Theatre Research International: Volume 24 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 24 - Autumn 1999

Contents

Page 3 of 4

Reviews

The Orient and The Boulevards: Exoticism, Empire and Nineteenth-Century French Theater. By Angela C. Pao. Philadelphia: University of Pennsylvania Press, 1998. Pp. x + 236. $39.95 Hb.
Brian Singleton
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23 January 2009, pp. 216-217
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Homosexualities in the English Theatre: From Lyly to Wilde. By John Franceschina. Westport, CT: Greenwood Press, 1997. Pp. xiv + 340. $59.95. Hb.
Todd Gilman
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23 January 2009, p. 295
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Women in Russian Theatre: The Actress in the Silver Age. By Catherine A. Schuler. London & New York: Routledge, 1996. Pp. xi + 260 + illus. £14.99 Pb.
Vera Gottlieb
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23 January 2009, pp. 217-218
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Struggle, Defeat or Rebirth: Eugene O'Neill's Vision of Humanity. By Thierry Dubost. Jefferson, NC: McFarland, 1997. Pp. xiii + 279. $36.50 Hb.
Stephen A. Black
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23 January 2009, p. 295
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Straight Acting: Popular Gay Drama from Wilde to Rattigan. By Sean O'Connor. London: Cassell, 1998. Pp. ix + 245. £16.99 Pb.
Brian Roberts
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23 January 2009, p. 114
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Body Ascendant: Modernism and the Physical Imperative. By Harold B. Segel. Baltimore & London: The Johns Hopkins University Press, 1998. Pp. i + 282 + illus. $35.95 Hb.
Cara Gargano
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23 January 2009, p. 296
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American Women Playwrights, 1900–1950. By Yvonne Shafer. New York: Peter Lang, 1995. Pp. ix + 547. $34.95 Hb.
Bette Mandl
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23 January 2009, pp. 114-115
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Max Herrmann und die Anfänge Der Theaterwissenschaft: Mit Teilweise Unveröffentlichten Materialien. By Stefan Corssen. Tübingen: Niemeyer, 1998 (Theatron. Studien zur Geschichte und Theorie der dramatischen K¨nste, vol. 24). Pp. viii + 300 + illus. DM134 Pb.
Hans-Christian v. Herrmann
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23 January 2009, pp. 218-219
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Shakespeare on the German Stage: The Twentieth Century. By Wilhelm Hortmann (with a section on ‘Shakespeare on Stage in the German Democratic Republic’ by Maik Hamburger). Cambridge: Cambridge University Press, 1998. Pp. 497. £45; $69.95 Hb.
Erika Fischer-Lichte
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23 January 2009, pp. 219-220
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Théâtre Populaire, 1953–1964: Histoire Dée. By Marco Consolini. (Translated From Italian By Karin Wackers-Espinosa.) Paris: Editions De L'IMEC, 1998. Pp. 388 + Illus. 220 FF Pb.
Andy Stafford
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23 January 2009, p. 297
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Beckett Before Godot: The Formative Years, 1929–1946. By John Pilling. Cambridge: Cambridge University Press, 1998. Pp. xiv + 277. £37.50; $59.95 Hb.
Anna McMullan
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23 January 2009, pp. 115-116
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Later Stages: Essays in Ontario Theatre from the First World War to the 1970s. Edited by Ann Saddlemyer & Richard Plant. Toronto: University of Toronto Press, 1997. Pp. xiii + 496 + illus. £44/$60 Hb;£18.50/$24.95Pb.
Ronald Vince
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23 January 2009, pp. 116-117
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Theatre and Society in South Africa: Reflections in a Fractured mirror. By Temple Hauptfleisch. Pretoria: J.L. van Schaik, 1997. Pp. x + 197 + illus. No price Pb.
Jane Plastow
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23 January 2009, pp. 297-298
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Staging the Holocaust: The Shoah in Drama and Performance. Edited by Claude Schumacher. Cambridge: Cambridge University Press. 1998. Pp. xvi + 355 + illus. £37.50 Hb.
Stephen C. Feinstein
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23 January 2009, pp. 220-221
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Gardzienice: Polish Theatre in Transition. By Paul Allain. Amsterdam: Harwood, 1997. Pp. xi + 164 + illus. £16; $25 Pb.
Moray McGowan
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23 January 2009, pp. 298-299
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Peggy: The Life of Margaret Ramsay, Play Agent. By Colin Chambers. London: Nick Hem Books, 1997. Pp. xi + 361. £20 Hb.
Andrew McKinnon
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23 January 2009, pp. 117-118
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Brecht and Method. By Fredric Jameson. London & New York: Verso, 1998. Pp. 184. £19 Hb.
Maria Shevtsova
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23 January 2009, pp. 221-222
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British Theatre Since the War. By Dominic Shellard. New Haven & London: Yale University Press, 1999. Pp. xix + 259. £20/$30 Hb.
Dan Rebellato
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23 January 2009, p. 299
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The Theatre of Heiner Müller. By Jonathan Kalb. Cambridge: Cambridge University Press, 1998. Pp. xix + 255 + illus. £40; $59.95 Hb.
Dean Wilcox
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23 January 2009, pp. 222-223
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Peter Shaffer: Theatre and Drama. By Madeleine MacMurragh-Kavanagh. Basingstoke: Macmillan, 1998. Pp. xiii + 208. £42.50 Hb.
Dominic Shellard
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23 January 2009, p. 118
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Page 3 of 4

Theatre Research International

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Volume 24 - Autumn 1999

Reviews

The Orient and The Boulevards: Exoticism, Empire and Nineteenth-Century French Theater. By Angela C. Pao. Philadelphia: University of Pennsylvania Press, 1998. Pp. x + 236. $39.95 Hb.

Homosexualities in the English Theatre: From Lyly to Wilde. By John Franceschina. Westport, CT: Greenwood Press, 1997. Pp. xiv + 340. $59.95. Hb.

Women in Russian Theatre: The Actress in the Silver Age. By Catherine A. Schuler. London & New York: Routledge, 1996. Pp. xi + 260 + illus. £14.99 Pb.

Struggle, Defeat or Rebirth: Eugene O'Neill's Vision of Humanity. By Thierry Dubost. Jefferson, NC: McFarland, 1997. Pp. xiii + 279. $36.50 Hb.

Straight Acting: Popular Gay Drama from Wilde to Rattigan. By Sean O'Connor. London: Cassell, 1998. Pp. ix + 245. £16.99 Pb.

Body Ascendant: Modernism and the Physical Imperative. By Harold B. Segel. Baltimore & London: The Johns Hopkins University Press, 1998. Pp. i + 282 + illus. $35.95 Hb.

American Women Playwrights, 1900–1950. By Yvonne Shafer. New York: Peter Lang, 1995. Pp. ix + 547. $34.95 Hb.

Max Herrmann und die Anfänge Der Theaterwissenschaft: Mit Teilweise Unveröffentlichten Materialien. By Stefan Corssen. Tübingen: Niemeyer, 1998 (Theatron. Studien zur Geschichte und Theorie der dramatischen K¨nste, vol. 24). Pp. viii + 300 + illus. DM134 Pb.

Shakespeare on the German Stage: The Twentieth Century. By Wilhelm Hortmann (with a section on ‘Shakespeare on Stage in the German Democratic Republic’ by Maik Hamburger). Cambridge: Cambridge University Press, 1998. Pp. 497. £45; $69.95 Hb.

Théâtre Populaire, 1953–1964: Histoire Dée. By Marco Consolini. (Translated From Italian By Karin Wackers-Espinosa.) Paris: Editions De L'IMEC, 1998. Pp. 388 + Illus. 220 FF Pb.

Beckett Before Godot: The Formative Years, 1929–1946. By John Pilling. Cambridge: Cambridge University Press, 1998. Pp. xiv + 277. £37.50; $59.95 Hb.

Later Stages: Essays in Ontario Theatre from the First World War to the 1970s. Edited by Ann Saddlemyer & Richard Plant. Toronto: University of Toronto Press, 1997. Pp. xiii + 496 + illus. £44/$60 Hb;£18.50/$24.95Pb.

Theatre and Society in South Africa: Reflections in a Fractured mirror. By Temple Hauptfleisch. Pretoria: J.L. van Schaik, 1997. Pp. x + 197 + illus. No price Pb.

Staging the Holocaust: The Shoah in Drama and Performance. Edited by Claude Schumacher. Cambridge: Cambridge University Press. 1998. Pp. xvi + 355 + illus. £37.50 Hb.

Gardzienice: Polish Theatre in Transition. By Paul Allain. Amsterdam: Harwood, 1997. Pp. xi + 164 + illus. £16; $25 Pb.

Peggy: The Life of Margaret Ramsay, Play Agent. By Colin Chambers. London: Nick Hem Books, 1997. Pp. xi + 361. £20 Hb.

Brecht and Method. By Fredric Jameson. London & New York: Verso, 1998. Pp. 184. £19 Hb.

British Theatre Since the War. By Dominic Shellard. New Haven & London: Yale University Press, 1999. Pp. xix + 259. £20/$30 Hb.

The Theatre of Heiner Müller. By Jonathan Kalb. Cambridge: Cambridge University Press, 1998. Pp. xix + 255 + illus. £40; $59.95 Hb.

Peter Shaffer: Theatre and Drama. By Madeleine MacMurragh-Kavanagh. Basingstoke: Macmillan, 1998. Pp. xiii + 208. £42.50 Hb.

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Volume 24 - Autumn 1999

Reviews