pretty Creatures: Children and Fiction in the English Renaissance. Ithaca: Cornell University Press, 2007. $39.95 cloth.Google Scholar
Worthen, Hana. Playing “Nordic”: “The Women of Niskavuori,” Agri/Culture, and Imagining Finland on the Third Reich Stage. Helsinki: Helsinki University Press, 2007. €20 paper.Google Scholar
Wright, John. Why Is That So Funny?: A Practical Exploration of Physical Comedy. London: Nick Hern Books, 2007. $25.95 paper.Google Scholar
*Zarhy-Levo, Yael. The Making of Theatrical Reputations.: Studies from the Modern London Theatre. Iowa City: University of Iowa Press, 2008. $42.50 cloth.Google Scholar
Zinman, Toby. Edward Albee. Ann Arbor: University of Michigan Press, 2008. $49.95 cloth, $18.95 paper.CrossRefGoogle Scholar