Theatre Research International: Volume 26 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 26 - March 2001

Contents

Page 3 of 4

Book Review

Greek Theatre Performance: An Introduction. By David Wiles. Cambridge: Cambridge University Press, 2000. Pp. xii + 243 + illus. £12.95/$19.95 Pb.
Michael Anderson
Published online by Cambridge University Press:

15 June 2001, pp. 209-221
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Drama and Community: People and Plays in Medieval Europe (Medieval Texts and Cultures in Northern Europe). Edited by Alan Hindley. Turnhout: Brepols, 1999. Pp. xii + 294 + illus. [euro]50/2017 BF Hb.
E. M. Langille
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10 October 2001, pp. 294-315
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Theatrical Costume, Masks, Make-up and Wigs. A Bibliography and Iconography. By Sidney Jackson Jowers and John Cavanagh. London and New York: Routledge; Romsey: Motley Press, 2000. Pp. 542 Hb.
Laurence Senelick
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15 June 2001, pp. 209-221
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Space in Performance: Making Meaning in the Theatre. By Gay McAuley. Ann Arbor, MI: University of Michigan Press, 1999. Pp. x + 310 + illus. £32; $44.50 Hb.
David Wiles
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21 March 2001, pp. 117-125
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Shakespeare and Race. Edited by Catherine M. S. Alexander and Stanley Wells. Cambridge: Cambridge University Press, 2000. Pp. x + 233. £35/$54.95 Hb; £13.95/$19.95 Pb.
Willy Maley
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10 October 2001, pp. 294-315
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A Preface to Marlowe. By Stevie Simkin. Harlow: Pearson Education, 2000. Pp. x + 270 + illus. £15.99 Pb.
Simon Shepherd
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10 October 2001, pp. 294-315
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British Theatre and the Red Peril: The Portrayal of Communism, 1917–1945. By Steve Nicholson. Exeter: University of Exeter Press, 1999. Pp. xx + 195 + illus. £42.50 Hb; £14.99 Pb.
Colin Chambers
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15 June 2001, pp. 209-221
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Il Tragico e L'Umorismo: Studio Sulla Dramaturgia di Samuel Beckett. By Annamaria Cascetta, with an Afterword by Stanley E. Gontarski. Florence: Le Lettere, 2000. Pp. 403 + illus. L60.000; 30.99 Euros Pb.
Daniela Caselli
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21 March 2001, pp. 117-125
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Visual Ephemera: Theatrical Art in Nineteenth-Century Australia. By Anita Callaway. Sydney: University of New South Wales Press, 2000. Pp. xi + 227 + illus. AUS$50 Hb.
Jim Davis
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15 June 2001, pp. 209-221
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Reception and Renewal in Spanish Theatre. By John London. London: W. S. Maney & Son, for Modern Humanities Research Association, 1997. Pp. xiv + 273. £30 Pb.
Mike Gonzalez
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10 October 2001, pp. 294-315
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European Medieval Drama 1: Papers from the First International Conference on European Medieval Drama. Edited by Sydney Higgins. Turnhout: Brepols, 1997. Pp. x + 246 + illus. 50 Euros; 2017 BF Pb. European Medieval Drama 2: Papers from the Second International Conference on European Medieval Drama. Edited by Sydney Higgins. Turnhout: Brepols, 1998. Pp. xii + 291 + illus. 50 Euros; 2017 BF Pb.
Sandra Billington
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21 March 2001, pp. 117-125
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Political Passions: Gender, The Family and Political Argument in England, 1680–1714. By Rachel Weil. Manchester: Manchester University Press, 1999. Pp. x + 262. £45 Hb.
Michael Cordner
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15 June 2001, pp. 209-221
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The Geography of Empire in English Literature, 1580–1745. By Bruce McLeod. Cambridge: Cambridge University Press, 1999. Pp. xii + 284 + illus. £37.50 Hb.
Willy Maley
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21 March 2001, pp. 117-125
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A History of Russian Theatre. Edited by Robert Leach and Victor Borovsky. Cambridge: Cambridge University Press, 1999. Pp. xv + 446 + illus. £55; $99 Hb.
Maria Shevtsova
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10 October 2001, pp. 294-315
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Reading Theatre. By Anne Ubersfeld. Translated by Frank Collins. Edited and with a foreword by Paul Perron and Patrick Debbèche. Toronto: University of Toronto Press, 1999. Pp. xxiv + 219. £40/$50 Hb; £14/$21.95 Pb.
Daniel Meyer-Dinkgräfe
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10 October 2001, pp. 294-315
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Thatcher's Theatre: British Theatre and Drama in the Eighties. By Keith Peacock. Westport, CT and London: Greenwood Press, 2000. Pp. xii + 231. £47.95; $59.95 Hb.
Philip Roberts
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21 March 2001, pp. 117-125
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Method Acting Reconsidered: Theory, Practice, Future. Edited by David Krasner. New York: St Martin's Press, 2000. Pp. 312. $59.95 Hb; $18.95 Pb.
Steve Vineberg
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15 June 2001, pp. 209-221
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A Documentary History of the African Theatre. By George A. Thompson, Jr. Evanston: Northwestern University Press, 1998. Pp. xiii + 254. $54.95 Hb.
Edward Kahn
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10 October 2001, pp. 294-315
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Legislative Theatre. By Augusto Boal. London: Routledge, 1998. Pp. 254. £14.99 Pb.
Baz Kershaw
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15 June 2001, pp. 209-221
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Books Received
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21 March 2001, pp. 126-128
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Page 3 of 4

Theatre Research International

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Volume 26 - March 2001

Book Review

Greek Theatre Performance: An Introduction. By David Wiles. Cambridge: Cambridge University Press, 2000. Pp. xii + 243 + illus. £12.95/$19.95 Pb.

Drama and Community: People and Plays in Medieval Europe (Medieval Texts and Cultures in Northern Europe). Edited by Alan Hindley. Turnhout: Brepols, 1999. Pp. xii + 294 + illus. [euro]50/2017 BF Hb.

Theatrical Costume, Masks, Make-up and Wigs. A Bibliography and Iconography. By Sidney Jackson Jowers and John Cavanagh. London and New York: Routledge; Romsey: Motley Press, 2000. Pp. 542 Hb.

Space in Performance: Making Meaning in the Theatre. By Gay McAuley. Ann Arbor, MI: University of Michigan Press, 1999. Pp. x + 310 + illus. £32; $44.50 Hb.

Shakespeare and Race. Edited by Catherine M. S. Alexander and Stanley Wells. Cambridge: Cambridge University Press, 2000. Pp. x + 233. £35/$54.95 Hb; £13.95/$19.95 Pb.

A Preface to Marlowe. By Stevie Simkin. Harlow: Pearson Education, 2000. Pp. x + 270 + illus. £15.99 Pb.

British Theatre and the Red Peril: The Portrayal of Communism, 1917–1945. By Steve Nicholson. Exeter: University of Exeter Press, 1999. Pp. xx + 195 + illus. £42.50 Hb; £14.99 Pb.

Il Tragico e L'Umorismo: Studio Sulla Dramaturgia di Samuel Beckett. By Annamaria Cascetta, with an Afterword by Stanley E. Gontarski. Florence: Le Lettere, 2000. Pp. 403 + illus. L60.000; 30.99 Euros Pb.

Visual Ephemera: Theatrical Art in Nineteenth-Century Australia. By Anita Callaway. Sydney: University of New South Wales Press, 2000. Pp. xi + 227 + illus. AUS$50 Hb.

Reception and Renewal in Spanish Theatre. By John London. London: W. S. Maney & Son, for Modern Humanities Research Association, 1997. Pp. xiv + 273. £30 Pb.

Political Passions: Gender, The Family and Political Argument in England, 1680–1714. By Rachel Weil. Manchester: Manchester University Press, 1999. Pp. x + 262. £45 Hb.

The Geography of Empire in English Literature, 1580–1745. By Bruce McLeod. Cambridge: Cambridge University Press, 1999. Pp. xii + 284 + illus. £37.50 Hb.

A History of Russian Theatre. Edited by Robert Leach and Victor Borovsky. Cambridge: Cambridge University Press, 1999. Pp. xv + 446 + illus. £55; $99 Hb.

Reading Theatre. By Anne Ubersfeld. Translated by Frank Collins. Edited and with a foreword by Paul Perron and Patrick Debbèche. Toronto: University of Toronto Press, 1999. Pp. xxiv + 219. £40/$50 Hb; £14/$21.95 Pb.

Thatcher's Theatre: British Theatre and Drama in the Eighties. By Keith Peacock. Westport, CT and London: Greenwood Press, 2000. Pp. xii + 231. £47.95; $59.95 Hb.

Method Acting Reconsidered: Theory, Practice, Future. Edited by David Krasner. New York: St Martin's Press, 2000. Pp. 312. $59.95 Hb; $18.95 Pb.

A Documentary History of the African Theatre. By George A. Thompson, Jr. Evanston: Northwestern University Press, 1998. Pp. xiii + 254. $54.95 Hb.

Legislative Theatre. By Augusto Boal. London: Routledge, 1998. Pp. 254. £14.99 Pb.

Books Received

Theatre Research International

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Volume 26 - March 2001

Book Review