Book Reviews
The Performance Arts in Africa: A Reader. Edited by Frances Harding. London: Routledge, 2002. Pp.364. £18.89 Pb.
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- 17 February 2003, pp. 96-121
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Herrschaft des Symbolischen: Bewegungsformen gesellschaftlicher Theatralität Europa, Asien, Afrika. Edited by Antje Budde and Joachim Fiebach. Berliner Theaterwissenschaft, Band 8. Berlin: Vistas, 2002. Pp. 366 + illus. €24 Pb.
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On the Edge of Your Seat: Popular Theater and Film in Early Twentieth-Century American Art. By Patricia McDonnell with contributions by Robert C. Allen, C. Lance Brockman, Leo Charney, Walter Murch, David Nasaw, Robert Silberman, Laural Weintraub, Sylvia Yount and Rebecca Zurier. New Haven and London: Yale University Press in association with the Frederick R. Weisman Art Museum, University of Minnesota, 2002. Pp. xii + 219 + illus. $45/£35 Hb.
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Beckett: Waiting for Godot (Plays in Production). By David Bradby. Cambridge: Cambridge University Press, 2001. Pp. xii + 255 + illus. £40/$60 Hb; £14.95/$22 Pb.
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Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590–1619. By Clare McManus. Manchester University Press, 2002. Pp. xi + 276. £45 Hb; £14.99 Pb.
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Room, Room, Ladies and Gentlemen ...: An Introduction to the English Mummers' Play. By Eddie Cass and Steve Roud. London: English Folk Dance and Song Society, 2002. Pp. 120 + illus. £12.95 Pb.
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Women and Theatre in the Age of Suffrage: The Pioneer Players, 1911-1925. By Katharine Cockin. Basingstoke & New York: Palgrave, 2001. Pp. x + 239. £42.50 Hb.
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Double Act: A Life of Tom Stoppard. By Ira Nadel. London, Methuen, 2002. Pp. xviii + 622 + illus. £25 Hb. Stoppard's Theatre: Finding Order Amid Chaos. By John Fleming. Austin: University of Texas Press, 2001. Pp. xvii + 325. £34.50 Hb.
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Ben Jonson and Possessive Authorship. By Joseph Loewenstein. Cambridge: Cambridge University Press, 2002. Pp. xii + 221. £45/$60 Hb.
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Books Received
Books Received
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- 17 February 2003, pp. 122-123
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