Reviews
John Ford: Critical Revisions. Edited by Michael Neill. Cambridge: Cambridge University Press, 1988. Pp. vi + 287. £27.50.
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- 23 January 2009, pp. 175-177
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East Side Story: Ten Years With The Jewish Repertory Theatre. By Irene Backalenick. Lanham, Maryland: University Press of America, Inc., 1988. Pp. 197.
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- 23 January 2009, pp. 89-90
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The Properties of Othello. By James L. Calderwood. Amherst: The University of Massachusetts Press, 1989. Pp. 176. £15; $22.50.
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- 23 January 2009, pp. 177-179
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Public and Performance in greek theatre. By Peter D. Arnott. Andover: Routledge, 1989. £25.00.
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- 23 January 2009, p. 262
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The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances In Greek Tragedy. By Oliver Taplin. Oxford: Clarendon, 1989. Pp. vi + 508, £17.50.
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- 23 January 2009, p. 263
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The Meiningen Court Theatre 1866–1890. By John Osborne. Cambridge: Cambridge University Press, 1988. Pp. xiii + 217 + illus. £27.50.
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- 23 January 2009, pp. 90-91
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I am Hamlet. By Steven Berkoff. London: Faber & Faber. Pp. xi + 209 + illus. £5.99.
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- 23 January 2009, pp. 178-179
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The English Medieval Minstrel. By John Southworth, Woodbridge: Boydell and Brewer, 1989. Pp. xi + 191 + illus. £16.95.
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- 23 January 2009, pp. 264-265
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Directors' Theatre. By David Bradby and David Williams. Macmillan. London: Macmillan, 1988. Pp. xii + 275 + illus. £25.00, £7.95.
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- 23 January 2009, pp. 90-91
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Neoclassical Theatre: A Historic-Graphical Handbook. By Ronald W. Vince. Westport, Connecticut: Greenwood Press, 1988. Pp. 240. $45.00.
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- 23 January 2009, pp. 179-181
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Der Schauspieler Im Spanischen Theater Des Siglo De Oro (1600–1681): Untersuchungen Zu Berufsbild Und Rolle In Der Gesellschaft. By Josef Oehrlein. Frankfurt: Vervuert, 1986. Pp. 269. DM 36.
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- 23 January 2009, pp. 265-266
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Interpreting the Theatrical Past: Essays in the Historiography of Performance. Edited by Thomas Postlewait and Bruce A. McConachie. Iowa City: University of Iowa Press, 1989. Pp. xi + 325. $35 cloth, $15 paper.
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- 23 January 2009, pp. 181-182
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Performance Dynamics and the Amsterdam Werkteater. By Dunbar Ogden. Berkeley and Los Angeles: University of California Press, 1987. Pp. xxii + 261 + illus. $37.50.
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- 23 January 2009, pp. 91-93
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International Bibliography of the Theatre: 1982/1983/1984. Edited by Benito Ortolani. New York: Theatre Research Data Center, 1985, 1986, 1987. Pp. 186, x + 388, ix + 852. $70, $95, $120.
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- 23 January 2009, pp. 93-95
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Shakespearean Constitutions: Politics, Theatre, Criticism 1730–1830. By Jonathan Bate. Oxford: Clarendon Press, 1989. Pp. xiii + 234 + illus. £27.50.
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- 23 January 2009, pp. 266-267
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Lo Spettacolo. La Musica. Il Teatro. Il Cinema. Storia Sociale e Culturale d'Italia, vol. III, Bramante Editrice, Busto Arsizio (VA), 1987. Pp. 493.
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- 23 January 2009, pp. 182-184
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Die Schauspielerin. Edited by Renate Möhrmann. Insel Verlag: Frankfurt am Main1988. Pp. 383. 48DM.
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- 23 January 2009, pp. 267-268
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Feminism and Theatre. By Sue-Ellen Case. New York: Methuen, 1988. Pp. 160.
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- 23 January 2009, pp. 95-98
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La Vie Théâtrale en France au xviiie Siecle. By Marline de Rougemont. Paris–Genève: Champion-Slatkine, 1988. Pp. 537 + viii. Fr. 125.
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- 23 January 2009, pp. 184-186
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The Feminist Spectator as Critic. By Jill Dolan. Ann Arbor: UMI Research Press, 1988, Pp. 166. $39.95.
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- 23 January 2009, pp. 95-98
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